Steirischer Herbst

Steirischer Herbst 2020

24 Sep - 18 Oct 2020

Paranoia TV Headquarters, Graz, Photo: Clara Wildberger
Paranoia TV Headquarters, Graz, Photo: Mathias Völzke
Paranoia TV
Video still © steirischerherbst
Paranoia TV
Video still © steirischerherbst
Paranoia TV
​Sujet: Grupa Ee
Hey Siggi (Simulation of Sigmund Freud), Installation, Paranoia TV Headquarters, Graz, Photo: Nicolas Pleasure Galani
Opening speech by director Ekaterina Degot, displayed on screens throughout the city center, Graz, Photo: Johanna Lamprecht
Opening speech by director Ekaterina Degot, displayed on screens throughout the city center, Graz, Photo: Johanna Lamprecht
Opening speech by director Ekaterina Degot, displayed on screens throughout the city center, Graz, Photo: Johanna Lamprecht
Lawrence Abu Hamdan, A Convention of Tiny Movements—EUROSPAR Sackstraße (2020), Installation, EUROSPAR at Kastner & Öhler, Graz, Photo: Mathias Völzke
Paranoia TV

In keeping with its history of avant-gardism, steirischer herbst reinvents itself in a new form that actively responds to the current atmosphere of angst and uncertainty.

This year has been anything but “normal” so far and many people are scared, paranoid even. Fear of a second wave is fostering an aversion to public spaces, filled with the breath of potentially contagious strangers. On a more fundamental level, we fear that we ourselves might be asymptomatically spreading the deadly virus. Such fears will not disappear any time soon. Imagining that life might never return to normal is hard enough on its own, but to look back on this normalcy from our current post-lockdown perspective is nothing short of horrifying. Clearly, the virus is not to blame for xenophobia, racism masked as a hygienic norm, ubiquitous surveillance, or radical inequality. These phenomena were all part of what was considered “normal.” It is this “normal” that brought us the virus. It is this “normal” that we ought to fear.

Rather than suppressing this fear, steirischer herbst engages with it head on by reinventing itself as a media consortium called Paranoia TV: a platform for the uncanny and the unsettling, broadcasting from a dystopian parallel universe, where there is no such thing as reassurance. Social distancing practices are still in place, football games and parties are prohibited, and even the produce in the supermarket has ears. Art is home-delivered, artists have to work from their kitchens, the private sphere has become even more political, and the only way to explore public spaces is by sleepwalking alone. White cubes, expensive shipments, global jet-set travels: might it be that they will not be missed?

Paranoia TV is everywhere

From 24 September to 18 October, Paranoia TV airs on a variety of platforms, vehemently fighting off the “normal formats,” and diving headlong into the uncanny valley of lockdown nostalgia. Paranoia TV hijacks the steirischer herbst website, where it presents artist-made talk shows and television series, among other things, as well as live conversations and discussions. Some televised events spread into physical interventions in the streets of Graz and surrounding Styria, while real-life occurrences and performative actions on those same streets find their way into live broadcasting and news coverage. Even your phone is not safe from Paranoia TV’s omnipresence: a specially conceived mobile app is available for download free of charge shortly before the start of the festival. The app keeps you up-to-date on the program schedule, sends alerts on breaking news and last-minute developments, and allows you to tune in to the world of Paranoia TV on demand and at any given moment.

Art production in uncertain times

Paranoia TV is a critical and artistic response to the global pandemic and the complications it has introduced, not only to our everyday lives, but also with regards to producing large-scale art events and exhibitions—in Graz and in the rest of the world. As the third iteration of steirischer herbst under Ekaterina Degot and her curatorial team, this experimental TV-format will allow the festival to continue featuring entirely new commissions in forms independent from lockdown measures and restrictions. Specially conceived contributions by roughly forty artists will directly or indirectly address the urgencies and grievances of our time: the new vulnerabilities of gender and age, the comedies and dramas of domesticity, the sudden obsession with classical opera, the choreography of restricted movement, class, money, hugs, the biopolitics of contagion, the self-isolation of white men in sterile autonomy zones, and the hopes for the unexpected future.

Artistic Director: Ekaterina Degot

Curatorial Team: Mirela Baciak, Henriette Gallus, Dominik Müller, Christoph Platz, David Riff

Artists and Collectives

Lawrence Abu Hamdan
Akinbode Akinbiyi
Neïl Beloufa & Bad Manner's
Blind Date Collaboration, anulla, and monochrom
Christian von Borries and Jonathan Aner
Sergey Bratkov
Alexander Chernyshkov
Pauline Curnier Jardin
Josef Dabernig
Nika Dubrovsky and friends
Vadim Fishkin
Dani Gal
Thomas Geiger
Tamar Guimarães with Luisa Cavanagh and Rusi Millán Pastori
Rana Hamadeh
Janez Janša
Lina Majdalanie & Rabih Mroué
Chrystèle Nicot & Antoine Alesandrini
Ingo Niermann
Lulu Obermayer
Ahmet Öğüt
Diederik Peeters
Joanna Piotrowska
Alexandra Pirici & Jonas Lund
Hendrik Quast & Maika Knoblich
Judy Radul
Joanna Rajkowska and Robert Yerachmiel Sniderman
Roee Rosen
Susanne Sachsse / Marc Siegel / Xiu Xiu (Jamie Stewart)
Igor Samolet
Liv Schulman
John Smith
Sung Tieu
Theater im Bahnhof
Clemens von Wedemeyer
Anna Witt


Philosophers, artists, theorists, and experts discuss the current state of the world, paranoia, and the virus.
With Franco „Bifo“ Berardi, Bill Fontana, Bobby Gillespie, Heimo Halbrainer, Herwig G. Höller, Srećko Horvat, Eva Illouz, Adam Kleinman, Stephanie Krisper, Achille Mbembe, Robert Pfaller, Milo Rau, Drehli Robnik, Johann Skocek, Hito Steyerl, Natascha Strobl, Ece Temelkuran, Mark Terkessidis, Yanis Varoufakis, Martin Wabl, and Mark Waschke.

Tags: Akinbode Akinbiyi, Studio Asynchrome, Neïl Beloufa, Christian von Borries, Sergey Bratkov, Josef Dabernig, Ekaterina Degot, Vadim Fishkin, Dani Gal, Thomas Geiger, Gelatin, Tamar Guimarães, Rana Hamadeh, Lawrence Abu Hamdan, Janez Janša, Pauline Curnier Jardin, Maika Knoblich, Jonas Lund, Lina Majdalanie, Rabih Mrouè, Ingo Niermann, Lulu Obermayer, Ahmet Ögüt, Diederik Peeters, Joanna Piotrowska, Alexandra Pirici, Hendrik Quast, Judy Radul, Joanna Rajkowska, Roee Rosen, Igor Samolet, Liv Schulman, Marc Siegel, John Smith, Robert Yerachmiel Sniderman, Sung Tieu, Clemens von Wedemeyer, Anna Witt