Toba Khedoori
21 Apr - 24 Sep 2017
Toba Khedoori, Untitled (branches 1), 2011–12
Oil on linen, 31 3/4 × 41 3/8 in.
Private collection, courtesy David Zwirner, New York/London, © Toba Khedoori
photo © Tim Nighswander
courtesy David Zwirner, New York/London and Regen Projects, Los Angeles
Oil on linen, 31 3/4 × 41 3/8 in.
Private collection, courtesy David Zwirner, New York/London, © Toba Khedoori
photo © Tim Nighswander
courtesy David Zwirner, New York/London and Regen Projects, Los Angeles
TOBA KHEDOORI
21 April – 24 September 2017
Toba Khedoori explores the artist’s nuanced and powerful body of work. Born in Sydney, Australia in 1964, Khedoori has lived and worked in Los Angeles since 1990. Her early works are notable for their precise draftsmanship and for their use of negative space—often at a very large scale. Khedoori frequently depicts architectural forms from distanced perspectives, rendering commonplace objects and spaces familiar yet decontextualized. In recent years, she has transitioned from paper to canvas, producing smaller¬-scale works that hover between representation and abstraction. Like her earlier compositions, these works are enigmatic and acutely detailed; in an art world awash with rapidly moving images and saturated colors, Khedoori remains committed to the silent, slow, and exacting process of working by hand. The exhibition is the first major museum presentation of Khedoori’s new paintings and her first survey in fifteen years.
21 April – 24 September 2017
Toba Khedoori explores the artist’s nuanced and powerful body of work. Born in Sydney, Australia in 1964, Khedoori has lived and worked in Los Angeles since 1990. Her early works are notable for their precise draftsmanship and for their use of negative space—often at a very large scale. Khedoori frequently depicts architectural forms from distanced perspectives, rendering commonplace objects and spaces familiar yet decontextualized. In recent years, she has transitioned from paper to canvas, producing smaller¬-scale works that hover between representation and abstraction. Like her earlier compositions, these works are enigmatic and acutely detailed; in an art world awash with rapidly moving images and saturated colors, Khedoori remains committed to the silent, slow, and exacting process of working by hand. The exhibition is the first major museum presentation of Khedoori’s new paintings and her first survey in fifteen years.