Queer Spaces: London, 1980s – Today
02 Apr - 25 Aug 2019
Hannah Quinlan & Rosie Hastings
The Scarcity of Liberty #2 , 2016
Cork board mounted on wooden frame, magazine pages, pins
Courtesy the artists and Arcadia Missa
The Scarcity of Liberty #2 , 2016
Cork board mounted on wooden frame, magazine pages, pins
Courtesy the artists and Arcadia Missa
QUEER SPACES: LONDON, 1980S – TODAY
2 April – 25 August 2019
‘...if a key value of queer venues has been to provide a safe space in which to organise and gather information, then it seems that the Whitechapel Gallery will become, if only for a few months, London’s newest queer space.’ The Art Newspaper
‘A wonderful celebration of queer culture’ Queer Guru
‘The exhibition comes at a time of crisis for LGBT venues.’ The Guardian
Vigils with drag artists and musicians, meticulously researched heritage listing applications, a tongue-in-cheek ‘funeral’ for much loved nightlife spot – these are some recent activist tactics employed to resist market-led redevelopment of LGBTQ+ spaces in London.
In the 1980s, campaigning groups and social spaces proliferated alongside a growing LGBTQ+ rights movement. But are London’s queer spaces –whether bars, community centres, cabarets or cruising areas – now under threat?
This display focuses on the rarely seen archives of LGBTQ+ venues and social networks collated by University College London’s Urban Laboratory, who also contribute an interactive map charting the appearance and disappearance of spaces over the last 30 years.
Among the featured case studies are the London Lesbian and Gay Centre and Black Lesbian and Gay Centre, both running in the 1980s and ‘90s; Glass Bar (1995–2008), a space in Euston for anyone identifying as a woman; and venues such as The Joiners Arms, The Black Cap and The Royal Vauxhall Tavern that are the subject of current campaigns against redevelopment. Together, they reveal the radical inventiveness and creativity of London’s LGBTQ+ communities since the 1980s.
At the same time artists Tom Burr (b. 1963, USA), Ralph Dunn (b. 1969, UK), Evan Ifekoya (b. 1988, Nigeria), Hannah Quinlan & Rosie Hastings (both b. 1991, UK), Prem Sahib (b. 1982, UK) and others give their perspectives on 21st century cityscapes of sociability and self-expression.
2 April – 25 August 2019
‘...if a key value of queer venues has been to provide a safe space in which to organise and gather information, then it seems that the Whitechapel Gallery will become, if only for a few months, London’s newest queer space.’ The Art Newspaper
‘A wonderful celebration of queer culture’ Queer Guru
‘The exhibition comes at a time of crisis for LGBT venues.’ The Guardian
Vigils with drag artists and musicians, meticulously researched heritage listing applications, a tongue-in-cheek ‘funeral’ for much loved nightlife spot – these are some recent activist tactics employed to resist market-led redevelopment of LGBTQ+ spaces in London.
In the 1980s, campaigning groups and social spaces proliferated alongside a growing LGBTQ+ rights movement. But are London’s queer spaces –whether bars, community centres, cabarets or cruising areas – now under threat?
This display focuses on the rarely seen archives of LGBTQ+ venues and social networks collated by University College London’s Urban Laboratory, who also contribute an interactive map charting the appearance and disappearance of spaces over the last 30 years.
Among the featured case studies are the London Lesbian and Gay Centre and Black Lesbian and Gay Centre, both running in the 1980s and ‘90s; Glass Bar (1995–2008), a space in Euston for anyone identifying as a woman; and venues such as The Joiners Arms, The Black Cap and The Royal Vauxhall Tavern that are the subject of current campaigns against redevelopment. Together, they reveal the radical inventiveness and creativity of London’s LGBTQ+ communities since the 1980s.
At the same time artists Tom Burr (b. 1963, USA), Ralph Dunn (b. 1969, UK), Evan Ifekoya (b. 1988, Nigeria), Hannah Quinlan & Rosie Hastings (both b. 1991, UK), Prem Sahib (b. 1982, UK) and others give their perspectives on 21st century cityscapes of sociability and self-expression.