Codex
23 Jan - 29 Mar 2014
CODEX
23 January - 29 March 2014
Anonymous, Dove Allouche, Matthew Bakkom, John Baldessari, Laetitia Benat, Lisa Bonard, Alexandrine Boyer, Marcel Broodthaers, Heman Chong, Claude Closky, Robert Crumb, Moyra Davey, Marina Faust, Philip Guston, Aaron Krach, Vincent Labaume, Louise Lawler, Pierre Leguillon, Jean-Baptiste Maitre, Barry McGee, Jerry McMillan, Aurelien Mole, Jean-Luc Moulène, Damián Navarro, Dennis Oppenheim, Raymond Pettibon, Veronique Portal, Conny Purtill, Dider Rittener, Allen Ruppersberg, Ed Ruscha, David Scher, Esther Shalev-Gerz, Cindy Sherman, Yann Serandour, Rafael Serrano, Alec Soth, Saul Steinberg, Jean-Luc Verna, William Wegman
Codex is the title of an exhibition-manifesto conceived by Pierre Leguillon during a residency in San Francisco. As an artist and book collector, Leguillon found himself within the stacks of the Prelinger Archive, a local independent research library that houses 19th and 20th century historical ephemera, periodicals, maps, and books.
Founded by Rick and Megan Prelinger in 2004, the unique organization of this “appropriation friendly” library conceives of its holdings as a “landscape of ideas,” classifying subjects both spatially and conceptually.
This project evolved from a collective inquiry which, given the fanatical desire to digitalize every book, was based on the premise the library has now been “flattened.” The codex (book or block of wood in Latin), which first appeared during the Roman Empire between the 1st and 2nd centuries AD, was the earliest form of a bound book.
Replacing the scroll, it permitted linear reading and made it possible to hierarchize the content of a text through direct access to the desired page. Why, in an era of digital databases, online libraries, and the development of new digital media, bring the codex back into two dimensions, into screen format? And why continue to imitate the space of the traditional book by retaining page numbers, by simulating turning pages, etc.?
The irreversible act that consists in taking books into the picture plane is found throughout the entire history of Western art and seems a recurring motif in the most recent contemporary art.
The exhibition Codex is designed as a living organism and offers a series of events in connection with the selected works, composed of screenings, lectures, and exchanges that will also make it possible to “perform” the book, to see it manipulated and, interpreted, either live or at the cinema, through words and gestures.
For its reappearance in San Francisco, the Wattis, in collaboration with HEAD, will together reimagine the conversation of the book with a series of public programs in connection with the works on display.
The original exhibition was organized with teachers and students from the Fine Arts Department of Haute école d'art et de design -- Genève (HEAD) in its exhibition space Live In Your Head in 2011.
The reimagined exhibition at the Wattis Institute will include works from the original presentation, along with new works selected by Leguillon with students at HEAD and the Wattis Institute in collaboration with students from California College of the Arts.
Support for this exhibition is provided by swissnex San Francisco.
23 January - 29 March 2014
Anonymous, Dove Allouche, Matthew Bakkom, John Baldessari, Laetitia Benat, Lisa Bonard, Alexandrine Boyer, Marcel Broodthaers, Heman Chong, Claude Closky, Robert Crumb, Moyra Davey, Marina Faust, Philip Guston, Aaron Krach, Vincent Labaume, Louise Lawler, Pierre Leguillon, Jean-Baptiste Maitre, Barry McGee, Jerry McMillan, Aurelien Mole, Jean-Luc Moulène, Damián Navarro, Dennis Oppenheim, Raymond Pettibon, Veronique Portal, Conny Purtill, Dider Rittener, Allen Ruppersberg, Ed Ruscha, David Scher, Esther Shalev-Gerz, Cindy Sherman, Yann Serandour, Rafael Serrano, Alec Soth, Saul Steinberg, Jean-Luc Verna, William Wegman
Codex is the title of an exhibition-manifesto conceived by Pierre Leguillon during a residency in San Francisco. As an artist and book collector, Leguillon found himself within the stacks of the Prelinger Archive, a local independent research library that houses 19th and 20th century historical ephemera, periodicals, maps, and books.
Founded by Rick and Megan Prelinger in 2004, the unique organization of this “appropriation friendly” library conceives of its holdings as a “landscape of ideas,” classifying subjects both spatially and conceptually.
This project evolved from a collective inquiry which, given the fanatical desire to digitalize every book, was based on the premise the library has now been “flattened.” The codex (book or block of wood in Latin), which first appeared during the Roman Empire between the 1st and 2nd centuries AD, was the earliest form of a bound book.
Replacing the scroll, it permitted linear reading and made it possible to hierarchize the content of a text through direct access to the desired page. Why, in an era of digital databases, online libraries, and the development of new digital media, bring the codex back into two dimensions, into screen format? And why continue to imitate the space of the traditional book by retaining page numbers, by simulating turning pages, etc.?
The irreversible act that consists in taking books into the picture plane is found throughout the entire history of Western art and seems a recurring motif in the most recent contemporary art.
The exhibition Codex is designed as a living organism and offers a series of events in connection with the selected works, composed of screenings, lectures, and exchanges that will also make it possible to “perform” the book, to see it manipulated and, interpreted, either live or at the cinema, through words and gestures.
For its reappearance in San Francisco, the Wattis, in collaboration with HEAD, will together reimagine the conversation of the book with a series of public programs in connection with the works on display.
The original exhibition was organized with teachers and students from the Fine Arts Department of Haute école d'art et de design -- Genève (HEAD) in its exhibition space Live In Your Head in 2011.
The reimagined exhibition at the Wattis Institute will include works from the original presentation, along with new works selected by Leguillon with students at HEAD and the Wattis Institute in collaboration with students from California College of the Arts.
Support for this exhibition is provided by swissnex San Francisco.