Siobhan Davies Dance
08 - 19 Jan 2014
SIOBHAN DAVIES DANCE
Table of Contents
8 - 19 January 2014
Using Siobhan Davies’s own history as a choreographer and dancer as a starting point, this new project reflects on the concept of archiving dance. Working closely with five collaborating dance artists Andrea Buckley, Helka Kaski, Rachel Krische, Charlie Morrissey and Matthias Sperling the artists consider their own embodied history and memory. When seen in a gallery context the work questions how different art forms build on their own history. How does a potentially ephemeral art form create a lasting presence and how is embodied movement passed on, captured or remembered? In a work that consciously breaks barriers between audience and performer Davies and her collaborators engage audiences in a kind of live encounter or exchange, a learning process between both parties. The audience intermingle with dancers and the work intentionally shows process, unravelling dance and choreographic thinking in the proximity that a gallery space allows.
Siobhan Davies rose to prominence in the 1980s and increasingly works outside traditional dance venues, promoting radical new exchanges between different art forms. This new work plays with the relationship between dance and other art forms but in the end celebrates dance as a very particular way of apprehending the world.
Table of Contents
8 - 19 January 2014
Using Siobhan Davies’s own history as a choreographer and dancer as a starting point, this new project reflects on the concept of archiving dance. Working closely with five collaborating dance artists Andrea Buckley, Helka Kaski, Rachel Krische, Charlie Morrissey and Matthias Sperling the artists consider their own embodied history and memory. When seen in a gallery context the work questions how different art forms build on their own history. How does a potentially ephemeral art form create a lasting presence and how is embodied movement passed on, captured or remembered? In a work that consciously breaks barriers between audience and performer Davies and her collaborators engage audiences in a kind of live encounter or exchange, a learning process between both parties. The audience intermingle with dancers and the work intentionally shows process, unravelling dance and choreographic thinking in the proximity that a gallery space allows.
Siobhan Davies rose to prominence in the 1980s and increasingly works outside traditional dance venues, promoting radical new exchanges between different art forms. This new work plays with the relationship between dance and other art forms but in the end celebrates dance as a very particular way of apprehending the world.