Wattis Institute

Americana

30 Aug 2011 - 09 Jan 2012

Maine: Malaga Island, No Man's Land.
AMERICANA
50 States, 50 Months, 50 Exhibitions
30 August, 2011 – 9 January, 2012

The United States themselves are essentially the greatest poem.
—Walt Whitman

Alabama / Alaska / Arizona / Arkansas / California / Colorado / Connecticut / Delaware / Florida / Georgia / Hawaii / Idaho / Illinois / Indiana / Iowa / Kansas / Kentucky / Louisiana / Maine / Maryland / Massachusetts / Michigan / Minnesota / Mississippi / Missouri / Montana / Nebraska / Nevada / New Hampshire / New Jersey / New Mexico / New York / North Carolina / North Dakota / Ohio / Oklahoma / Oregon / Pennsylvania / Rhode Island / South Carolina / South Dakota / Utah / Vermont

Americana: 50 States, 50 Months, 50 Exhibitions is a long-term presentation consisting of 50 displays, each approximately one month long, coorganized by Wattis Institute director Jens Hoffmann and CCA's Graduate Program in Curatorial Practice. Each month's display will examine an American state, in alphabetical order by state name.

Through artworks, historical artifacts, curiosities, and other elements, Americana will focus on overlooked and little-known aspects of each state. All presentations take place in the same exhibition space, which is configured in the shape of the continental United States.

Americana examines the states as they are today, looking at how America's social and political imperatives condition the production, presentation, and interpretation of art and exhibition making. The brisk pace of the 50 displays reflects the varied and constantly changing fabric of this relatively young country and its multilayered, shifting national identity.

The title is a reference to an exhibition of the same name that was curated by the artist collaborative Group Material at the 1985 biennial of the Whitney Museum of American Art, New York. Group Material also focused on art and elements of mass culture that they understood as overlooked, forgotten, and outside the mainstream in order to investigate critically how museums and exhibitions assist in the formation of American identity.
 

Tags: Jens Hoffmann, Jens Hoffmann, Group Material