Candice Breitz
01 Oct - 20 Dec 2009
© Candice Breitz
Working Class Hero (A Portrait of John Lennon) (composite), 2006
25-channel video installation with sound
Courtesy the artist and Jay Jopling/White Cube
photo: Alex Fahl
Working Class Hero (A Portrait of John Lennon) (composite), 2006
25-channel video installation with sound
Courtesy the artist and Jay Jopling/White Cube
photo: Alex Fahl
ON VIEW: CANDICE BREITZ
October 01 - December 20, 2009
Berlin-based South African artist Candice Breitz has produced a number of video installations that deal with the impact of pop culture on contemporary consciousness — especially our obsession with celebrity. Working Class Hero (A Portrait of John Lennon), 2006, is the fourth installment in a series that focuses on pop-music icons (previous works address Bob Marley, Michael Jackson, and Madonna). For Working Class Hero, Breitz invited a diverse community of Lennon fans to pay tribute to the late musician by performing his first solo album, Plastic Ono Band, from beginning to end. In addition to offering intimate portraits of each participant, the resulting 25-channel video installation forms a survey of fan culture and reflects on the complex threads of identification that often characterize the relationship between celebrities and their public. On view in an adjacent gallery is a second work by Breitz, entitled Mother (2005). For this work, the artist took famous film performances by actresses in the role of a mother and edited them into composite monologues, creating an exploration of Hollywood ’s representation of the maternal.
October 01 - December 20, 2009
Berlin-based South African artist Candice Breitz has produced a number of video installations that deal with the impact of pop culture on contemporary consciousness — especially our obsession with celebrity. Working Class Hero (A Portrait of John Lennon), 2006, is the fourth installment in a series that focuses on pop-music icons (previous works address Bob Marley, Michael Jackson, and Madonna). For Working Class Hero, Breitz invited a diverse community of Lennon fans to pay tribute to the late musician by performing his first solo album, Plastic Ono Band, from beginning to end. In addition to offering intimate portraits of each participant, the resulting 25-channel video installation forms a survey of fan culture and reflects on the complex threads of identification that often characterize the relationship between celebrities and their public. On view in an adjacent gallery is a second work by Breitz, entitled Mother (2005). For this work, the artist took famous film performances by actresses in the role of a mother and edited them into composite monologues, creating an exploration of Hollywood ’s representation of the maternal.