Profiling
08 Jun - 09 Sep 2007
Profiling
June 8, 2007-September 9, 2007
Profiling features two artworks that present a dialogue on issues surrounding surveillance, protection, privacy, and identity by exploring the use of automated systems for tracking and "profling" people in public spaces. The connection between surveillance and entertainment is at the core of SVEN-Surveillance Video Entertainment Network by artists Amy Alexander, Jesse Gilbert, Wojciech Kosma, Vincent Rabaud, and Nikhil Rasiwasia. SVEN uses a computer application to track visitors' movements through space and to analyze their "rock star potential." A video-processing application uses the live camera feed to generate music video-like visuals. In David Rokeby's surveillance installation Taken, two side-by-side projections provide different readings of the activities in the gallery space. A continuously accumulating history of the movements of people in the gallery is juxtaposed with a "catalog" of gallery visitors' headshots that have classifying adjectives, such as "unsuspecting" or "hungry," randomly attached to them. The projects brought together in Profiling expose the absurdities and subvert the effects of surveillance technologies.
June 8, 2007-September 9, 2007
Profiling features two artworks that present a dialogue on issues surrounding surveillance, protection, privacy, and identity by exploring the use of automated systems for tracking and "profling" people in public spaces. The connection between surveillance and entertainment is at the core of SVEN-Surveillance Video Entertainment Network by artists Amy Alexander, Jesse Gilbert, Wojciech Kosma, Vincent Rabaud, and Nikhil Rasiwasia. SVEN uses a computer application to track visitors' movements through space and to analyze their "rock star potential." A video-processing application uses the live camera feed to generate music video-like visuals. In David Rokeby's surveillance installation Taken, two side-by-side projections provide different readings of the activities in the gallery space. A continuously accumulating history of the movements of people in the gallery is juxtaposed with a "catalog" of gallery visitors' headshots that have classifying adjectives, such as "unsuspecting" or "hungry," randomly attached to them. The projects brought together in Profiling expose the absurdities and subvert the effects of surveillance technologies.