Carey Young
31 Aug - 10 Nov 2013
© Carey Young
Body Techniques (after A line in Ireland, Richard Long, 1974), 2007
Lightjet print
121.9 x 151.8 cm
Body Techniques (after A line in Ireland, Richard Long, 1974), 2007
Lightjet print
121.9 x 151.8 cm
CAREY YOUNG
Legal Fictions
31 August – 10 November 2013
Carey Young (b. 1970, lives and works in London) uses a variety of media to explore the relationships between the body, language, rhetoric, and systems of power. Her exhibition at the Migros Museum für Gegenwartskunst is her first solo show in Switzerland and the first to focus on her innovative body of work featuring law and legal language. The show will include a number of new commissions that are contextualised by various earlier works.
Young’s law-based works address the monolithic power of the legal system. The artist examines law as a conceptual and abstract space in which power, rights, and authority are played out through varying forms of performance and language. With the drafting assistance of legal advisers, her works often take the form of experimental but functional legal instruments such as contracts, and also employ media such as video, installation, and text. The works in the show call law’s authority into question and create slippages in the law by playfully adopting as well as disrupting its forms and methods and by highlighting its gaps, ambiguities, and subjectivities.
Legal Fictions
31 August – 10 November 2013
Carey Young (b. 1970, lives and works in London) uses a variety of media to explore the relationships between the body, language, rhetoric, and systems of power. Her exhibition at the Migros Museum für Gegenwartskunst is her first solo show in Switzerland and the first to focus on her innovative body of work featuring law and legal language. The show will include a number of new commissions that are contextualised by various earlier works.
Young’s law-based works address the monolithic power of the legal system. The artist examines law as a conceptual and abstract space in which power, rights, and authority are played out through varying forms of performance and language. With the drafting assistance of legal advisers, her works often take the form of experimental but functional legal instruments such as contracts, and also employ media such as video, installation, and text. The works in the show call law’s authority into question and create slippages in the law by playfully adopting as well as disrupting its forms and methods and by highlighting its gaps, ambiguities, and subjectivities.