UNTITLED, 2007
VIDEO - 37:00 MIN
A homeless man was paid €50 to drink a bottle of champagne (Veuve Clicquot) in front of the camera.
UNTITLED, 2007
VIDEO - 37:00 MIN
A homeless man was paid €50 to drink a bottle of champagne (Veuve Clicquot) in front of the camera.
PRENZLAUER BERG TUSSIS (SCHÖNHAUSER ALLEE ARCADEN), 2007
TWO CHANNEL VIDEO INSTALLATION - 1:00 MIN LOOP
"You’re not doing a video with my girlfriend / Why do you let such Prenzlauer Berg rich bitches talk to you"
BEZETZT, 2007
SWAROVSKI CRYSTALS ON STAINLESS STEAL
80CM X 50CM
Imitation of found graffiti - "Ownership is theft, squat all buildings"
OSU FOOTBALL PLAYERS, 2006
VIDEO
Three players from the Oregon State University football team are interviewed about their experiences on scholarship in a small American college town.
OSU FOOTBALL PLAYERS, 2006
VIDEO
Three players from the Oregon State University football team are interviewed about their experiences on scholarship in a small American college town.
OSU FOOTBALL PLAYERS, 2006
VIDEO
Three players from the Oregon State University football team are interviewed about their experiences on scholarship in a small American college town.
OSU FOOTBALL PLAYERS, 2006
VIDEO
Three players from the Oregon State University football team are interviewed about their experiences on scholarship in a small American college town.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
ARTIST LOOKING FOR AMERICANS WHO LEFT THE US BECAUSE OF CURRENT POLITICS., 2005
FOUR CHANNEL VIDEO AND PHOTOGRAPHIC INSTALLATION
VIDEOS APPROX. 5:00 EACH
In November 2004, shortly after the Americans elections, I placed an ad in Berlin’s English newspaper, the Exberliner, which read – “Artist looking for Americans who left the US because of current politics.” Four anti-Bush Americans responded to the ad. After conducting long interviews about their political views, they were asked to take on the role of a republican in front of the camera. What results in the four-channel video installation is their understanding and perception (often clichéd) of republican voters.
BRITNEY: STILL ME, 2004
VIDEO - 6:45 MIN
In Britney: Still Me, a Britney Spears fan mimics her idol by singing, dancing and talking to us about herself and her career. In a dimly lit black space with only a spotlight following her, “Britney” sings and dances to eight of Spears’ songs, for which her dress and dance style are based on Spears’ most sexy and provocative video to date, I’m a Slave for You. The dancing is interjected with clips of “Britney” in a brightly lit white background dressed to imitate Spears’ recent high fashion shoot for W magazine, in which she is styled as a supermodel, leaving behind her young girl image. In this shoot “Britney” talks to us about her connection to the music industry, to what extent she has control over her career, the effects of her new image and where she sees herself going in the near future. The last shoot consists of “Britney” dancing with two male “dancers” in a pink room. The dancers are dressed in street/club clothes and she is dressed in a pink satin dress mimicking what she wore on the cover of W magazine and also referencing the dress worn by Marilyn Monroe in Gentlemen Prefer Blondes and by Madonna in her Material Girl video. Dispersed throughout the video are shots of “Britney” around town filmed to look like paparazzi shots.
BRITNEY: STILL ME, 2004
VIDEO - 6:45 MIN
In Britney: Still Me, a Britney Spears fan mimics her idol by singing, dancing and talking to us about herself and her career. In a dimly lit black space with only a spotlight following her, “Britney” sings and dances to eight of Spears’ songs, for which her dress and dance style are based on Spears’ most sexy and provocative video to date, I’m a Slave for You. The dancing is interjected with clips of “Britney” in a brightly lit white background dressed to imitate Spears’ recent high fashion shoot for W magazine, in which she is styled as a supermodel, leaving behind her young girl image. In this shoot “Britney” talks to us about her connection to the music industry, to what extent she has control over her career, the effects of her new image and where she sees herself going in the near future. The last shoot consists of “Britney” dancing with two male “dancers” in a pink room. The dancers are dressed in street/club clothes and she is dressed in a pink satin dress mimicking what she wore on the cover of W magazine and also referencing the dress worn by Marilyn Monroe in Gentlemen Prefer Blondes and by Madonna in her Material Girl video. Dispersed throughout the video are shots of “Britney” around town filmed to look like paparazzi shots.
BRITNEY: STILL ME, 2004
VIDEO - 6:45 MIN
In Britney: Still Me, a Britney Spears fan mimics her idol by singing, dancing and talking to us about herself and her career. In a dimly lit black space with only a spotlight following her, “Britney” sings and dances to eight of Spears’ songs, for which her dress and dance style are based on Spears’ most sexy and provocative video to date, I’m a Slave for You. The dancing is interjected with clips of “Britney” in a brightly lit white background dressed to imitate Spears’ recent high fashion shoot for W magazine, in which she is styled as a supermodel, leaving behind her young girl image. In this shoot “Britney” talks to us about her connection to the music industry, to what extent she has control over her career, the effects of her new image and where she sees herself going in the near future. The last shoot consists of “Britney” dancing with two male “dancers” in a pink room. The dancers are dressed in street/club clothes and she is dressed in a pink satin dress mimicking what she wore on the cover of W magazine and also referencing the dress worn by Marilyn Monroe in Gentlemen Prefer Blondes and by Madonna in her Material Girl video. Dispersed throughout the video are shots of “Britney” around town filmed to look like paparazzi shots.
INTERVIEW WITH FRAU KRAUSE, 2001
VIDEO - 2:35 MIN
Interview with Frau Krause, is an interview with the former secretary of KUNST-WERKE BERLIN, Institute for Contemporary Art, Berlin. The interview is on art and her opinions about it after working at this institution for approximately two years. Marlies Krause covers various genre of art without speaking about one artist in particular. Having had very little prier exposure to contemporary art her views have been mainly formed at working for this institution, where she sees many of the art worlds ‘stars’ pass through.
INTERVIEW WITH FRAU KRAUSE, 2001
VIDEO - 2:35 MIN
Interview with Frau Krause, is an interview with the former secretary of KUNST-WERKE BERLIN, Institute for Contemporary Art, Berlin. The interview is on art and her opinions about it after working at this institution for approximately two years. Marlies Krause covers various genre of art without speaking about one artist in particular. Having had very little prier exposure to contemporary art her views have been mainly formed at working for this institution, where she sees many of the art worlds ‘stars’ pass through.
