With One Eye On The Horizon
14 Jul - 21 Aug 2011
WITH ONE EYE ON THE HORIZON
14 July – 21 August, 2011
Chris Baronavski (US), Femke De Bruijn (NL), Tanja Deman (HR), Marleen Leuverink (NL), Vincenzo Onnembo (IT), Tiddo Roozendaal (NL), Zafer Topaloglu (TR), Yuko Uesu (JP), Roeland Veraart (NL)
With One Eye on the Horizon is the Graduation Show of the first graduating students from the Master Media Design & Communication: Lens-Based Programme at the Piet Zwart Institute, a postgraduate programme of the Willem de Kooning Academy Rotterdam University. The Lens-Based Programme explores the possibilities of new forms and delivery platforms – streaming media; gallery installation; mobile-phone movies; cross-media narratives; database film technologies; site-specific projection projects; and other hybrid forms. The programme emphasizes the new possibilities created by the convergence of both still and moving images into a shared digital workflow. The work in the show variously responds to the erosion of the clear distinction between cinema and photography, and works across the dividing line between moving and still.
14 July – 21 August, 2011
Chris Baronavski (US), Femke De Bruijn (NL), Tanja Deman (HR), Marleen Leuverink (NL), Vincenzo Onnembo (IT), Tiddo Roozendaal (NL), Zafer Topaloglu (TR), Yuko Uesu (JP), Roeland Veraart (NL)
With One Eye on the Horizon is the Graduation Show of the first graduating students from the Master Media Design & Communication: Lens-Based Programme at the Piet Zwart Institute, a postgraduate programme of the Willem de Kooning Academy Rotterdam University. The Lens-Based Programme explores the possibilities of new forms and delivery platforms – streaming media; gallery installation; mobile-phone movies; cross-media narratives; database film technologies; site-specific projection projects; and other hybrid forms. The programme emphasizes the new possibilities created by the convergence of both still and moving images into a shared digital workflow. The work in the show variously responds to the erosion of the clear distinction between cinema and photography, and works across the dividing line between moving and still.