From the Collection - Sol LeWitt
11 Apr 2015 - 14 Feb 2016
From the Collection
SOL LEWITT
11 April 2015 - 14 February 2016
Sol LeWitt (°1928 - +2007, US) was one of the most important minimal and conceptual artists. He was one of the founders of the radical, rationally-oriented aesthetic that was deployed as a reaction to the emotionally-oriented American Expressionism of the 1950s and 1960s. In Minimal Art, the form of the artworks is reduced to the extreme. Conceptual Art went one step further by making the concept or underlying idea of an artwork more important than its beauty or physical form. A major element of both movements is that the artist, as a maker of art, fades into the background.
In 1968, LeWitt began creating his wall drawings: monumental, usually geometric wall drawings that were produced following clear and strict instructions, no longer by the artist but by his assistants. In 1976, S.M.A.K. purchased one of Sol LeWitt's wall drawings: Wall Drawing No.36 / Intersecting Bands of four Colors (Black – Blue – Red – Yellow) from four Directions – 90 cm wide (symmetrically) (1970).
This piece has been executed for the first time since the museum's opening in 1999. It is the beginning of a presentation-in-progress of other works from the 1960s and 1970s out of the S.M.A.K. collection and beyond, and for a number of performances that take the wall drawing as their starting point. In this way, transient forms of exhibition and art will enter into varied relationships with Sol LeWitt’s work, the only constant in this presentation, which is itself also temporary.
SOL LEWITT
11 April 2015 - 14 February 2016
Sol LeWitt (°1928 - +2007, US) was one of the most important minimal and conceptual artists. He was one of the founders of the radical, rationally-oriented aesthetic that was deployed as a reaction to the emotionally-oriented American Expressionism of the 1950s and 1960s. In Minimal Art, the form of the artworks is reduced to the extreme. Conceptual Art went one step further by making the concept or underlying idea of an artwork more important than its beauty or physical form. A major element of both movements is that the artist, as a maker of art, fades into the background.
In 1968, LeWitt began creating his wall drawings: monumental, usually geometric wall drawings that were produced following clear and strict instructions, no longer by the artist but by his assistants. In 1976, S.M.A.K. purchased one of Sol LeWitt's wall drawings: Wall Drawing No.36 / Intersecting Bands of four Colors (Black – Blue – Red – Yellow) from four Directions – 90 cm wide (symmetrically) (1970).
This piece has been executed for the first time since the museum's opening in 1999. It is the beginning of a presentation-in-progress of other works from the 1960s and 1970s out of the S.M.A.K. collection and beyond, and for a number of performances that take the wall drawing as their starting point. In this way, transient forms of exhibition and art will enter into varied relationships with Sol LeWitt’s work, the only constant in this presentation, which is itself also temporary.