Modern Art Oxford

Kiki Kogelnik

Fly Me to the Moon

22 Aug - 18 Oct 2015

Kiki Kogelnik
Fly Me to the Moon, 1963
Oil and acrylic on canvas
244 x 185cm
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Death with Sunglasses, c. 1963
Oil and acrylic on canvas
91 x 122cm
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Untitled (Spaceship), c. 1963
Ink, foil, newspaper and acrylic on paper
50 x 65cm.
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Nescafe Nescafe, c. 1963
Collage, ink and acrylic on paper
44 x 63cm
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Untitled (small hanging), 1968
Sheet vinyl-cutouts and wire on painted wood, Plexiglas
42 x 25 x 31cm
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Claes, c. 1970
Mixed media with sheet vinyl and hanger
150 x 50 x 4cm
Lisa Rastl/ Kogelnik Foundation Vienna/ New York
Kiki Kogelnik
Orange Naked, c. 1986
Glazed ceramics and wire on painted wood
52 x 20 x 50cm
Andrew Rinkhy/ Kogelnik Foundation Vienna/ New York
KIKI KOGELNIK
Fly Me to the Moon
22 August — 18 October 2015

Modern Art Oxford presents the first solo exhibition in the UK of acclaimed Austrian artist Kiki Kogelnik (1935-1997).

Working in New York in the 1960s, Kogelnik was a well-known artist and contemporary of figures such as Roy Lichtenstein and Andy Warhol. Despite her early popularity, Kogelnik’s work was often overlooked by institutions and slowly written out of the history of post-war Western art.

Fly Me To The Moon surveys the diverse practice of this remarkable artist, focusing in particular on the works produced by Kogelnik during her time in New York in the 1960s and 1970s.

The exhibition includes a number of paintings, sculptures and drawings which reflect the tumult of the Cold War era, when the Space Race was at its height and fears of nuclear annihilation were growing.

Throughout her career, Kogelnik employed an exuberant palette, which belied its often apocalyptic subjects; from macabre skulls and severed limbs to disembowelled figures. These deathly bodies, rendered disposable in an increasingly mechanised world, sound a note of caution in an era continually transformed by new technologies.

With thanks to the Kiki Kogelnik Foundation, Mono Schwarz-Kogelnik, Elisabeth Koegler, Director, Austrian Cultural Forum, London, and Bundeskanzleramt Österreich.

Kiki Kogelnik

Kiki Kogelnik was born in 1935 in Kärnten, Austria, and died in Vienna 1997. She lived and worked in New York and Vienna. Kogelnik’s work has been featured in recent exhibitions including MAK – Museum of Applied Arts, Vienna, Austria (1996); Österreichische Galerie Belvedere, Vienna (retrospective) (1998); Kunsthalle Wien, Austria (2010); Brooklyn Museum, New York (2010); Hamburger Kunstverein, Hamburg (2012); Louisiana Museum, Denmark (2012); Barbican Centre, London (2013) and Kunsthalle Krems, Austria (2013). Kogelnik’s work will be featured in the forthcoming exhibition The World Goes Pop at Tate Modern, London (2015) and Mother of the Year at LENTOS Kunstmuseum Linz, Austria (2015).
 

Tags: Kiki Kogelnik, Roy Lichtenstein, Andy Warhol