Mansour Ciss Kanakassy
30 Sep - 31 Dec 2011
MANSOUR CISS KANAKASSY
United States of Africa
30 September - 31 December 2011
In reference to the notorious Congo Conference that took place in Berlin from November 1884 to February 1885 under the spearhead of the first German Chancellor, Otto von Bismarck, Berlin-based Senegalese artist Mansour Ciss Kanakassy created an art laboratory in 2002 called Laboratoire de Déberlinisation (laboratory of deberlinization). The laboratory is a conceptual framework for artistic action to unpack the exploitation and mercantile ideologies applied on Africa in the late nineteenth century known as the Scramble for Africa. It works collaboratively by reaching out to diverse professional backgrounds and artistic practices.
The Congo Conference was convened to discuss economic dominance and partition of the African territories among European powers. It is widely recognized that the partitions and borders drawn then, followed by a ruthless colonial rule, are—among other things—at the root of contemporary crisis and disruptions that undermine economical and political progress in Africa.
Aware of the insurmountable obstacles that would indefinitely postpone the advent of a single currency and a unified space for mobility and exchange, Mansour Ciss Kanakassy and other contemporary African artists such as Pascale Marthine Tayou have substituted themselves to the states to achieve the seemingly impossible. They do not need endless committees, high level meetings, majority votes and they like to create a symbolic land to assert their political stand.
The Afro, an imaginary single currency for Africa, is the artistic response to bankrupt policies of the post independence era. It is a conceptual work using multiple practices such as installation, print, performance and public lecture. The exhibition is accompanied by a newspaper with texts by Simon Njami and Koyo Kouoh as well as an interview of the artist by David Cadasse.
Mansour Ciss Kanakassy
Born in Dakar in 1957, Ciss studied sculpture at Institut National des Arts in Dakar from 1973 to 1977. He has exhibited widely in Africa and Europe in group and solo shows at the Dakar Biennale, Musée National du Mali, Bamako, Neue Gesellschaft für Bildende Kunst, Berlin, and Museum der Weltkulturen, Frankfurt am Main among other venues. His works are in the collections of Museum der Weltkulturen in Frankfurt am Main, the National Collection of Senegal and the Central Bank of West African States. He is the recipient of the Léopold Sedar Senghor award for artistic excellence. He lives and works in Berlin.
United States of Africa
30 September - 31 December 2011
In reference to the notorious Congo Conference that took place in Berlin from November 1884 to February 1885 under the spearhead of the first German Chancellor, Otto von Bismarck, Berlin-based Senegalese artist Mansour Ciss Kanakassy created an art laboratory in 2002 called Laboratoire de Déberlinisation (laboratory of deberlinization). The laboratory is a conceptual framework for artistic action to unpack the exploitation and mercantile ideologies applied on Africa in the late nineteenth century known as the Scramble for Africa. It works collaboratively by reaching out to diverse professional backgrounds and artistic practices.
The Congo Conference was convened to discuss economic dominance and partition of the African territories among European powers. It is widely recognized that the partitions and borders drawn then, followed by a ruthless colonial rule, are—among other things—at the root of contemporary crisis and disruptions that undermine economical and political progress in Africa.
Aware of the insurmountable obstacles that would indefinitely postpone the advent of a single currency and a unified space for mobility and exchange, Mansour Ciss Kanakassy and other contemporary African artists such as Pascale Marthine Tayou have substituted themselves to the states to achieve the seemingly impossible. They do not need endless committees, high level meetings, majority votes and they like to create a symbolic land to assert their political stand.
The Afro, an imaginary single currency for Africa, is the artistic response to bankrupt policies of the post independence era. It is a conceptual work using multiple practices such as installation, print, performance and public lecture. The exhibition is accompanied by a newspaper with texts by Simon Njami and Koyo Kouoh as well as an interview of the artist by David Cadasse.
Mansour Ciss Kanakassy
Born in Dakar in 1957, Ciss studied sculpture at Institut National des Arts in Dakar from 1973 to 1977. He has exhibited widely in Africa and Europe in group and solo shows at the Dakar Biennale, Musée National du Mali, Bamako, Neue Gesellschaft für Bildende Kunst, Berlin, and Museum der Weltkulturen, Frankfurt am Main among other venues. His works are in the collections of Museum der Weltkulturen in Frankfurt am Main, the National Collection of Senegal and the Central Bank of West African States. He is the recipient of the Léopold Sedar Senghor award for artistic excellence. He lives and works in Berlin.