Mot International

Beatriz Olabarrieta

18 Mar - 05 May 2012

© Beatriz Olabarrieta
NBA (detail), 2012
Hardboard, polystyrene balls, foan
BEATRIZ OLABARRIETA
Foliage
18 March - 5 May 2012

MOTINTERNATIONAL BRUSSELS is pleased to announce its’ first solo exhibition by gallery artist Beatriz Olabarrieta.

Olabarrieta makes dense free form sculptural installations that combine lo-fi building materials with video and photocopied images. Her highly original approach to these materials in conjunction with the myriad of open-ended scenarios that play out in both her short looped video sequences and tense sculptural melees make her an incredibly exciting artist to exhibit.

For Foliage Olabarrieta expands upon her interest in Deleuzian concepts, of the body without organs, where one thing leads to another. Her sculpture occupies space, finding its’ own form, as water, unconfined is free to splash, surge or trickle. Sheets of wood are interlaced with images, balls, or peppered with holes, sliced with machine cut slots that make them stand and sway on their newly manufactured limbs. More movement is created through low quality black and white videos of cut paper blowing in a fictional wind. Ball bearings and marbles role around on magazine pages, eluding the eye of the tiger, or the artist’s efforts to draw round them. The videos populate the installations on small screens or project from the sculptures themselves. Subject is lost, the form becomes alien and the viewer is presented with something that they cannot grasp.

Beatriz Olabarrieta was born in Bilboa, Spain in 1979 and graduated from the Royal Collage of Art in 2007. Selected previous exhibitions include: Trayecto Gallery, Vitoria, Spain; Artist of the Day, Flower Central, London, England; Les Télévisions, French Riviera, London, England; Hospitalarios, Sala Amárica, Vitoria, Spain; Echo, Sequence 2, Koraalberg Projects, Antwerp; Residents, Fundacion Bilbaoarte, Bilbao, Spain; Sonic Circuits Festival, Washington DC, USA Maus Habito, Oporto, Portugal.

Foliage will be accompanied by a text by London-based writer and curator Catherine Borra.