Performance 1: Tehching Hsieh
21 Jan - 18 May 2009
Installation view of the exhibition, "Performance 1: Tehching Hsieh"
January 21, 2009–May 18, 2009. IN2065.11. Photograph by Jonathan Muzikar.
January 21, 2009–May 18, 2009. IN2065.11. Photograph by Jonathan Muzikar.
The Yoshiko and Akio Morita Gallery, second floor
This is the inaugural installation in an ongoing series that will bring performance documentation, original performance pieces, and live reenactments of historic performances to various locations throughout the Museum. The first artist to be spotlighted is Tehching Hsieh (b. 1950, Taiwan), who is best known for his five One Year Performances: between 1978 and 1986, the artist spent one year locked inside a cage, one year punching a time clock every hour, one year completely outdoors, one year tied to another person, and, lastly, one year without making, viewing, discussing, reading about, or in any other way participating in art. Hsieh's final performance piece, Thirteen Year Plan, was completed in 1999 after a process lasting thirteen years. This exhibition focuses on the artist's earliest performance, commonly called his Cage Piece (1978–79), with 365 photographs meticulously documenting the daily passing of time.
Organized by Klaus Biesenbach, Chief Curator, and Jenny Schlenzka, Assistant Curator for Performance, Department of Media.
This program is made possible by the Wallis Annenberg Fund for Innovation in Contemporary Art.
This is the inaugural installation in an ongoing series that will bring performance documentation, original performance pieces, and live reenactments of historic performances to various locations throughout the Museum. The first artist to be spotlighted is Tehching Hsieh (b. 1950, Taiwan), who is best known for his five One Year Performances: between 1978 and 1986, the artist spent one year locked inside a cage, one year punching a time clock every hour, one year completely outdoors, one year tied to another person, and, lastly, one year without making, viewing, discussing, reading about, or in any other way participating in art. Hsieh's final performance piece, Thirteen Year Plan, was completed in 1999 after a process lasting thirteen years. This exhibition focuses on the artist's earliest performance, commonly called his Cage Piece (1978–79), with 365 photographs meticulously documenting the daily passing of time.
Organized by Klaus Biesenbach, Chief Curator, and Jenny Schlenzka, Assistant Curator for Performance, Department of Media.
This program is made possible by the Wallis Annenberg Fund for Innovation in Contemporary Art.