Lee Friedlander
04 Sep - 28 Nov 2010
© Lee Friedlander
Alaska, 2007, from the series America by Car, 1995-2009
Gelatin silver print
15 × 15 in. (38.1 × 38.1 cm).
Collection of the artist; courtesy Fraenkel Gallery, San Francisco © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco
Alaska, 2007, from the series America by Car, 1995-2009
Gelatin silver print
15 × 15 in. (38.1 × 38.1 cm).
Collection of the artist; courtesy Fraenkel Gallery, San Francisco © Lee Friedlander, courtesy Fraenkel Gallery, San Francisco
LEE FRIEDLANDER
“America by Car”
September 4–November 28, 2010
Driving across most of the country’s fifty states in an ordinary rental car, master photographer Lee Friedlander (b. 1934) applied the brilliantly simple conceit of deploying the sideview mirror, rearview mirror, the windshield, and the side windows as picture frames within which to record reflections of this country’s eccentricities and obsessions at the beginning of the twenty-first century. Friedlander’s method allows for fascinating effects in foreshortening, and wonderfully telling juxtapositions in which steering wheels, dashboards, and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, essential American landscapes, and often Friedlander’s own image. Presented in the square crop format that has dominated his work in recent series, and taken over the past decade, the images in America by Car are among Friedlander’s finest, full of virtuoso freshness and clarity, while also revisiting themes from older bodies of work.
Lee Friedlander: America By Car is organized by Elisabeth Sussman, Sondra Gilman Curator of Photography.
“America by Car”
September 4–November 28, 2010
Driving across most of the country’s fifty states in an ordinary rental car, master photographer Lee Friedlander (b. 1934) applied the brilliantly simple conceit of deploying the sideview mirror, rearview mirror, the windshield, and the side windows as picture frames within which to record reflections of this country’s eccentricities and obsessions at the beginning of the twenty-first century. Friedlander’s method allows for fascinating effects in foreshortening, and wonderfully telling juxtapositions in which steering wheels, dashboards, and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, essential American landscapes, and often Friedlander’s own image. Presented in the square crop format that has dominated his work in recent series, and taken over the past decade, the images in America by Car are among Friedlander’s finest, full of virtuoso freshness and clarity, while also revisiting themes from older bodies of work.
Lee Friedlander: America By Car is organized by Elisabeth Sussman, Sondra Gilman Curator of Photography.