Lawrence Weiner
27 Jan - 25 Jun 2017
Lawrence Weiner, OUT OF SIGHT, 2016
Language and the materials referred to, dimensions variable
Installation view: OUT OF SIGHT, Pérez Art Museum Miami
Courtesy the artist © 2016 Lawrence Weiner / Artists Rights Society (ARS), New York
Photo courtesy Pérez Art Museum Miami.
Language and the materials referred to, dimensions variable
Installation view: OUT OF SIGHT, Pérez Art Museum Miami
Courtesy the artist © 2016 Lawrence Weiner / Artists Rights Society (ARS), New York
Photo courtesy Pérez Art Museum Miami.
LAWRENCE WEINER
Out Of Sight
27 January – 25 June 2017
Larry Warsh, Guest Curator and Collaborator
OUT OF SIGHT is a generic structure by American artist Lawrence Weiner. Based upon the concept of a hopscotch and designed for public institutions, OUT OF SIGHT is flexible. The work is conceived to be exhibited in multiple languages.
Weiner’s signature is his text-based work. His language takes on a new dimension with OUT OF SIGHT, where its presentation takes the form of a game that invites viewers to engage with the work through motion.
Locations already on the calendar for OUT OF SIGHT include Melbourne, New York, Houston, Chicago, and Shanghai. Additional venues in Asia, Europe, and the United States will be confirmed in 2017. At PAMM the work is installed in a bilingual English-Spanish presentation.
Lawrence Weiner was born in 1942 in the South Bronx, New York City. After growing up in the city, he spent the late 1950s and early 1960s venturing in the United States, Mexico, and Canada. Weiner’s first exhibition as an artist was in a field in Mill Valley, California, in 1960. Since then, he has maintained:
ART IS THE EMPIRICAL FACT OF THE RELATIONSHIPS OF OBJECTS TO OBJECTS IN RELATION TO HUMAN BEINGS & NOT DEPENDANT UPON HISTORICAL PRECEDENT FOR EITHER USE OR LEGITIMACY
Out Of Sight
27 January – 25 June 2017
Larry Warsh, Guest Curator and Collaborator
OUT OF SIGHT is a generic structure by American artist Lawrence Weiner. Based upon the concept of a hopscotch and designed for public institutions, OUT OF SIGHT is flexible. The work is conceived to be exhibited in multiple languages.
Weiner’s signature is his text-based work. His language takes on a new dimension with OUT OF SIGHT, where its presentation takes the form of a game that invites viewers to engage with the work through motion.
Locations already on the calendar for OUT OF SIGHT include Melbourne, New York, Houston, Chicago, and Shanghai. Additional venues in Asia, Europe, and the United States will be confirmed in 2017. At PAMM the work is installed in a bilingual English-Spanish presentation.
Lawrence Weiner was born in 1942 in the South Bronx, New York City. After growing up in the city, he spent the late 1950s and early 1960s venturing in the United States, Mexico, and Canada. Weiner’s first exhibition as an artist was in a field in Mill Valley, California, in 1960. Since then, he has maintained:
ART IS THE EMPIRICAL FACT OF THE RELATIONSHIPS OF OBJECTS TO OBJECTS IN RELATION TO HUMAN BEINGS & NOT DEPENDANT UPON HISTORICAL PRECEDENT FOR EITHER USE OR LEGITIMACY