Vidya Gastaldon
07 Sep - 18 Oct 2008
© Vidya Gastaldon
A god doubting, 2008
watercolor, gouache, colored pencil and graphite on paper
14.57 x 15.75 inches (37 x 40 cm
A god doubting, 2008
watercolor, gouache, colored pencil and graphite on paper
14.57 x 15.75 inches (37 x 40 cm
VIDYA GASTALDON
"Do you wear the love glasses?"
Salon 94 Freemans is pleased to present do you wear the love glasses?, Vidya Gastaldon’s first solo exhibition with the gallery. The exhibition is comprised of two new sculptures made of fabric and yarn, and several new works on paper.
Gastaldon’s drawings depict a fantastical, spiritual dreamscape. Executed in fluid watercolor and pencil, they are populated with god-like figures, ghost-like blobs, hairy creatures, and free-floating, mythic eyeballs set in soft-focus mountains and clouds. Christ appears, as does a Zeus figure, alongside text from the Rigveda and a long-haired yogi atop a mountain. These varied religious and spiritual leaders are dwarfed by the landscape.These awesome settings, in a serene palette of pale yellows and pinks, or ominous black and grey, reflect her animistic view of nature as the true spiritual force, where a guru may practice their art
Her landscapes are not merely the settings for action; they visually map consciousness in mountains and valleys. Far from exhibiting naïvete, her drawings reflect a knowing mixture of mysticism, fantasy, and pop. Smiley faces and cartoonish hearts, pop icons, co-exist in a sunny democracy with the figure of Cosmic Christ. Her playful treatment of signs from several different origins, from eastern religions to pop culture, reflect her interest in creating a universal pictorial language that transcends the personal.
Gastaldon’s sculptures are made of fabric and yarn, and are knitted and sewn by hand. They are invitingly soft and lush, while at the same time their delicacy and lightness calls to mind the immaterial. On exhibition are a flaming red heart and a standing figure, a baba, a mystical shaman figure of her own devising. The heart sculpture is only the outline, with tatters of knit wool dangling; it resembles the corona of the sun only visible during an eclipse. The baba figure is non-gendered, dripping large tears, and resembles the Hindu symbol of the Shiva Lingam, a totemic divinity in the shape of both the masculine and feminine sexual organs.
Gastaldon’s time and devotion become clear through the thousands of stitches, which are the markers of a spiritual exercise. Her sculptures and her drawings are contemplative exercises for her, which is an end in itself. Rather than being fueled by the ego of the artist and art object, Gastaldon is driven by this sense of Consciousness exploration. Her work is not ironic, and it does not engage directly with the social and political worlds. In contrast, her work reflects sincerity, as well as the idea that an interior world of fantasies and dreams can offer new perspectives on existence.
Vidya Gastaldon, born 1974 in Besançon, France, lives and works in Geneva, Switzerland. Her work has been shown internationally since 1994, from PS1, New York, and the Pompidou Center, Paris to the Kunsthaus Zurich, the Atelier Hermes, Seoul and the Museum of Modern and Contemporary Art, Geneva. Her solo exhibition at the Kunstmuseum Thun traveled to the Swiss Institute New York last September and her large scale installation at the Walsall Art Gallery in Walsall, Uk will be accompanied by a monography published in collaboration by Salon 94, New York, Art:Concept, Paris and Francesca Pia, Zurich.
"Do you wear the love glasses?"
Salon 94 Freemans is pleased to present do you wear the love glasses?, Vidya Gastaldon’s first solo exhibition with the gallery. The exhibition is comprised of two new sculptures made of fabric and yarn, and several new works on paper.
Gastaldon’s drawings depict a fantastical, spiritual dreamscape. Executed in fluid watercolor and pencil, they are populated with god-like figures, ghost-like blobs, hairy creatures, and free-floating, mythic eyeballs set in soft-focus mountains and clouds. Christ appears, as does a Zeus figure, alongside text from the Rigveda and a long-haired yogi atop a mountain. These varied religious and spiritual leaders are dwarfed by the landscape.These awesome settings, in a serene palette of pale yellows and pinks, or ominous black and grey, reflect her animistic view of nature as the true spiritual force, where a guru may practice their art
Her landscapes are not merely the settings for action; they visually map consciousness in mountains and valleys. Far from exhibiting naïvete, her drawings reflect a knowing mixture of mysticism, fantasy, and pop. Smiley faces and cartoonish hearts, pop icons, co-exist in a sunny democracy with the figure of Cosmic Christ. Her playful treatment of signs from several different origins, from eastern religions to pop culture, reflect her interest in creating a universal pictorial language that transcends the personal.
Gastaldon’s sculptures are made of fabric and yarn, and are knitted and sewn by hand. They are invitingly soft and lush, while at the same time their delicacy and lightness calls to mind the immaterial. On exhibition are a flaming red heart and a standing figure, a baba, a mystical shaman figure of her own devising. The heart sculpture is only the outline, with tatters of knit wool dangling; it resembles the corona of the sun only visible during an eclipse. The baba figure is non-gendered, dripping large tears, and resembles the Hindu symbol of the Shiva Lingam, a totemic divinity in the shape of both the masculine and feminine sexual organs.
Gastaldon’s time and devotion become clear through the thousands of stitches, which are the markers of a spiritual exercise. Her sculptures and her drawings are contemplative exercises for her, which is an end in itself. Rather than being fueled by the ego of the artist and art object, Gastaldon is driven by this sense of Consciousness exploration. Her work is not ironic, and it does not engage directly with the social and political worlds. In contrast, her work reflects sincerity, as well as the idea that an interior world of fantasies and dreams can offer new perspectives on existence.
Vidya Gastaldon, born 1974 in Besançon, France, lives and works in Geneva, Switzerland. Her work has been shown internationally since 1994, from PS1, New York, and the Pompidou Center, Paris to the Kunsthaus Zurich, the Atelier Hermes, Seoul and the Museum of Modern and Contemporary Art, Geneva. Her solo exhibition at the Kunstmuseum Thun traveled to the Swiss Institute New York last September and her large scale installation at the Walsall Art Gallery in Walsall, Uk will be accompanied by a monography published in collaboration by Salon 94, New York, Art:Concept, Paris and Francesca Pia, Zurich.