Sean Duffy
12 Jun - 23 Aug 2014
© Sean Duffy
If You Can't Beat 'Em, Bite 'Em, 2014
Oil, rabbit skin glue on canvas
47.25
Photo credit: Robert Wedemeyer
If You Can't Beat 'Em, Bite 'Em, 2014
Oil, rabbit skin glue on canvas
47.25
Photo credit: Robert Wedemeyer
SEAN DUFFY
Paintings
12 July - 23 August 2014
Susanne Vielmetter Los Angeles Projects is pleased to present a solo exhibition of new paintings by Sean Duffy.
Throughout his 20-year career, Duffy has been deeply engaged in a postmodern practice of recycling, reworking, and re-contextualizing found material. In his most recent exhibitions this practice has morphed into a recycling of his own work and ideas. This approach culminated in the artists last solo exhibition at the gallery during which he dissolved his studio (which had always been located in his garage) and sold all remaining objects from the studio as a garage sale. In Paintings we witness a distinct change in Duffys artistic strategy. He has transitioned away from a modality of looking back and re-contextualizing existing materials and ideas, and taken an active, forward-looking position.
In 2013, the first public glimpses of this new way of working were revealed in the two works that Duffy included in our summer exhibition. The first, a piece in which viewers were encouraged to throw darts; the second, a series of prints that goaded viewers to steal the work off of the wall and exit the gallery immediately. Now it is Duffy himself who is taking action. He is shooting ammunition into, onto, and against the canvas so that the support of the painting becomes a surface of resistance. The result is a series of predominately monochromatic paintings, shot up with a range of guns: BB guns, pellet guns, and a shotgun.
In the studio, Duffy established rules and structures to govern the process of making the paintings. For some of the work the artist created custom metal armatures that directed and constrained the trajectory of the ammunition to specific vectors. For others he shot blobs of wet paint onto the canvas, creating grids of spidery paint splatters and drips. Many of the paintings are layered monochromatic canvases, made with oils and lacquer that have then been carefully shot. In all of the paintings, the impact of the ammunition on the canvas reflects the force of the action that is controlled by the artists strategy of aiming the bullets. The works reflect forceful action much more than violence, even when the canvas is thoroughly perforated by bullets.
Duffys canvases evoke the legacy of Lucio Fontana in their violation of the sacrosanct surface of the painting, but they also reference Niki de Saint Phalles Nouveau Raliste Shooting Paintings, made from 1960 1963. (Saint Phalle was a point of reference for Duffy during his education at UCSD, where Saint Phalles Sun God watches over the campus.) This body of work reflects Duffys desire to actively impact and engage with his materials and the oscillation between creation and destruction inherent in the creative act.
Sean Duffy received his BA in Studio Art and Political Science from the University of California San Diego and his MFA from University of California Irvine. Solo exhibitions include: The Laguna Art Museum, Laguna Beach, CA; The Prez Art Museum, Miami, FL; the Luckman Gallery, California State University Los Angeles, CA; and Arizona State University Art Museum, Tempe, AZ. His work has been included in group exhibitions at the Sweeney Art Gallery, University of California, Riverside, CA; The Orange County Museum of Art, Orange County, CA; University Art Museum, California State University, Long Beach; the Nasher Museum of Art at Duke University, Durham, NC; Contemporary Art Center, New Orleans, LA; Museum of Contemporary Art San Diego, La Jolla, CA; Photographische Sammlung / SK Stiftung Kultur, Cologne, Germany; Studio Museum in Harlem, New York; CENAR Centro Nacional del Arte, San Salvador, El Salvador. His work is included in the collections of the Orange County Museum of Art, Los Angeles County Museum of Art, The Prez Art Museum, Miami FL, The Nora Eccles Harrison Museum of Art, Utah State University, UT; and the Museum of Contemporary Art San Diego, San Diego, CA. This is his ninth solo exhibition with Susanne Vielmetter Los Angeles Projects.
Paintings
12 July - 23 August 2014
Susanne Vielmetter Los Angeles Projects is pleased to present a solo exhibition of new paintings by Sean Duffy.
Throughout his 20-year career, Duffy has been deeply engaged in a postmodern practice of recycling, reworking, and re-contextualizing found material. In his most recent exhibitions this practice has morphed into a recycling of his own work and ideas. This approach culminated in the artists last solo exhibition at the gallery during which he dissolved his studio (which had always been located in his garage) and sold all remaining objects from the studio as a garage sale. In Paintings we witness a distinct change in Duffys artistic strategy. He has transitioned away from a modality of looking back and re-contextualizing existing materials and ideas, and taken an active, forward-looking position.
In 2013, the first public glimpses of this new way of working were revealed in the two works that Duffy included in our summer exhibition. The first, a piece in which viewers were encouraged to throw darts; the second, a series of prints that goaded viewers to steal the work off of the wall and exit the gallery immediately. Now it is Duffy himself who is taking action. He is shooting ammunition into, onto, and against the canvas so that the support of the painting becomes a surface of resistance. The result is a series of predominately monochromatic paintings, shot up with a range of guns: BB guns, pellet guns, and a shotgun.
In the studio, Duffy established rules and structures to govern the process of making the paintings. For some of the work the artist created custom metal armatures that directed and constrained the trajectory of the ammunition to specific vectors. For others he shot blobs of wet paint onto the canvas, creating grids of spidery paint splatters and drips. Many of the paintings are layered monochromatic canvases, made with oils and lacquer that have then been carefully shot. In all of the paintings, the impact of the ammunition on the canvas reflects the force of the action that is controlled by the artists strategy of aiming the bullets. The works reflect forceful action much more than violence, even when the canvas is thoroughly perforated by bullets.
Duffys canvases evoke the legacy of Lucio Fontana in their violation of the sacrosanct surface of the painting, but they also reference Niki de Saint Phalles Nouveau Raliste Shooting Paintings, made from 1960 1963. (Saint Phalle was a point of reference for Duffy during his education at UCSD, where Saint Phalles Sun God watches over the campus.) This body of work reflects Duffys desire to actively impact and engage with his materials and the oscillation between creation and destruction inherent in the creative act.
Sean Duffy received his BA in Studio Art and Political Science from the University of California San Diego and his MFA from University of California Irvine. Solo exhibitions include: The Laguna Art Museum, Laguna Beach, CA; The Prez Art Museum, Miami, FL; the Luckman Gallery, California State University Los Angeles, CA; and Arizona State University Art Museum, Tempe, AZ. His work has been included in group exhibitions at the Sweeney Art Gallery, University of California, Riverside, CA; The Orange County Museum of Art, Orange County, CA; University Art Museum, California State University, Long Beach; the Nasher Museum of Art at Duke University, Durham, NC; Contemporary Art Center, New Orleans, LA; Museum of Contemporary Art San Diego, La Jolla, CA; Photographische Sammlung / SK Stiftung Kultur, Cologne, Germany; Studio Museum in Harlem, New York; CENAR Centro Nacional del Arte, San Salvador, El Salvador. His work is included in the collections of the Orange County Museum of Art, Los Angeles County Museum of Art, The Prez Art Museum, Miami FL, The Nora Eccles Harrison Museum of Art, Utah State University, UT; and the Museum of Contemporary Art San Diego, San Diego, CA. This is his ninth solo exhibition with Susanne Vielmetter Los Angeles Projects.