Sam Durant
19 Feb - 27 Mar 2011
SAM DURANT
Mirror Travels In Neoliberalism
19 February - 27 March, 2011
Praz-Delavallade is pleased to announce their third solo-exhibition by Los Angeles based artist Sam Durant. Through his drawings, sculptures and installations, Sam Durant explores the realms of pop culture, history and memoralization in order to question the values of American society. After having focused on such pivotal periods as the civil-rights era, the 1968 student riots, and the last century’s struggle between Native Americans and European settlers, economics have taken a determinant place in his more recent series.
The title of the show refers to Amercian artist Robert Smithson’s work Yucatan Mirror Displacements (1969) which was itself a reference to writer John Lloyd Stephen’s book Incidents of Travel in Yucatan (1843). At the forefront in all of his work, the mirror interests Sam Durant because of its potent symbolic charge. Evocative of both reflection and reflexion,
a mirror suggests the creation of a perspective leading to an infi nite number of interpretations. The viewer fi nds himself involved in the work, both through the refl ected image and his own refl exion process.
These references to «mirror travels» are then mapped onto particularly nihilistic examples of street graffi ti. Each work consists of the reproduction of a graffi ti slogan stenciled onto a mirror. Although the slogans are from multiple locations and different years they can be understood as responses to the effects of neoliberalism’s global hegemony.
Beginning on a global scale in the late 1970’s by the governments of Ronald Reagan in the US, Margaret Thatcher in the UK and Deng Xiaoping in China, neoliberalism was created primarily by conservative economists based at the University of Chicago. It has since been adopted or imposed as the global economic system through institutions like the World Bank, The International Monetary Fund and the World Trade Organization.
Through his work, Sam Durant addresses what he considers neoliberal economic policy’s main achievement: the restoration of class power to the world’s elites along with the largest upward transfer of wealth in modern history. What has happened to the other 99% percent of the population whose standard of living has been in corresponding decline has not been of much concern to those championing the free market fundamentalism.
These mirror works are meant as “signs” from the other 99%.
Sam Durant started exhibiting in the 1990s and has had one-person exhibitions at the Wadsworth Atheneum Museum of Art, Hartford, CT; the Museum of Contemporary Art, Los Angeles; the Kunstverein Düsseldorf; the Walker Art Center, Minneapolis; and the Massachusetts College of Art, Boston. Among others, his work is part of the following collections : MoMA, Guggenheim and the Whitney Museum in New York, MOCA and Hammer Museum in Los Angeles, Tate Modern in London and Walker Art Center in Minneapolis. In France his work is included in the collections of FNAC and the Institut d’Art Contemporain de Villeurbanne. Sam Durant lives and works in Los Angeles.
Mirror Travels In Neoliberalism
19 February - 27 March, 2011
Praz-Delavallade is pleased to announce their third solo-exhibition by Los Angeles based artist Sam Durant. Through his drawings, sculptures and installations, Sam Durant explores the realms of pop culture, history and memoralization in order to question the values of American society. After having focused on such pivotal periods as the civil-rights era, the 1968 student riots, and the last century’s struggle between Native Americans and European settlers, economics have taken a determinant place in his more recent series.
The title of the show refers to Amercian artist Robert Smithson’s work Yucatan Mirror Displacements (1969) which was itself a reference to writer John Lloyd Stephen’s book Incidents of Travel in Yucatan (1843). At the forefront in all of his work, the mirror interests Sam Durant because of its potent symbolic charge. Evocative of both reflection and reflexion,
a mirror suggests the creation of a perspective leading to an infi nite number of interpretations. The viewer fi nds himself involved in the work, both through the refl ected image and his own refl exion process.
These references to «mirror travels» are then mapped onto particularly nihilistic examples of street graffi ti. Each work consists of the reproduction of a graffi ti slogan stenciled onto a mirror. Although the slogans are from multiple locations and different years they can be understood as responses to the effects of neoliberalism’s global hegemony.
Beginning on a global scale in the late 1970’s by the governments of Ronald Reagan in the US, Margaret Thatcher in the UK and Deng Xiaoping in China, neoliberalism was created primarily by conservative economists based at the University of Chicago. It has since been adopted or imposed as the global economic system through institutions like the World Bank, The International Monetary Fund and the World Trade Organization.
Through his work, Sam Durant addresses what he considers neoliberal economic policy’s main achievement: the restoration of class power to the world’s elites along with the largest upward transfer of wealth in modern history. What has happened to the other 99% percent of the population whose standard of living has been in corresponding decline has not been of much concern to those championing the free market fundamentalism.
These mirror works are meant as “signs” from the other 99%.
Sam Durant started exhibiting in the 1990s and has had one-person exhibitions at the Wadsworth Atheneum Museum of Art, Hartford, CT; the Museum of Contemporary Art, Los Angeles; the Kunstverein Düsseldorf; the Walker Art Center, Minneapolis; and the Massachusetts College of Art, Boston. Among others, his work is part of the following collections : MoMA, Guggenheim and the Whitney Museum in New York, MOCA and Hammer Museum in Los Angeles, Tate Modern in London and Walker Art Center in Minneapolis. In France his work is included in the collections of FNAC and the Institut d’Art Contemporain de Villeurbanne. Sam Durant lives and works in Los Angeles.