Pattern and Decoration
Ornament as promise
23 Feb - 08 Sep 2019
Exhibition view Pattern and Decoration. Ornament as Promise, mumok – Museum moderner Kunst Stiftung Ludwig Wien
Tina Girouard, Walls Wallpaper III, 1974, Maintenance III: „Sewing, Washing, Wringing, Rinsing and Folding Solomon’s Lot, 1973, Air Space Stage I, II, 1972/2019; Robert Zakanitch, Tea Party, 1979
Photo: Stephan Wyckoff, © mumok
Tina Girouard, Walls Wallpaper III, 1974, Maintenance III: „Sewing, Washing, Wringing, Rinsing and Folding Solomon’s Lot, 1973, Air Space Stage I, II, 1972/2019; Robert Zakanitch, Tea Party, 1979
Photo: Stephan Wyckoff, © mumok
PATTERN AND DECORATION
Ornament as promise
23 February – 08 September 2019
Curated by Manuela Ammer
Ornament as Promise was the premise of the Pattern and Decoration movement in the United States (1975–1985). In this exhibition, mumok presents the rich collection of works from this movement of Peter and Irene Ludwig, in the largest presentation of Pattern and Decoration in German-speaking Europe since the 1980s.
With orient
al-style mosaics, monumental textile collages, paintings, installations, and performances, in the 1970s committed feminist artists like Miriam Schapiro, Joyce Kozloff, Valerie Jaudon, and Robert Kushner aimed to bring color, formal diversity, and emotion back into art. Decoration played a key role, with its connotations of the techniques of artisanship. Various ornamental traditions, from the Islamic world to North American Indians to Art Deco, were incorporated in their works, opening up a view beyond geographical and historical boundaries. A proximity to folk art was sought as a deliberate counter to the “purism” of the art of the 1960s.
With works by Brad Davis, Frank Faulkner, Tina Girouard, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Thomas Lanigan-Schmidt, Kim MacConnel, Miriam Schapiro, Kendall Shaw, Ned Smyth, Robert Zakanitch, and Joe Zucker
Ornament as promise
23 February – 08 September 2019
Curated by Manuela Ammer
Ornament as Promise was the premise of the Pattern and Decoration movement in the United States (1975–1985). In this exhibition, mumok presents the rich collection of works from this movement of Peter and Irene Ludwig, in the largest presentation of Pattern and Decoration in German-speaking Europe since the 1980s.
With orient
al-style mosaics, monumental textile collages, paintings, installations, and performances, in the 1970s committed feminist artists like Miriam Schapiro, Joyce Kozloff, Valerie Jaudon, and Robert Kushner aimed to bring color, formal diversity, and emotion back into art. Decoration played a key role, with its connotations of the techniques of artisanship. Various ornamental traditions, from the Islamic world to North American Indians to Art Deco, were incorporated in their works, opening up a view beyond geographical and historical boundaries. A proximity to folk art was sought as a deliberate counter to the “purism” of the art of the 1960s.
With works by Brad Davis, Frank Faulkner, Tina Girouard, Valerie Jaudon, Joyce Kozloff, Robert Kushner, Thomas Lanigan-Schmidt, Kim MacConnel, Miriam Schapiro, Kendall Shaw, Ned Smyth, Robert Zakanitch, and Joe Zucker