David Maljkovic
29 Jun - 25 Aug 2012
David Maljkovic
A Long Day for the Form
Monika Sprüth and Philomene Magers are pleased to present an exhibition by Croatian artist David
Maljković, featuring two sound installations and an accompanying series of prints. In his second solo
show at the Berlin gallery, the artist examines the very condition of an exhibition by ridding the
project of content and isolating the set-up itself through a meta-installation of ‘displays’.
A Long Day for the Form showcases David Maljković ́s current body of work, in which he gives his
own artistic practise a radical restaging, an approach recently explored in shows at Kunsthalle,
Basel, Sculpture Centre, New York and Seccession, Vienna. Objects developed as presentation
structures for other contexts and contents have been cleared out, emptied and arranged in the
gallery as isolated sculptural objects and architectural structures, while small interventions by the
artist such as sound and light serve to recall the presence of missing works. By concentrating on
these various forms of display, Maljković focuses attention on his own artistic strategies and
experiences as well as addressing the act of exhibiting itself.
The installation A Long Day for the Form (2012) consists of a large studio reflector panel lit by a
single spotlight. Reflected light is directed onto an elevated architectural element, constructed in the
corner of the gallery, from which the sound of chirping crickets can be heard. The sculptural
structure demonstrates the artist’s use of avante garde architecture and design as a constant point
of reference. The monotonous sound of the crickets activates and enlivens the space, but at the
same time evokes memories of long, hot, exhausting summer days. The installation opens up
contradicting temporalities, a central concern in David Maljković ́s work; on the one hand the display
structure may have been emptied of artworks; on the other hand, the projector and empty walls
represent the possibility of a future presentation. The installation can thus be read both as a symbol
of the absent past or of a history yet to be materialized, or a future that may never arrive.
David Maljković works with the gallery space, modifying the view and architectural parameteres by
building elements into the room. A specially built suspended ceiling has been constructed at the far
end of the gallery, housing a set of speakers, and a spotlight is positioned outside the window. The
architectural intervention blocks the expansive gallery window, disrupting the scenic space and the
peaceful environment the sound of the crickets and the light from the window initially generates.
Through consideration of the gallery’s architecture, Maljković ́s works engage with the space and
thoroughly transform its expression. The exhibition will also include a series of prints in three parts, featuring a snapshot of a tired art
handler at the Vjenceslav Richter Collection in Maljković’s native town of Zagreb, Croatia. The work
makes reference to one of the artist’s films Images With Their Own Shadows (2008). Maljković
merges the photographs with an impression of the projection device used for the original installation.
By displaying the three prints vertically, like a column, the artist establishes an architectural element
to the series.
David Maljković (*1973) lives and works between Zagreb and Berlin. Recent exhibitions include
Kunsthalle Basel (with Latifa Echakhch, 2012), Sculpture Center, New York (with Lucy Skaer,
2012), Secession, Vienna (2011-2012), Museo Nacional Centro de Arte Reina Sofía, Madrid (2009),
Kunstverein Hamburg (2007) and P.S.1 Contemporary Art Center, New York (2007). Recent group
exhibitions include La Triennale, Paris (2012), Bucharest Biennale 5 (2012), Gallery of Modern Art,
Glasgow (2011 -2012), Arnolfini, Bristol (2011), Centre Pompidou, Paris (2011), Museo de Arte
Contemporáneo de Castilla y León (2011) and the 29th Bienal de São Paulo (2010). In 2009 David
Maljković was awarded the ARCO Prize for Young Artists in Madrid, followed by the International
Contemporary Art Prize Diputació de Castelló in 2010. Forthcoming solo exhibitions include a major
survey exhibition at Van Abbemuseum in Eindhoven in 2012, and at Baltic Center for Contemporary
Art, Gateshead, UK in 2013.
Sprüth Magers Berlin will also be concurrently presenting a solo exhibition by Jean-Luc Mylayne.
For further information and press enquiries please contact Silvia Baltschun
(sb@spruethmagers.com).
Opening reception: 28.06.2012, 6 - 9 pm
Hours: Tue - Sat, 11 am - 6 pm
A Long Day for the Form
Monika Sprüth and Philomene Magers are pleased to present an exhibition by Croatian artist David
Maljković, featuring two sound installations and an accompanying series of prints. In his second solo
show at the Berlin gallery, the artist examines the very condition of an exhibition by ridding the
project of content and isolating the set-up itself through a meta-installation of ‘displays’.
A Long Day for the Form showcases David Maljković ́s current body of work, in which he gives his
own artistic practise a radical restaging, an approach recently explored in shows at Kunsthalle,
Basel, Sculpture Centre, New York and Seccession, Vienna. Objects developed as presentation
structures for other contexts and contents have been cleared out, emptied and arranged in the
gallery as isolated sculptural objects and architectural structures, while small interventions by the
artist such as sound and light serve to recall the presence of missing works. By concentrating on
these various forms of display, Maljković focuses attention on his own artistic strategies and
experiences as well as addressing the act of exhibiting itself.
The installation A Long Day for the Form (2012) consists of a large studio reflector panel lit by a
single spotlight. Reflected light is directed onto an elevated architectural element, constructed in the
corner of the gallery, from which the sound of chirping crickets can be heard. The sculptural
structure demonstrates the artist’s use of avante garde architecture and design as a constant point
of reference. The monotonous sound of the crickets activates and enlivens the space, but at the
same time evokes memories of long, hot, exhausting summer days. The installation opens up
contradicting temporalities, a central concern in David Maljković ́s work; on the one hand the display
structure may have been emptied of artworks; on the other hand, the projector and empty walls
represent the possibility of a future presentation. The installation can thus be read both as a symbol
of the absent past or of a history yet to be materialized, or a future that may never arrive.
David Maljković works with the gallery space, modifying the view and architectural parameteres by
building elements into the room. A specially built suspended ceiling has been constructed at the far
end of the gallery, housing a set of speakers, and a spotlight is positioned outside the window. The
architectural intervention blocks the expansive gallery window, disrupting the scenic space and the
peaceful environment the sound of the crickets and the light from the window initially generates.
Through consideration of the gallery’s architecture, Maljković ́s works engage with the space and
thoroughly transform its expression. The exhibition will also include a series of prints in three parts, featuring a snapshot of a tired art
handler at the Vjenceslav Richter Collection in Maljković’s native town of Zagreb, Croatia. The work
makes reference to one of the artist’s films Images With Their Own Shadows (2008). Maljković
merges the photographs with an impression of the projection device used for the original installation.
By displaying the three prints vertically, like a column, the artist establishes an architectural element
to the series.
David Maljković (*1973) lives and works between Zagreb and Berlin. Recent exhibitions include
Kunsthalle Basel (with Latifa Echakhch, 2012), Sculpture Center, New York (with Lucy Skaer,
2012), Secession, Vienna (2011-2012), Museo Nacional Centro de Arte Reina Sofía, Madrid (2009),
Kunstverein Hamburg (2007) and P.S.1 Contemporary Art Center, New York (2007). Recent group
exhibitions include La Triennale, Paris (2012), Bucharest Biennale 5 (2012), Gallery of Modern Art,
Glasgow (2011 -2012), Arnolfini, Bristol (2011), Centre Pompidou, Paris (2011), Museo de Arte
Contemporáneo de Castilla y León (2011) and the 29th Bienal de São Paulo (2010). In 2009 David
Maljković was awarded the ARCO Prize for Young Artists in Madrid, followed by the International
Contemporary Art Prize Diputació de Castelló in 2010. Forthcoming solo exhibitions include a major
survey exhibition at Van Abbemuseum in Eindhoven in 2012, and at Baltic Center for Contemporary
Art, Gateshead, UK in 2013.
Sprüth Magers Berlin will also be concurrently presenting a solo exhibition by Jean-Luc Mylayne.
For further information and press enquiries please contact Silvia Baltschun
(sb@spruethmagers.com).
Opening reception: 28.06.2012, 6 - 9 pm
Hours: Tue - Sat, 11 am - 6 pm