Stano Filko, Miloš Laky and Ján Zavarský
18 Nov 2014 - 20 Jan 2015
STANO FILKO, MILOŠ LAKY AND JÁN ZAVARSKÝ
White (Essence), 1974
18 November 2014 – 20 January 2015
Curated together with Fedor Blaščák
Filko, Laky and Zavarský’s »White Space in a White Space« was one of the most radical artistic programs of the Czechoslovakian neo avantgarde. In 1974 – 1975 they formed a “collective subject” which manifested in the total negation of all forms of contemporary aesthetics, and particularly the dominant, materialistic, Marxist philosophy of the era.
»White Space in a White Space« was art purged of any subject matter;
instead it sought to be the method of creation – the method “of pure sensibility.” Consequently its absolutizing demands were not characterized by an inaccessible (metaphysical or spiritual) ideal. To the contrary, the ABSOLUTE was considered a natural part of reality, thus operating in the framework of reflected individual experience it could even transcend into the COLLECTIVE. In other words, pure sensibility can be experienced (and mutually shared); so is therefore understandable... but as such, can never be explained. In the realm of abstract painting »White Space in a White Space« forms a variant of the monochrome, which is traditionally the most radical representation of the artistic search for the primal through the paint. As the authors stated in their manifesto: »By painting a pure white space on another white space a tension representing the internal dynamics of the infinite arises.«
White (Essence), 1974
18 November 2014 – 20 January 2015
Curated together with Fedor Blaščák
Filko, Laky and Zavarský’s »White Space in a White Space« was one of the most radical artistic programs of the Czechoslovakian neo avantgarde. In 1974 – 1975 they formed a “collective subject” which manifested in the total negation of all forms of contemporary aesthetics, and particularly the dominant, materialistic, Marxist philosophy of the era.
»White Space in a White Space« was art purged of any subject matter;
instead it sought to be the method of creation – the method “of pure sensibility.” Consequently its absolutizing demands were not characterized by an inaccessible (metaphysical or spiritual) ideal. To the contrary, the ABSOLUTE was considered a natural part of reality, thus operating in the framework of reflected individual experience it could even transcend into the COLLECTIVE. In other words, pure sensibility can be experienced (and mutually shared); so is therefore understandable... but as such, can never be explained. In the realm of abstract painting »White Space in a White Space« forms a variant of the monochrome, which is traditionally the most radical representation of the artistic search for the primal through the paint. As the authors stated in their manifesto: »By painting a pure white space on another white space a tension representing the internal dynamics of the infinite arises.«