Laughing on the Outside: Selections from the Permanent Collection
16 Aug - 31 Dec 2017
Gabriel Orozco, Ping Pond Table (Mesa de ping-pong con estanque), 1998
mixed media, 30 x 167 3/4 x 167 3/4 in. (76.2 x 426.1 x 426.1 cm)
The Museum of Contemporary Art, Los Angeles, purchased with funds provided by The Acquisition and Collection Committee
mixed media, 30 x 167 3/4 x 167 3/4 in. (76.2 x 426.1 x 426.1 cm)
The Museum of Contemporary Art, Los Angeles, purchased with funds provided by The Acquisition and Collection Committee
LAUGHING ON THE OUTSIDE: SELECTIONS FROM THE PERMANENT COLLECTION
16 August – 31 December 2017
Curator: Anna Katz
Laughing on the Outside: Selections from the Permanent Collection presents artworks from MOCA’s collection that register the ludicrous, the impossible, and the playful. On view are stairs that lead to nowhere, invitations to exhibitions that contain no objects, and boots that appear to walk by themselves. The centerpiece is Gabriel Orozco’s interactive sculpture Ping Pond Table (Mesa de ping-pong con estanque) (1998). Museumgoers are invited to play with the paddles and balls provided, though it is likely they will need to invent new rules for a new game. While the artists belong to different periods and nations, they all orient art toward play, often via absurdity and ridiculousness, and in ways that deflate the grandiosity that sometimes accompanies the word “art.”
16 August – 31 December 2017
Curator: Anna Katz
Laughing on the Outside: Selections from the Permanent Collection presents artworks from MOCA’s collection that register the ludicrous, the impossible, and the playful. On view are stairs that lead to nowhere, invitations to exhibitions that contain no objects, and boots that appear to walk by themselves. The centerpiece is Gabriel Orozco’s interactive sculpture Ping Pond Table (Mesa de ping-pong con estanque) (1998). Museumgoers are invited to play with the paddles and balls provided, though it is likely they will need to invent new rules for a new game. While the artists belong to different periods and nations, they all orient art toward play, often via absurdity and ridiculousness, and in ways that deflate the grandiosity that sometimes accompanies the word “art.”