Scott Hug

Scott Hug
1968 born in Jefferson City, United States
Lives in New York, United States
Education

2000 Pratt Institute, New York, NY, MA, Graphic Design

1991 School of the Art Institute of Chicago, IL, BFA

Solo Exhibitions

2007 Too Much, Too Little, Too Late, John Connelly Presents, New York

2006 A Current Affair, Locust Projects, Miami, FL

2005 Wookie’s Need Love Too, in collaboration with Michael Magnan, Hiromi Yoshii Gallery, Tokyo, Japan

2004 Boys Gone Wild, in collaboration with Michael Magnan, John Connelly Presents, New York, NY

Group Exhibitions

2008 AA Bronson's School for Young Shamans, John Connelly Presents, New York

2007 Fact or Friction, curated by Ruba Katrib and Geir Heraldseth, Vox Populi, Philadelphia, PA

Red Badge of Courage, curated by Omar Lopez-Chahoud, The National Newark Building, Newark, New Jersey

The Male Gaze, (in collaboration with Michael Magnan) The powerhouse Arena, Brooklyn, NY

Artists’ Self-Portraits as Porn Stars, curated by Omar Lopez-Chahoud, Circus of Books, West Hollywood, CA

Just Kick it Till it Breaks, curated by Deborah Singer & Matthew Lyons,
The Kitchen, New York, NY

2006 The Golden Hour, curated by Susanna Cole and Erin Donnelly, Gigantic ArtSpace, New York, NY

Kamp K48, curated by Scott Hug, John Connelly Presents, New York

Six Degrees of Separation 2: The Inner Workings of Cold Contact, Stux Gallery,
New York, NY

+es+ pa++erns; an exhibition of alternate surface treatments on ubiquitous surfaces, City-Wide installations & Pinkard Gallery, Bunting Center, Maryland Institute College of Art, Baltimore, MD

Celebrity, Sixtyseven Gallery, New York, NY

Tempest, curated by John Connelly, The Fireplace Project, East Hampton, NY

Bring The War Home, organized by Drew Heitzler, QED Gallery, Los Angeles, CA

Bring The War Home, organized by Drew Heitzler, Elizabeth Dee Gallery, New York, NY

Art for Relief, Metropolitan Gallery, New York, NY

Never Mind the Bullocks, Here’s Amanda Lear, Envoy, New York, NY

Group Show, John Connelly Presents, New York, NY

2005 With us against reality, or against us, curated by Ida Ekblad & Anders Nordby, S.E., Norway

Picture Window, curated by Gary Kachadourian, Baltimore City, MD

2004 The Air-Conditioned Nightmare, curated by Ed Bucholtz, The Gallery, Pittsburg, PA

Phiiliip: Divided by Lightning, curated by Philip Guichard, produced by John Connelly Presents for Deitch Projects Brooklyn, NY

Democracy is Fun?, curated by Michelle Thursz and Defne Ayas, White Box, NY

Collage Party, curated by Simon Watson, Bergdorf Goodman, New York, NY

Majority Whip, curated by Kathy Grayson and Laura Tepper, White Box, New York, NY

The Collector’s Cabinet, curated by Simon Watson, Marc Selwyn Fine Art, Los Angeles, CA

2003 The Outlaw Series, curated by Lisa Kirk, New York, NY

You, curated by Lisa Kirk, New York, NY

Today’s Man, John Connelly Presents, New York, NY

Now Playing, D’Amelio Terras, New York, NY

Invitation No. 75: Fashion, Art, Design, Bureau Stedelijk Museum, Amsterdam, The Netherlands

Magazin, Marres/Jan Van Eyck Academy, Maastricht, The Netherlands

2002 Guide to Trust No. 2, Yerba Buena Center for the Arts, San Franscico, CA,

1999 2 Ways In, Henry Urbach Architecture, NY NY; 2 person exhibition with Claude Parent, New York, NY

Free Coke, Greene Naftali, New York, NY

Chicago Art Fair, Chicago Project Room, Chicago, IL

List 99 The Young Art Fair in Basel, Chicago Project Room, Chicago, IL

BMW: black met white,”ANP, Antwerp, Belgium

1998 Three Person Exhibition (with Richard Hawkins and Jeff Ono), Feature, New York, NY

Odyssey: Post Pop and the New Generation, Greene Naftali, New York, NY

Drawers, Feature, New York, NY

f.i.s.t., ANP, Antwerp, Belgium

Vienna Beef, organized by the Chicago Project, Room Bricks & Kicks, Vienna, Austria

WOp: works on/off paper, Anp, Antwerp, Belgium

Four person exhibition (with Alix Lambert, Lori Daniels, and Megan Cump), Chicago Project Room, Chicago, IL

1997 More, curated by Tony Payne, XL Gallery, New York, NY
New York Drawers: The Pierogi 2000 Flatfiles, Gasworks, London, England; Cornerhouse, Manchester, England

Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY

1996 Taking Stock, curated by Kenny Schacter, New York, NY

Feature, New York, NY

1991 Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, IL

Contemporary Art Workshop, Chicago, IL

Projects

2007 K48 The Prison Issue

2005 Curated The Zine Unbound: Kults, Werewolves, and Sarcastic Hippies, Yerba Buena, Los Angeles, CA

Curated Is There Anybody Out There, Hiromi Yoshii Gallery, Tokyo, Japan
K48 Sundown Salon, Fritz Haeg residence, Los Angeles, CA, February 20, 2005

2004 K48, issue 5: K48 is and Animal, 2004 - 2005

2003 ATTACK! The Kult 48 Klubhouse, curated by Scott Hug at Deitch Projects Brooklyn, NY, November 21- December 14, 2003

K48-3 Teenage Rebel: The Bedroom Show, curated by Scott Hug at Galerie du Jour: Agnes b., Paris, France, September 18 – October 24, 2003

K48, issue 4: Kult 48 2003-2004

2002 K48-3 Teenage Rebel: The Bedroom Show, curated by Scott Hug at John Connelly Presents, New York, NY, December 3 – January 19, 2003

K48, issue 3: Teenage Rebel, 2001-2002

2001 K48, issue 2, 2001

2000 K48, issue 1, 2000

1999 Curatorial for Zingmagazine by ANP, Autume, page 165 (reproduction).

1998-97 Pierogi 2000, Brooklyn, NY (flatfiles).

Bibliography

2008 Rosenberg, Karen, “Art in Review: A New High in Getting Low” New York
Times, March 7, 2008

Amir, Yaelle, Beautiful Decay, Issue V, 2008

2007 Hug, Scott, Too Much, Too Little, Too Late, The Polaroids: 2002-2007, [artist’s book/magazine, ed of 1,000], published by John Connelly Presents, 2007

Weist, Nicholas, “Art’s New Vanguard,” Out, June 2007

Trebay, Guy, “Gay Art: A Movement, or at Least a Moment,” New York Times,
May 6, 2007

Cotter, Holland, “Art in Review; Just Kick it Till it Breaks,” New York Times, April
13, 2007

2006 “Six Degrees of Separation 2: The Inner Workings of Cold Contact,” The New Yorker, September 4, 2006

Simpson, Les, “Kamp K48,” Time Out New York, August 24-30, 2006

Wang, Michael, Pitching Tents, Artforum Diary, August 10, 2006

“6 + 4”, Kapok Blog, May 10, 2006

“It’s all in the Blend”, Blend, issue 13, June 2006

Helfand, Glen, “‘The Zine UnBound: Kults, Werewolves, and Sarcastic Hippies’
at the Yerba Buena Center for the Arts”, Art on Paper, vol. 10, n. 3,
January/February 2006, p.78-79

2004 Trebay, Guy, “Artists Stage a Be-In at Bergdorf’s,” New York Times, October 26, 2004, p. B9.

Mogutin, Slava. “New York Attack.” Tetu n. 88, p. 114-125

Cotter, Holland, “Scott Hug and Michael Magnan”, New York Times, July 29, p. E34

Cotter, Holland, “Sampling Brooklyn, Keeper of Eclectic Flames,” New York Times, January 23, 2004, p. E27, 29

2003 Cotter, Holland, “The Art and Artist of the Year,” New York Times, December 28, 2003 p. E37

Mar, Alex, “The New Dealers”, New York, December 1, 2003, p. 44 - 45

Cotter, Holland, “Jack Smith,” New York Times, December 5, 2003 p. E47

Velez, Pedro, “A Tale of Two Fairs”, Artnet, www.artnet.com.

Watson, Simon, “Post Bubble”, Issue, Issue 7, Fall 2003, p. 119-125.

Levin, Kim, “Now Playing,” Village Voice, July 16-22, p. 70

C.A. “Range ta chambre”, Mixt(e), n. 24, September 2003, p. 40

Fannell, Shelley, “What About New York?”, Dazed & Confused, vol. 2 n. 6, October 2003, p. 40

Kerr, Merrily, “Satellite Spin-off: Standouts from the Alternative Art Fair Scene,”
Flash Art, n. 232, October 2003, p. 43, 52

Pruvost, Sébastien, “Nouvelle Nouvelle Vague,” Jalouse, n. 65, November 2003, p. 76-77

Mascina, Audrey, “Viens dans ma chambre...”, Blast, n. 9, p. 24-25

Yablonsky, Linda, “To Replace Paint and Page, Artists Try Pixel Power,” New York Times, August 17, 2003 p. 2.25

Cotter, Holland, “By and About Men, and They’re Running With It”, New York Times, August 8, 2003 p. E32

Bullock, Maggie, “K48”, WGSN on line, January 2003

Cotter, Holland, “Session The Bowl”, New York Times, January 10, 2003 p. E46

Eleey, Peter, “K48-3: Teenage Rebel: The Bedroom Show”, frieze, Issue 74, April 2003, p. 104

Garret, Craig, “Teenage Rebel at John Connelly Presents", Flash Art, March/April 2003, vol. XXXVI, n. 229, p. 51

Kimmelman, Michael, “Now Playing”, New York Times, July 18, 2003, p. E33

Laster, Paul, “K-48 Teenage Rebel-The Bedroom Show”, Time Out New York, January 2 – 9, 2003, n. 379, p. 59

Lee, Carol, “Art at Leisure: The Scope Art Fair at Dylan Hotel”, Paper www.papermag.com

Levin, Kim, “K48-3: Teenage Rebel: The Bedroom Show”, Village Voice, January 1 - 7, 2003, vol.XLVIII, n. 1, p. 60

Moody, Tom, “Tom Moody’s web log”, www.digitalmediatree.com, January 2003

Papararo, Jenifer, “K48-3 Teenage Rebel: The Bedroom Show”, C International Contemporary Art, Issue 78, Summer 2003, p. 12–14

Rosenberg, Karen, “K48-3: Teenage Rebel: The Bedroom Show”, City Search online, February 15, 2003

“NYC CD/Mag Thing”, Sleazenation, vol.4, n.23, January/February 2003, p.14

Rosenberg, Karen, “K48-3: Teenage Rebel: The Bedroom Show/Session the Bowl”, Village Voice, vol. XLVIII, n. 3, January 15 – 21, 2003 p. 69

Simpson, Les, “Rebel Rousers”, Time Out New York, January 2–9, 2003, p.99

Smith, Roberta, “A Bread-Crumb Trail to the Spirit of the Times”, New York Times, January 17, 2003, p E53

Smith, Roberta, “A Grand Finale of Group Show Fireworks”, New York Times, July 18, 2003, p. E31

Wartofsky, Alona, “Roomination”, The Washington Post, January 11, 2003, p. C1, C5

“Goings on About Town”, The New Yorker, January 20, 2003, p. 18

2002 Cotter, Holland, “A Document Made by Paul Thek and Edwin Klein”, New York Times, December 20, p. E44

de Koff, Derek, “The Scene: Generation W”, New York Magazine, September 30, 2002, p. 47–50

“The 25 Most Likely To...”, Next Magazine, October 2002

“Hug’s Drug”, Flyer, March 2002, issue 46 , p. 14

1999 Ivy, Angus, “WOp: ANP,” Zingmagazine, Spring/Summer 1999, p. 229–230

1998 Cotter, Holland, “Art in Review,” New York Times, June 26, 1999, p. E38

Erickson, Karl, “I am Here. I am Glad You are There,” New Art Examiner, December 1998/January 1999, p. 19–23

Johnson, Ken, “Art in Review.” New York Times, January 23, 1998, p. E35

“Goings on About Town”, The New Yorker, July 27, 1998, p. 14