Bani Abidi
An Unforeseen Situation
07 Mar - 30 Apr 2017
Bani Abidi
An Unforeseen Situation, exhibition view Neuer Berliner Kunstverein, 2017
© Neuer Berliner Kunstverein / Jens Ziehe
An Unforeseen Situation, exhibition view Neuer Berliner Kunstverein, 2017
© Neuer Berliner Kunstverein / Jens Ziehe
Bani Abidi
An Unforeseen Situation, exhibition view Neuer Berliner Kunstverein, 2017
© Neuer Berliner Kunstverein / Jens Ziehe
An Unforeseen Situation, exhibition view Neuer Berliner Kunstverein, 2017
© Neuer Berliner Kunstverein / Jens Ziehe
Bani Abidi, 2016
photo: Jens Ziehe
photo: Jens Ziehe
BANI ABIDI
An Unforeseen Situation
7 March – 30 April 2017
Curator: Kathrin Becker
Bani Abidi addresses nationalism and state power, as well as the tendencies within civil society to respond to state influence in an affirmative way or with subtle resistance. Her work is based on everyday and historical events, which she often fictionalizes. In doing so, she counters official measures intended to reshape the memory culture with a sense of humor that is based on the conviction that the depiction of history is often characterized by current claims to political power.
In her video work An Unforeseen Situation (2015), Abidi relates to a series of state-run competitions, organized by the Ministry of Sport in the Pakistani region of Punjab in 2014. According to reports, Pakistan broke several world records during these mass events. Bani Abidi uses this as an opportunity to tell her own version of such an event: a failed competition for the greatest mass singing of the national anthem. In this way she unmasks the absurdity of such interactions between state-run staging and civilian performance.
Facts and fiction intermingle in Bani Abidi’s video- and photography-based work, which at the same time plays with elements of the documentary. Claims to the “truth content” of the images and conceptions, by which people are classified on the basis of religious beliefs or cultural practices, are constantly undermined in Abidi’s work.
Biography
Bani Abidi (b. 1971 in Karachi, Pakistan, living in Berlin and Karachi), solo exhibitions include Kunsthaus Hamburg (2016); Dallas Contemporary (2015); Experimenter, Calcutta (2013); Baltic Center for Contemporary Art, Gateshead (2011). Group exhibitions include Aga Khan Museum, Toronto (2014/2015); Berlin Biennale (2014); Guggenheim Museum, New York (2013); ICA, London (2013); Württembergischer Kunstverein Stuttgart (2013; 2012); Haus der Kulturen der Welt, Berlin (2012); Kochi-Muziris Biennale (2012); Shanghai Biennale (2012); dOCUMENTA (13), Kassel (2012); National Taiwan Museum of Fine Arts (2011); Devi Art Foundation, Delhi (2011); ZKM, Karlsruhe (2011, 2007); Whitechapel Art Gallery, London (2010); Fotomuseum Winterthur (2010); Marrakech Biennale (2009); Lyon Biennale (2009); Asia Society, New York (2009, 2006); Gwangju Biennale (2008); Seoul International Media Art Biennale (2008); Singapore Biennale (2006).
An Unforeseen Situation
7 March – 30 April 2017
Curator: Kathrin Becker
Bani Abidi addresses nationalism and state power, as well as the tendencies within civil society to respond to state influence in an affirmative way or with subtle resistance. Her work is based on everyday and historical events, which she often fictionalizes. In doing so, she counters official measures intended to reshape the memory culture with a sense of humor that is based on the conviction that the depiction of history is often characterized by current claims to political power.
In her video work An Unforeseen Situation (2015), Abidi relates to a series of state-run competitions, organized by the Ministry of Sport in the Pakistani region of Punjab in 2014. According to reports, Pakistan broke several world records during these mass events. Bani Abidi uses this as an opportunity to tell her own version of such an event: a failed competition for the greatest mass singing of the national anthem. In this way she unmasks the absurdity of such interactions between state-run staging and civilian performance.
Facts and fiction intermingle in Bani Abidi’s video- and photography-based work, which at the same time plays with elements of the documentary. Claims to the “truth content” of the images and conceptions, by which people are classified on the basis of religious beliefs or cultural practices, are constantly undermined in Abidi’s work.
Biography
Bani Abidi (b. 1971 in Karachi, Pakistan, living in Berlin and Karachi), solo exhibitions include Kunsthaus Hamburg (2016); Dallas Contemporary (2015); Experimenter, Calcutta (2013); Baltic Center for Contemporary Art, Gateshead (2011). Group exhibitions include Aga Khan Museum, Toronto (2014/2015); Berlin Biennale (2014); Guggenheim Museum, New York (2013); ICA, London (2013); Württembergischer Kunstverein Stuttgart (2013; 2012); Haus der Kulturen der Welt, Berlin (2012); Kochi-Muziris Biennale (2012); Shanghai Biennale (2012); dOCUMENTA (13), Kassel (2012); National Taiwan Museum of Fine Arts (2011); Devi Art Foundation, Delhi (2011); ZKM, Karlsruhe (2011, 2007); Whitechapel Art Gallery, London (2010); Fotomuseum Winterthur (2010); Marrakech Biennale (2009); Lyon Biennale (2009); Asia Society, New York (2009, 2006); Gwangju Biennale (2008); Seoul International Media Art Biennale (2008); Singapore Biennale (2006).