Whitney Museum

Open Plan: Andrea Fraser

26 Feb - 13 Mar 2016

Whitney Museum of American Art, Neil Bluhm Family Galleries, Floor Five. Photograph by Nic Lehoux
OPEN PLAN: ANDREA FRASER
26 February – 13 March 2016

From February 26 through May 14, 2016, the Whitney Museum of American Art will present Open Plan, an experimental five-part exhibition using the Museum’s dramatic fifth-floor as a single open gallery, unobstructed by interior walls. The largest column-free museum exhibition space in New York, the Neil Bluhm Family Galleries measure 18,200 square feet and feature windows with striking views east into the city and west to the Hudson River, making for an expansive and inspiring canvas.

Andrea Fraser’s (b. 1965) provocative work spans performance, institutional critique, video, and audience engagement. Open Plan: Andrea Fraser will present her site-specific project, Down the River, which uses audio recorded at a correctional facility to bridge the social, cultural, and geographic divide separating museums from correctional facilities. Since the mid-1970s, the United States has seen a parallel boom in museum and prison construction, with some states, such as New York, recently reversing this trend with prison closures. Fraser’s sound installation seeks to reflect on the parts we play in sustaining these disparate institutions.

Public seminars on Down the River occur daily on the third floor: Monday–Friday at 2 pm; Saturdays and Sundays at 1 pm.

Open Plan: Andrea Fraser is organized by Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator Scott Rothkopf and assistant curator Laura Phipps.
Major support for Open Plan is provided by the Philip and Janice Levin Foundation and the National Committee of the Whitney Museum of American Art.

Significant support is provided by The Brown Foundation, Inc., of Houston and Donald R. Mullen, Jr.

Generous support is provided by Diane and Adam E. Max.

Additional support is provided by Alexander S. C. Rower, Joseph Rosenwald Varet and Esther Kim Varet, and the Performance Committee of the Whitney Museum of American Art.
 

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