Hyper Real
22 Oct 2010 - 13 Feb 2011
Tom Wesselmann
Landscape #4, 1965
Ludwig Museum - Museum of Contemporary Art, Budapest, Foto: József Rosta, © VBK Wien, 2010
Landscape #4, 1965
Ludwig Museum - Museum of Contemporary Art, Budapest, Foto: József Rosta, © VBK Wien, 2010
HYPER REAL
Realism in Painting and Photography
22.10.10–13.02.11
Opening: October 21, 2010
At the end of the 1960s in the USA a group of painters stepped out of the shadows of Abstract Expressionism and turned towards the tradition of painterly realism but, however, in doing so they also exaggerated the illusionism that had been handed down from the 1920s and 1930s. These painters often used the photographic image as a verbatim model but could ‘correct’ the photographs as Chuck Close did in his portraits by placing different photos next to each other in order to give each segment of the picture its own focal point and, in a complex work process, turning photography into painting. Starting from the MUMOK’s extensive collection of 40 works, the exhibition places the museum’s own holdings in a context of realisms and investigates the concepts behind a painting genre that is determined by the subject matter of the city, streets, automobiles and the American way of life. Time and again the Photorealists emphasised the importance of Pop Art some of which is shown at the start of the exhibition before the presentation of the main protagonists such as Richard Estes, Ralph Goings or Don Eddy.
Curator
Susanne Neuburger
Realism in Painting and Photography
22.10.10–13.02.11
Opening: October 21, 2010
At the end of the 1960s in the USA a group of painters stepped out of the shadows of Abstract Expressionism and turned towards the tradition of painterly realism but, however, in doing so they also exaggerated the illusionism that had been handed down from the 1920s and 1930s. These painters often used the photographic image as a verbatim model but could ‘correct’ the photographs as Chuck Close did in his portraits by placing different photos next to each other in order to give each segment of the picture its own focal point and, in a complex work process, turning photography into painting. Starting from the MUMOK’s extensive collection of 40 works, the exhibition places the museum’s own holdings in a context of realisms and investigates the concepts behind a painting genre that is determined by the subject matter of the city, streets, automobiles and the American way of life. Time and again the Photorealists emphasised the importance of Pop Art some of which is shown at the start of the exhibition before the presentation of the main protagonists such as Richard Estes, Ralph Goings or Don Eddy.
Curator
Susanne Neuburger