Tate Liverpool

Turner Prize 2022

20 Oct 2022 - 19 Mar 2023

Turner Prize 2022: Ingrid Pollard
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Ingrid Pollard:
Seventeen of Sixty Eight, Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Ingrid Pollard
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Ingrid Pollard
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Ingrid Pollard:
Seventeen of Sixty Eight, Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Veronica Ryan
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Veronica Ryan
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Veronica Ryan
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Veronica Ryan
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Turner Prize 2022: Heather Phillipson
Rupture No 6: biting the blowtorched peach
Installation View at Tate Liverpool 2022.
Photo: © Tate (Matt Greenwood)
Tate Liverpool unveils an exhibition of work by the four artists nominated for the Turner Prize 2022: Heather Phillipson, Ingrid Pollard, Veronica Ryan and Sin Wai Kin. One of the world’s best-known prizes for the visual arts, the Turner Prize aims to promote public debate around new developments in contemporary British art.

The prize is returning to Liverpool for the first time in 15 years having helped launch the city’s year as European Capital of Culture. The winner will be announced on 7 December at an award ceremony at St George’s Hall, Liverpool.

HEATHER PHILLIPSON presents RUPTURE NO 6: biting the blowtorched peach, 2022. Reimagining her 2020 Tate Britain’s Duveen Galleries commission, Phillipson conjures what she calls ‘a maladapted ecosystem, an insistent atmosphere.’ Charged with colour, video and kinetic sculpture, and augmented with a brand-new audio composition, Phillipson proposes her space at Tate Liverpool as alive and happening in a parallel time-zone. It is, she says, ‘a whole new season’. Phillipson’s audacious and wide-ranging practice often involves collisions of wildly different materials, media and gestures in what she describes as ‘quantum thought experiments’.

INGRID POLLARD works primarily in photography, but also sculpture, film and sound to question our relationship with the natural world and interrogate ideas such as Britishness, race and sexuality. For the Turner Prize, Pollard presents Seventeen of Sixty Eight 2018, developed from decades of research into racist depictions of ‘the African’ on pub signs, ephemeral objects, within literature and in surrounding landscapes. Bow Down and Very Low – 123 2021 includes a trio of kinetic sculptures using everyday objects to reference power dynamics though their gestures, while the photo series DENY: IMAGINE: ATTACK 1991 and SILENCE 2019 look at the language of power, both emotional and physical.

VERONICA RYAN presents cast forms in clay and bronze; sewn and tea-stained fabrics; and bright neon crocheted fishing line pouches filled with a variety of seeds, fruit stones and skins to reference displacement, fragmentation and alienation. Rather than having fixed meanings, Ryan’s work is typically open to a wide variety of readings, as implied by titles such as Multiple Conversations 2019–21 or Along a Spectrum 2021. Made during a residency at Spike Island, the forms she creates take recognisable elements and materials – such as fruit, takeaway food containers, feathers, or paper – and reconfigure them, exploring ecology, history and dislocation, as well as the psychological impact of the pandemic.

SIN WAI KIN brings fantasy to life through storytelling in performance, moving image, and ephemera. Their work realises fictional narratives to describe lived realities of desire, identification, and consciousness. For the Turner Prize, Sin presents three films, including A Dream of Wholeness in Parts 2021 in which traditional Chinese philosophy and dramaturgy intersects with contemporary drag, music and poetry; In It’s Always You 2021 the artist adopts the roles of four boyband members, striving to take on the multiplicity of identities that transcend constructed binaries, while Today’s Top Stories, sees Sin playing the character of The Storyteller, posing as a news anchor who recites philosophical propositions on existence, consciousness, naming and identity.

Alex Farquharson, Director of Tate Britain and Co-chair of the Turner Prize 2022 jury, said: “15 years since Turner Prize ventured out of London for the first time to Liverpool, it’s fantastic to see the prize back in the city. This year’s shortlisted artists have delivered a visually exciting, thought-provoking, and wide ranging exhibition, and I encourage art-lovers from across the country to come and see it for themselves.”

Helen Legg, Director of Tate Liverpool and Co-chair of the Turner Prize 2022 jury, said: “I’m excited to be unveiling work by these four outstanding artists at Tate Liverpool for this year’s Turner Prize. This is a diverse group of artists, each with a singular vision, who are all dealing with important issues facing our society today and together their work combines to create a fascinating and vibrant exhibition.”

The Turner Prize 2022 is curated by Sarah James, Senior Curator, Tate Liverpool, and Matthew Watts, Assistant Curator, Tate Liverpool.
 

Tags: Sin Wai Kin, Helen Legg, Heather Phillipson, Ingrid Pollard, Veronica Ryan