Aaron Spangler
01 May - 20 Jun 2009
Aaron Spangler, Song Bird, 2009
Studio shoot, Basswood painted with black gesso and a touch of graphite, 152,4 x 274,3 x 71,1 cm
Studio shoot, Basswood painted with black gesso and a touch of graphite, 152,4 x 274,3 x 71,1 cm
Aaron Spangler
Paranoid Defenders
Galerie Michael Janssen is pleased to announce its first solo showing of works by sculptor Aaron Spangler.
Spangler brings his uniquely American vision to three monumental new pieces, executed in the superbly detailed bas relief technique that epitomizes his practice. His carvings are coated in black gesso and then graphite, lending them a slightly ghoulish appearance, sug¬gestive of relics or talismans. Spangler not only expresses a native Midwesterner’s sympathetic eye for what remains in the wake of the region’s industrial decline, but defies the conventions of wood carving by transforming a marginalized craft into a conduit for the mythology of the American Prairie, without dimin¬ishing the medium’s tactility or symbolic richness.
Less narratively driven than some of his earlier work, Spangler has been influenced here by the distinctive extravagance of the art deco era. The elaborate two-sided Songbird harkens back to a period when American populism spoke to the common man, while engaging in backdoor violence. Enigmatic masks, shotgun blasts and militant hippies occupy the same planes as a gloriously feathered creature, a lovingly rendered image of the artist’s own Minnesota home and fairy-tale-like beasts. The absurdity of portraying a violent warring “defender” in the guise of a songbird on one face and an intricate mechanical floral motif on the reverse exemplifies Spangler’s wedding of martial elements and rural spirit with an anarchist twinge.
His repertoire of Midwestern Gothic themes continues in the freestanding openwork piece Maple Man, in which a leafy supranatural creature creeps over symbols of a rural Armageddon. The abstract wall piece, Boreal Sky, is a rich flourish composed of the detritus of the other carvings, but speaks no less to the striking makeup of the current American spirit.
Aaron Spangler (*1971 in Minneapolis, Minnesota) lives and works in Brooklyn, New York and Minnesota. He received a BFA from the Minneapolis College of Art and Design.
He studied at the Minneapolis College of Art and Design and was shown at least in the exhibition ‚Heartland’ of the Van Abbemuseum, Eindhoven.
Paranoid Defenders
Galerie Michael Janssen is pleased to announce its first solo showing of works by sculptor Aaron Spangler.
Spangler brings his uniquely American vision to three monumental new pieces, executed in the superbly detailed bas relief technique that epitomizes his practice. His carvings are coated in black gesso and then graphite, lending them a slightly ghoulish appearance, sug¬gestive of relics or talismans. Spangler not only expresses a native Midwesterner’s sympathetic eye for what remains in the wake of the region’s industrial decline, but defies the conventions of wood carving by transforming a marginalized craft into a conduit for the mythology of the American Prairie, without dimin¬ishing the medium’s tactility or symbolic richness.
Less narratively driven than some of his earlier work, Spangler has been influenced here by the distinctive extravagance of the art deco era. The elaborate two-sided Songbird harkens back to a period when American populism spoke to the common man, while engaging in backdoor violence. Enigmatic masks, shotgun blasts and militant hippies occupy the same planes as a gloriously feathered creature, a lovingly rendered image of the artist’s own Minnesota home and fairy-tale-like beasts. The absurdity of portraying a violent warring “defender” in the guise of a songbird on one face and an intricate mechanical floral motif on the reverse exemplifies Spangler’s wedding of martial elements and rural spirit with an anarchist twinge.
His repertoire of Midwestern Gothic themes continues in the freestanding openwork piece Maple Man, in which a leafy supranatural creature creeps over symbols of a rural Armageddon. The abstract wall piece, Boreal Sky, is a rich flourish composed of the detritus of the other carvings, but speaks no less to the striking makeup of the current American spirit.
Aaron Spangler (*1971 in Minneapolis, Minnesota) lives and works in Brooklyn, New York and Minnesota. He received a BFA from the Minneapolis College of Art and Design.
He studied at the Minneapolis College of Art and Design and was shown at least in the exhibition ‚Heartland’ of the Van Abbemuseum, Eindhoven.