Hamburger Kunsthalle

Georg Jappe

25 Mar - 08 Jul 2012

Georg Jappe (1936-2007)
„Cleviaturen“, 0rnithopoetische Aufzeichnungen aus dem Klever Land,1991-99
118 Blätter, je 70 x 25 cm
Hamburger Kunsthalle, Kupferstichkabinett.
Geschenk der Lili Fischer und Georg Jappe Stiftung, Hamburg 2011
© Georg Jappe; VG Bild-Kunst, Bonn 2012
Georg Jappe (1936-2007)
OmU (Original mit Untertiteln), 1988
Multiples, Siebdruck, Pappe, Stoff, 50 x 40 x 7 cm
Hamburger Kunsthalle,
Kupferstichkabinett; Geschenk
der Lili Fischer und Georg Jappe
Stiftung, Hamburg 2011
© Georg Jappe; VG Bild-Kunst, Bonn 2012
Georg Jappe (1936-2007)
Blick aus dem Fenster, 1998 (Ausschnitt),
70 x 100 cm
Hamburger Kunsthalle, Kupferstichkabinett.
Geschenk der Lili Fischer und Georg Jappe
Stiftung, Hamburg 2011
© Georg Jappe; VG Bild-Kunst, Bonn 2012
Georg Jappe (1936-2007)
„Lüttmoor, Sonagramme der Regenpfeifer, mit
dem Saft eines Schopf-Kindling von der Hallig,
2003
43 x 61 cm
Hamburger Kunsthalle, Kupferstichkabinett.
Geschenk der Lili Fischer und Georg Jappe
Stiftung, Hamburg 2011
© Georg Jappe; VG Bild-Kunst, Bonn 2012
Georg Jappe (1936-2007)
Keilschrift, 1984 (Detail)
Schriftbild auf Photographie
© Georg Jappe; VG Bild-Kunst, Bonn
2012
Georg Jappe (1936-2007)
Athene Noctua, 2006
Tinte auf Papier, 70 x 100 cm
Hamburger Kunsthalle,
Kupferstichkabinett. Geschenk
der Lili Fischer und Georg Jappe
Stiftung, Hamburg 2011
© Georg Jappe; VG Bild-Kunst, Bonn
2012
Georg Jappe: Ornithopoetry "Birds are the landscape's memory"

Georg Jappe was inspired bybirds throughout his life: drawing his source material from observations of different species, songs, movements and histories of birds, he produced amultifaceted oeuvre that explores the boundaries between visual art, poetry andornithology. He even coined the term "Ornithopoesie" (ornithopoetry) todescribe his work. On all of his expeditions – whether these took him to the Lower Rhine region, the mountains, the Halligen islands, the bogs of Teufelsmoor or the islands of Spitsbergen and Greenland – Jappe recorded anddocumented birds in their (often endangered or damaged) natural habitat. Theresulting journals formed the basis of his large-format Schreibtischblätter and numerous text-based drawings. On largesheets of paper he created drawings, diagrams and texts: bird lists, dreams,drafts of poems, exhibition designs, landscape notations and frequentlyunfathomable experiences – a synthesis of writing and drawing that has ties toconcrete poetry – "optical poetry", as Jappe himself called it.

This exhibition provides newinsight into Georg Jappe's oeuvre, with a particular emphasis on his workrelating to birds. The display in the Hall of Master Drawings – including books, the oversized expanding file OmU (Original mit Untertiteln), a Chinese accordion fold album, photographic works, partly written "Bildbeschreibungen" (image descriptions) and a selectionof bird journals – testifies to his great artistic diversity. One of Jappe'sfilmic works, Der fließende Turm, will also be screened, which features footage filmed by the artist Lili Fischerin a variety of landscape settings such as the Scottish archipelago of St.Kilda or the Teufelsmoor, combined with bird songs and prose by Georg Jappe.

This display is also an introduction to a selection of Jappe's works that has recently been donated to the Hamburger Kunsthalle by the Lili Fischer und Georg Jappe Stiftung.

Georg Jappe (1936–2007) was a literary and art critic; from 1979 to 2001 he was professor of aesthetics at the Hochschule für bildende Künste in Hamburg. Jappe was a member of the Bielefelder Colloquium Neue Poesie. Asan artist he participated in numerous group and solo shows, including anexhibition in 1996 at the Hamburger Kunsthalle and the Stadtmuseum in Cologne.