The Otolith Group
21 Apr - 16 Jun 2013
THE OTOLITH GROUP
Medium Earth
21 April - 16 June 2013
Part prequel and part premonition, Medium Earth is a work caught within its own imminent future. A notebook film that initiates a new cycle of production by London-based artists The Otolith Group, Medium Earth represents the outgrowth of research undertaken throughout California in advance of a larger project. Conceived as notes toward the making of a future film, Medium Earth attunes itself to the seismic psyche of the state of California. It listens to its deserts, translates the writing of its stones, and deciphers the calligraphies of its expansion cracks. Commissioned by REDCAT and complimented by a series of public programs on the geopoetic practices of prediction and premonition, it is the first work produced by The Otolith Group within an American context.
The accumulation of moving images and sounds that make up Medium Earth comprise an audiovisual essay on the millennial time of geology and the infrastructural unconscious of Southern California. Focused on the ways in which tectonic forces express themselves in boulder outcrops and the hairline fractures of cast concrete, Medium Earth participates in the cultures of prophecy and forecasting that mediate the experience of seismic upheaval. The desire to evoke the hidden substrata of the planet gives way to a morphological interpretation of the face of the earth. As an experiment in channeling the system of fault lines buried below California, Medium Earth animates the stresses and strains of physical geographies undergoing continental pressures.
In conjunction with the exhibition, REDCAT presents Body Tremors: The Geopoetics of Prediction and Premonition, a series of presentations and conversations exploring the agency of the seismic and the sensitive. Confirmed speakers include Kodwo Eshun, Dick Hebdige, Susan Elizabeth Hough, Charlotte King, Norman M. Klein, Aram Moshayedi, Anjalika Sagar, and Rebecca Solnit. The program will be accompanied by intermittent screenings of related audiovisual works. For more information, visit http://www.redcat.org/event/body-tremors
Founded in 2002 by Anjalika Sagar and Kodwo Eshun, The Otolith Group is an award-winning artist collective based in London. The Otolith Group produces films, installations, and exhibitions that emerge from archival research into the global nuclear regime, speculative futures, tricontinentalism, and cybernetics. Recent exhibitions have been presented at museums including MAXXI, Rome; MIT List Visual Arts Center, Boston; MACBA, Barcelona; Bétonsalon, Paris; and The Showroom, London. Their work has been included in such international exhibitions as dOCUMENTA 13; the 29th São Paulo Biennial; and Manifesta 8, Murcia, Spain. In 2010, The Otolith Group was nominated for the Turner Prize.
Medium Earth
21 April - 16 June 2013
Part prequel and part premonition, Medium Earth is a work caught within its own imminent future. A notebook film that initiates a new cycle of production by London-based artists The Otolith Group, Medium Earth represents the outgrowth of research undertaken throughout California in advance of a larger project. Conceived as notes toward the making of a future film, Medium Earth attunes itself to the seismic psyche of the state of California. It listens to its deserts, translates the writing of its stones, and deciphers the calligraphies of its expansion cracks. Commissioned by REDCAT and complimented by a series of public programs on the geopoetic practices of prediction and premonition, it is the first work produced by The Otolith Group within an American context.
The accumulation of moving images and sounds that make up Medium Earth comprise an audiovisual essay on the millennial time of geology and the infrastructural unconscious of Southern California. Focused on the ways in which tectonic forces express themselves in boulder outcrops and the hairline fractures of cast concrete, Medium Earth participates in the cultures of prophecy and forecasting that mediate the experience of seismic upheaval. The desire to evoke the hidden substrata of the planet gives way to a morphological interpretation of the face of the earth. As an experiment in channeling the system of fault lines buried below California, Medium Earth animates the stresses and strains of physical geographies undergoing continental pressures.
In conjunction with the exhibition, REDCAT presents Body Tremors: The Geopoetics of Prediction and Premonition, a series of presentations and conversations exploring the agency of the seismic and the sensitive. Confirmed speakers include Kodwo Eshun, Dick Hebdige, Susan Elizabeth Hough, Charlotte King, Norman M. Klein, Aram Moshayedi, Anjalika Sagar, and Rebecca Solnit. The program will be accompanied by intermittent screenings of related audiovisual works. For more information, visit http://www.redcat.org/event/body-tremors
Founded in 2002 by Anjalika Sagar and Kodwo Eshun, The Otolith Group is an award-winning artist collective based in London. The Otolith Group produces films, installations, and exhibitions that emerge from archival research into the global nuclear regime, speculative futures, tricontinentalism, and cybernetics. Recent exhibitions have been presented at museums including MAXXI, Rome; MIT List Visual Arts Center, Boston; MACBA, Barcelona; Bétonsalon, Paris; and The Showroom, London. Their work has been included in such international exhibitions as dOCUMENTA 13; the 29th São Paulo Biennial; and Manifesta 8, Murcia, Spain. In 2010, The Otolith Group was nominated for the Turner Prize.