Bharat Sikka
06 - 27 Oct 2012
© Bharat Sikka
Untitled (baggi)
from the Series Matter
Archival digital print mounted on Aluminium
32” x 39.5" (81 x 100 cms)
Untitled (baggi)
from the Series Matter
Archival digital print mounted on Aluminium
32” x 39.5" (81 x 100 cms)
BHARAT SIKKA
Matter
6 - 27 October 2012
Nature Morte is pleased to announce “Matter,” a series of new works by photographer Bharat Sikka. “Matter” features a series of images in a variety of formats that blend studio, street, landscape and portrait photography into an image of the “new” India, an ancient culture slamming up against contemporary realities. The site of rapid change brought on by globalization and breakneck development, India is searching for its identity – trying on new ones, uneasily inhabiting traditional ones, and shedding out-moded ones. Sikka’s images explore this mercurial identity from his own very personal perspective: urban, educated, middle-class, cosmopolitan and self-conscious. The palette of “Matter” is doggedly reductive; eschewing India’s clichéd bright hues, Sikka limits himself to blacks, greys, whites and silvers. Sikka does not shy away from exposing every side of India’s uneven visual topography. All beautifully composed, the photographs show moments of brooding and alienation, moments of sheer energy, moments of teenage irreverence and moments of macabre allure. Mixing high and low, Sikka also pits the natural against the artificial: the peaks of the Himalayas are echoed in the folds and creases of a plastic sheet, while the unsettling gleam of a masked figure contrasts with the sensuous portraits of young men and women. Sikka has revealed the ambiguities visible in his transforming home country before: the earlier series’ “Indian Men” and “Space In-Between” portrayed the faces and landscapes of India with a similar aesthetic of uncertainty. Sikka himself has this to say about this new body of work: " ‘Matter’ is a visual record of the many things that come my way. From photographing the ordinary, to the dead and the alive, these images constitute things that evoke an impulsive emotion in me. They do not only merely determine my state of my mind, but also challenge the way I perceive my surroundings. Each of these images has their own story or perhaps none at all. From an impetuous decision of jotting a word down, to rather lifting my camera and making that picture, I am writing and making notes while also making images.
Bharat Sikka, born in 1973, completed a BFA degree at Parson’s School of Design in New York In 2002. Solo exhibitions of his works have been held at Nature Morte in New Delhi (2009) and Berlin (2011), Bose Pacia Kolkata (2007), Otto Zoo in Milan and the National Museum in New Delhi (2008), Project 88 in Mumbai and the Sunaparanta Art Center in Goa (2010). Sikka travels widely from his home in New Delhi, working as a photographer for numerous projects. His work has been published in prestigious newspapers and magazines such as The New York Times, GQ, Vogue India, Vogue Hommes International, I-D Magazine, Time Magazine, The New Yorker, and he has been a contributor to the Incredible India campaign.
Matter
6 - 27 October 2012
Nature Morte is pleased to announce “Matter,” a series of new works by photographer Bharat Sikka. “Matter” features a series of images in a variety of formats that blend studio, street, landscape and portrait photography into an image of the “new” India, an ancient culture slamming up against contemporary realities. The site of rapid change brought on by globalization and breakneck development, India is searching for its identity – trying on new ones, uneasily inhabiting traditional ones, and shedding out-moded ones. Sikka’s images explore this mercurial identity from his own very personal perspective: urban, educated, middle-class, cosmopolitan and self-conscious. The palette of “Matter” is doggedly reductive; eschewing India’s clichéd bright hues, Sikka limits himself to blacks, greys, whites and silvers. Sikka does not shy away from exposing every side of India’s uneven visual topography. All beautifully composed, the photographs show moments of brooding and alienation, moments of sheer energy, moments of teenage irreverence and moments of macabre allure. Mixing high and low, Sikka also pits the natural against the artificial: the peaks of the Himalayas are echoed in the folds and creases of a plastic sheet, while the unsettling gleam of a masked figure contrasts with the sensuous portraits of young men and women. Sikka has revealed the ambiguities visible in his transforming home country before: the earlier series’ “Indian Men” and “Space In-Between” portrayed the faces and landscapes of India with a similar aesthetic of uncertainty. Sikka himself has this to say about this new body of work: " ‘Matter’ is a visual record of the many things that come my way. From photographing the ordinary, to the dead and the alive, these images constitute things that evoke an impulsive emotion in me. They do not only merely determine my state of my mind, but also challenge the way I perceive my surroundings. Each of these images has their own story or perhaps none at all. From an impetuous decision of jotting a word down, to rather lifting my camera and making that picture, I am writing and making notes while also making images.
Bharat Sikka, born in 1973, completed a BFA degree at Parson’s School of Design in New York In 2002. Solo exhibitions of his works have been held at Nature Morte in New Delhi (2009) and Berlin (2011), Bose Pacia Kolkata (2007), Otto Zoo in Milan and the National Museum in New Delhi (2008), Project 88 in Mumbai and the Sunaparanta Art Center in Goa (2010). Sikka travels widely from his home in New Delhi, working as a photographer for numerous projects. His work has been published in prestigious newspapers and magazines such as The New York Times, GQ, Vogue India, Vogue Hommes International, I-D Magazine, Time Magazine, The New Yorker, and he has been a contributor to the Incredible India campaign.