Vik Muniz
Reflex
11 Feb - 07 May 2007
P.S.1 Contemporary Art Center is pleased to present a survey of photographic works by Vik Muniz. This show is a selection from a larger exhibition organized by Miami Art Museum and curated by Assistant Director for Programs/Senior Curator Peter Boswell. This presentation, which includes photographs from each of the artist's major series, is edited by the artist, P.S.1 Director Alanna Heiss, and Peter Boswell. Vik Muniz: Reflex is on view in the Second Floor Kunsthalle from February 11 through May 7, 2007.
Since the mid-1990s, Muniz has been incorporating everyday objects into his photographic process to create witty, bold, and often deceiving images based on photojournalism and art history. The Brazilian-born, New York-based artist makes pictures from dirt, diamonds, sugar, wire, string, chocolate syrup, peanut butter, dust, ketchup, the circular paper remnants made by hole punches, junk, pigment, and other materials. Though Muniz's images are often familiar—borrowing from popular culture and Old Master artists—it is quickly evident that they are not what they seem. Using an approach that the artist calls "the worst possible illusion," the works are formed from materials gathered from everyday life, which Muniz arranges and photographs, rather than traditional artistic materials.
Included especially in the P.S.1 survey is Muniz's recent Weimar series, a suite of black-and-white photographs that reference espionage, surveillance, and intelligence gathering. A body of work that will be shown for the first time in the U.S., it is a departure for the artist since it is not a composition of assembled objects, but rather images that are seemingly documentary.
Vik Muniz (b. 1961, São Paulo, Brazil) has exhibited internationally since 1989. He has had solo shows at the International Center of Photography and Whitney Museum of American Art, New York; the Menil Collection, Houston; Meseu de Arte Moderna, Rio de Janeiro; Meseu de Arte Moderna, São Paulo; and the Museo d'Arte Contemporanea, Rome, among others. In 2001, Muniz was the Brazilian representative at the 49th Venice Biennale.
Vik Muniz: Reflex premiered at Miami Art Museum from February 10 through May 28, 2006. It has since traveled to University of South Florida, Seattle Art Museum, and will continue on to Museum of Contemporary Art San Diego, and Musee d'art contemporain de Montréal.
The exhibition is accompanied by 204-page book, Reflex: A Vik Muniz Primer, published by the Aperture Foundation. The book, authored by Muniz and richly illustrated not only with his own works, but with works from the history of art and photography and scientific diagrams dealing with everything from perception theory to printing processes, is a remarkable investigation into the interlinked practices of seeing, representing, and creating.
Vik Muniz: Reflex was organized by Miami Art Museum, Miami, Florida, with support from Miami Art Museum's Annual Exhibition Fund. Additional support provided by Duggal Visual Solutions. The exhibition at P.S.1 is made possible by Gerrit and Sydie Lansing, Peter Marino, The West Collection, Peter Josten and Sam Trower, Jean-Edouard van Praet, and supporters of the P.S.1 Annual Exhibition Fund.
Since the mid-1990s, Muniz has been incorporating everyday objects into his photographic process to create witty, bold, and often deceiving images based on photojournalism and art history. The Brazilian-born, New York-based artist makes pictures from dirt, diamonds, sugar, wire, string, chocolate syrup, peanut butter, dust, ketchup, the circular paper remnants made by hole punches, junk, pigment, and other materials. Though Muniz's images are often familiar—borrowing from popular culture and Old Master artists—it is quickly evident that they are not what they seem. Using an approach that the artist calls "the worst possible illusion," the works are formed from materials gathered from everyday life, which Muniz arranges and photographs, rather than traditional artistic materials.
Included especially in the P.S.1 survey is Muniz's recent Weimar series, a suite of black-and-white photographs that reference espionage, surveillance, and intelligence gathering. A body of work that will be shown for the first time in the U.S., it is a departure for the artist since it is not a composition of assembled objects, but rather images that are seemingly documentary.
Vik Muniz (b. 1961, São Paulo, Brazil) has exhibited internationally since 1989. He has had solo shows at the International Center of Photography and Whitney Museum of American Art, New York; the Menil Collection, Houston; Meseu de Arte Moderna, Rio de Janeiro; Meseu de Arte Moderna, São Paulo; and the Museo d'Arte Contemporanea, Rome, among others. In 2001, Muniz was the Brazilian representative at the 49th Venice Biennale.
Vik Muniz: Reflex premiered at Miami Art Museum from February 10 through May 28, 2006. It has since traveled to University of South Florida, Seattle Art Museum, and will continue on to Museum of Contemporary Art San Diego, and Musee d'art contemporain de Montréal.
The exhibition is accompanied by 204-page book, Reflex: A Vik Muniz Primer, published by the Aperture Foundation. The book, authored by Muniz and richly illustrated not only with his own works, but with works from the history of art and photography and scientific diagrams dealing with everything from perception theory to printing processes, is a remarkable investigation into the interlinked practices of seeing, representing, and creating.
Vik Muniz: Reflex was organized by Miami Art Museum, Miami, Florida, with support from Miami Art Museum's Annual Exhibition Fund. Additional support provided by Duggal Visual Solutions. The exhibition at P.S.1 is made possible by Gerrit and Sydie Lansing, Peter Marino, The West Collection, Peter Josten and Sam Trower, Jean-Edouard van Praet, and supporters of the P.S.1 Annual Exhibition Fund.