Krzysztof Zielinski
10 Sep - 06 Nov 2010
Krzysztof Zieliński: Briesen
10th September – 6th November, 2010
Opening 10th September, 2010, 6 – 9pm
Briesen is the old German name for a provincial town situated in the north of Poland that was once a part of former eastern Prussia. The town's Polish name – Wąbrzeźno – is one difficult for the foreigner to pronounce. It is likely however that there is no real need for the foreigner to strain themselves with this tongue twister; there is nothing of note or interest in the town that might capture their attention. It is a grey and unremarkable place. It is where Krzysztof Zieliński was born and raised.
Briesen is also the name of the artist's new photographic series. In spite of the title, the series did not originate in Wąbrzeźno but in Berlin where the artist has lived for a number of years. The name of this town – Berlin – is known to all, although for Zieliński this has no real meaning. For him Berlin has become the same place of residence as the familial Briesen (Wąbrzeźno). In his photographs it is even hard to tell the difference between the two. Both towns are places that are non-specific, places that are easier to name than to describe – both with neglected gardens, carparks or disused and abandoned shop spaces. Similar and equally transparent, characterless and unspectacular spaces can be found all around the world. This is why these photographs could emerge both everywhere and nowhere, in Berlin or in Briesen. Zieliński’s Berlin is a strange mixture of East and West, where the artist searches for his emigrant identity that has been lost somewhere between the two cities.
Each of Zieliński's series and the works therein have a connection to a specific place. The first acclaimed series of photographs (shown at the 26th Biennale in São Paulo amongst other places) carried the title Hometown, and originated in Briesen (Wąbrzeźno) 10 years ago. The artist did not live in Poland at that time, but with the regularity and conscientiousness of a roving bird he always returned to his Hometown. This is equally true of the series Millennium School (shown at the ŻAK | BRANICKA gallery in 2007) for which Zieliński travelled to Wąbrzeźno to take photos of his old primary school. In his newest series, the artist once again turns to his memories of the past and searches for the familial Briesen in Berlin.
Adam Mazur in the catalogue text for this exhibition writes: "... The artist makes a symbolic move to the new city by adding a local, small-town filter to the image of Berlin. The metropolis housing many millions, with the help of photography, becomes familiar territory and gradually emerges as the Neue Heimat, or the new Hometown for Zieliński. In the iconography of Berlin there is a certain novelty in seeing this unusually fashionable city as a paradoxical, provincial, and underdeveloped metropolis, an out-dated polis that in no way takes the breath away. In photographing this city, the artist enters a dialogue not only with native Polish photography, but equally with German Heimatfotografie and with the German tradition of city views (particularly attractive are those stylistic echoes in Zieliński's work that can be traced back to the Düsseldorf School). ...”
The history of the Briesen series is furthermore intriguing from a chronological point of view; it is simultaneously both Zieliński's newest and oldest work. The first photos were taken in 1995 when the artist briefly lived in Berlin, but the idea to use the dispersed material as a whole only came 12 years later in 2007. The series is made up of nine separate parts – each comes from a different period, is created through a different technique and in a different size, and considers different aspects of the relationship between the artist and place. The main and most extensive body of work comprises colour photographs taken between 2006 and 2009. Selected parts of the Briesen series have already been exhibited at the Starmach Gallery in Cracow, the Centre of Contemporary Art in Torun, Gallery PF and the Zachęta National Gallery of Art in Warsaw. A selection of works from the latest period in this series will be exhibited at ŻAK | BRANICKA Gallery.
10th September – 6th November, 2010
Opening 10th September, 2010, 6 – 9pm
Briesen is the old German name for a provincial town situated in the north of Poland that was once a part of former eastern Prussia. The town's Polish name – Wąbrzeźno – is one difficult for the foreigner to pronounce. It is likely however that there is no real need for the foreigner to strain themselves with this tongue twister; there is nothing of note or interest in the town that might capture their attention. It is a grey and unremarkable place. It is where Krzysztof Zieliński was born and raised.
Briesen is also the name of the artist's new photographic series. In spite of the title, the series did not originate in Wąbrzeźno but in Berlin where the artist has lived for a number of years. The name of this town – Berlin – is known to all, although for Zieliński this has no real meaning. For him Berlin has become the same place of residence as the familial Briesen (Wąbrzeźno). In his photographs it is even hard to tell the difference between the two. Both towns are places that are non-specific, places that are easier to name than to describe – both with neglected gardens, carparks or disused and abandoned shop spaces. Similar and equally transparent, characterless and unspectacular spaces can be found all around the world. This is why these photographs could emerge both everywhere and nowhere, in Berlin or in Briesen. Zieliński’s Berlin is a strange mixture of East and West, where the artist searches for his emigrant identity that has been lost somewhere between the two cities.
Each of Zieliński's series and the works therein have a connection to a specific place. The first acclaimed series of photographs (shown at the 26th Biennale in São Paulo amongst other places) carried the title Hometown, and originated in Briesen (Wąbrzeźno) 10 years ago. The artist did not live in Poland at that time, but with the regularity and conscientiousness of a roving bird he always returned to his Hometown. This is equally true of the series Millennium School (shown at the ŻAK | BRANICKA gallery in 2007) for which Zieliński travelled to Wąbrzeźno to take photos of his old primary school. In his newest series, the artist once again turns to his memories of the past and searches for the familial Briesen in Berlin.
Adam Mazur in the catalogue text for this exhibition writes: "... The artist makes a symbolic move to the new city by adding a local, small-town filter to the image of Berlin. The metropolis housing many millions, with the help of photography, becomes familiar territory and gradually emerges as the Neue Heimat, or the new Hometown for Zieliński. In the iconography of Berlin there is a certain novelty in seeing this unusually fashionable city as a paradoxical, provincial, and underdeveloped metropolis, an out-dated polis that in no way takes the breath away. In photographing this city, the artist enters a dialogue not only with native Polish photography, but equally with German Heimatfotografie and with the German tradition of city views (particularly attractive are those stylistic echoes in Zieliński's work that can be traced back to the Düsseldorf School). ...”
The history of the Briesen series is furthermore intriguing from a chronological point of view; it is simultaneously both Zieliński's newest and oldest work. The first photos were taken in 1995 when the artist briefly lived in Berlin, but the idea to use the dispersed material as a whole only came 12 years later in 2007. The series is made up of nine separate parts – each comes from a different period, is created through a different technique and in a different size, and considers different aspects of the relationship between the artist and place. The main and most extensive body of work comprises colour photographs taken between 2006 and 2009. Selected parts of the Briesen series have already been exhibited at the Starmach Gallery in Cracow, the Centre of Contemporary Art in Torun, Gallery PF and the Zachęta National Gallery of Art in Warsaw. A selection of works from the latest period in this series will be exhibited at ŻAK | BRANICKA Gallery.