Nancy de Holl & David Chieppo
20 Oct - 24 Nov 2007
NANCY DE HOLL & DAVID CHIEPPO
Taxter & Spengemann is pleased to present Nancy de Holl’s second solo exhibition at the gallery. She exhibits two intertwined bodies of photographic works on the first floor and in the upstairs office, which demonstrate a playfully perverse alternation between figure and object. De Holl’s episodic employment in the fashion photography industry insidiously influenced these two bodies of work, which reflect an attention to the sculptural, performative, and virtual operations present within the formulation of commercial imagery.
For the most recent work, de Holl hired a contortionist who came to the studio and posed for a series of elaborately styled shoots. In other photographs, subjects are embodied from a highly curated selection of found and sometimes mundane materials. Nancy de Holl lives and works in New York. Her previous exhibition at Taxter & Spengemann was in March 2005. Since that time she has been included in group exhibitions such as: Bunch Alliance and Dissolve, curated by Public Holiday Projects, at the Contemporary Arts Center, Cincinnati, OH; Cataract, Wallspace, NY; Put It In Your Mouth/I’ll See You on the Dark Side of the Prune, curated by Darren Bader, Rivington Arms, New York. She received her BFA from the School of the Art Institute of Chicago and her MFA from the University of California Los Angeles.
David Chieppo presents a series of small-scale paintings in the upstairs gallery for his first exhibition at Taxter & Spengemann. Chieppo was born and raised on the East Cost but has been living in Zurich, Switzerland for 10 years.
Chieppo’s paintings transmit an air of distanced nonchalance, though this is not to be mistaken for indifference. Largely inspired by film stills and popular media photographs and headlines, the works emit a strangeness and familiarity that is not quite legible but nevertheless strongly felt. Peculiar scenes conjure precise emotional states and much less specific places, as if the artist has devised a method of crafting a purely psychological environment. This is not to say the paintings aren’t funny. The viewer is quickly disarmed by the awkwardness of the subjects, their blankness and the absurdity of their situation, and the artist’s often joking or punning titles, leave the solemnity of the proceedings in question.
The paintings are not overworked, suggesting that the artist has a well-tuned sense of “just enough”, and a healthy suspicion of losing psychological atmosphere through undue agonizing over surfaces. Chieppo paints in a calculatedly crude manner that manages a contradictory level of grace and directness without leaning too heavily on conventions of “bad painting.” In his panels, abstraction and figuration are interwoven and easily exchanged, conventions of portraiture dissolve into repeated floating marks swarming about a subject’s head, and landscape is called into romantic service with just a few spasmodic brush strokes.
David Chieppo lives and works in Zurich. This is his first solo exhibition in the United States. Chieppo is the recipient of the 2008 Manor Kunstrpreis, Kantor Zurich which also awards him a solo exhibition next year at the Kuntsmuseum Winthertur. In 2007 he had a solo exhibition at the Centre Culturel Suisse, in Paris., and was included in A Fantasy for the Moment at the Kunsthalle, Bern. In 2005 he had a solo exhibition at Galerie Brigitte Weiss, in Zurich.
Taxter & Spengemann is pleased to present Nancy de Holl’s second solo exhibition at the gallery. She exhibits two intertwined bodies of photographic works on the first floor and in the upstairs office, which demonstrate a playfully perverse alternation between figure and object. De Holl’s episodic employment in the fashion photography industry insidiously influenced these two bodies of work, which reflect an attention to the sculptural, performative, and virtual operations present within the formulation of commercial imagery.
For the most recent work, de Holl hired a contortionist who came to the studio and posed for a series of elaborately styled shoots. In other photographs, subjects are embodied from a highly curated selection of found and sometimes mundane materials. Nancy de Holl lives and works in New York. Her previous exhibition at Taxter & Spengemann was in March 2005. Since that time she has been included in group exhibitions such as: Bunch Alliance and Dissolve, curated by Public Holiday Projects, at the Contemporary Arts Center, Cincinnati, OH; Cataract, Wallspace, NY; Put It In Your Mouth/I’ll See You on the Dark Side of the Prune, curated by Darren Bader, Rivington Arms, New York. She received her BFA from the School of the Art Institute of Chicago and her MFA from the University of California Los Angeles.
David Chieppo presents a series of small-scale paintings in the upstairs gallery for his first exhibition at Taxter & Spengemann. Chieppo was born and raised on the East Cost but has been living in Zurich, Switzerland for 10 years.
Chieppo’s paintings transmit an air of distanced nonchalance, though this is not to be mistaken for indifference. Largely inspired by film stills and popular media photographs and headlines, the works emit a strangeness and familiarity that is not quite legible but nevertheless strongly felt. Peculiar scenes conjure precise emotional states and much less specific places, as if the artist has devised a method of crafting a purely psychological environment. This is not to say the paintings aren’t funny. The viewer is quickly disarmed by the awkwardness of the subjects, their blankness and the absurdity of their situation, and the artist’s often joking or punning titles, leave the solemnity of the proceedings in question.
The paintings are not overworked, suggesting that the artist has a well-tuned sense of “just enough”, and a healthy suspicion of losing psychological atmosphere through undue agonizing over surfaces. Chieppo paints in a calculatedly crude manner that manages a contradictory level of grace and directness without leaning too heavily on conventions of “bad painting.” In his panels, abstraction and figuration are interwoven and easily exchanged, conventions of portraiture dissolve into repeated floating marks swarming about a subject’s head, and landscape is called into romantic service with just a few spasmodic brush strokes.
David Chieppo lives and works in Zurich. This is his first solo exhibition in the United States. Chieppo is the recipient of the 2008 Manor Kunstrpreis, Kantor Zurich which also awards him a solo exhibition next year at the Kuntsmuseum Winthertur. In 2007 he had a solo exhibition at the Centre Culturel Suisse, in Paris., and was included in A Fantasy for the Moment at the Kunsthalle, Bern. In 2005 he had a solo exhibition at Galerie Brigitte Weiss, in Zurich.