Matt Mullican
1974 California Institute of the Arts, Valencia CA, B.F.A.
2008
STUK Kunstencentrum, Leuven, Belgium (upcoming)
Subject Driven, Klosterfelde, Berlin, Germany
John Baldessari and Matt Mullican, Tracy Williams, Ltd., New York (upcoming)
ProjecteSD, Bacelona, Spain (upcoming)
Galerie Micheline Szwajcer, Antwerp, Belgium
Matt Mullican – zur künstlerischen Intervention im Athletik Zentrum St. Gallen, St.Gallen
2007
Matt Mullican, Galerie Georg Kargl, Vienna, Austria
2006
Matt Mullican: Works from the 70’s and 80’s, Tracy Williams, Ltd, New York, US
Matt Mullican: Model Architecture, Lentos Kunstmuseum, Linz, A (cat.)
Room Number 4, Cristina Guerra Contemporary Art, Lisboa, P
Stuttgart Airport, Germany
Editionen, Helga Maria Klosterfelde, Hamburg, Germany
Matt Mullican, Talking the Talk, Walking the Walk, Mai 36 Galerie, Zurich, Switzerland
2005
Two Rooms Learning from that Person's Work, Galerie Klosterfelde, Berlin (D)
Learning From That Person’s Work, Ludwig Museum, Cologne (D)
Ismaninger Museum (Kallmann Museum), Munich (D)
Galerie Nelson, Paris, Germany
O.K. Centrum fur Gegenwartskunst, Linz (A)
Psychoarchitektur, WERKSCHAU ,Lentos Kunstmuseum, Linz (A)
Mullican World, Le Frac Picardie, Amiens (F)
2004
Mai 36 Galerie, Zürich (CH)
De Singel, Internationaal Kunstcentrum, Antwerp (B)
Nothing Shoud Exist, Tracy Williams Ltd, New York
2003
Cristina Guerra Contemporary Art, Lissabon
2002
Perfomance Live - Under Hypnosis, Anton Kern Gallery, New York
Mai 36 Galerie, Zürich
Johann Widauer, Innsbruck
2001
More Details from an Imaginary Universe, Kunstmuseum St. Gallen; Museum Haus Lange; Kaiser
Wilhelm Museum, Krefeld (D); Museu de Arte Contemporânea de Serralves, Porto (P)
More Details from an Imaginary Universe und Five Worlds: Banners and Flags, Museion, Bozen
Psycho-Set, Klosterfelde Berlin (D)
Galleria Massimo de Carlo, Milan (I)
Galerie Nelson, Paris (F)
2000
Galerie Kargl, Vienna (A)
Galerie Brigitte Trotha, Frankfurt (D)
Murray Guy, New York (USA)
LACE, Los Angeles (USA)
Physical Experiments, Galerie Daniel Blau, München (D)
The Table of Elements, Mai 36 Galerie Zürich (CH)
The City/ Five Categories, Brooke Alexander Gallery, New York (USA)
Mullican Frame, More Details from an Imaginary Universe, Museu de Arte Contemporãnea de Serralves;
Porto, The Museum of Modern Art Oxford; Fundació Antoni Tàpies, Barcelona
1999
Details from an imaginary universe,Städtische Galerie im Lenbachhaus, München (D)
Forum for Contemporary Art, St. Louis, Missouri (USA)
1998
Stedeljik Museum Schiedam (NL)
Mai 36 Galerie, Zürich (CH)
Marian Goodman Gallery, Paris (F)
New Edinburgh Encyclopedia: the paintings 1991/1997;
Matt Mullican Under Hypnosis, 1996,
Brooke Alexander Gallery, New York
1997
Kunstverein Arnsberg
Matt Mullican Under Hypnosis, Office Tower Manhattan Center, Bruxelles (B)
Daniel Blau, München
Helga Maria Klosterfelde, Hamburg
Massimo de Carlo, Mailand
Bard Collge, Center for Curatorial Studies, Annandale-on Hudson, New York (USA)
Stedelijk van Abbemuseum (with L. Weiner), Eindhoven (NL)
1996
Janice Guy, New York
Matt Mullican under hypnosis, roomade, Bruxelles
Centre for Contemporary Art, Ujazdowski Castle, Warschau (PL)
Matt Mullican/ Philippe Thomas, Museum Friedericianum, Kassel (D)
1995
Mai 36 Galerie, Zurich (CH)
Nationalgalerie Berlin (D)
IVAM, Centro Julio Gonzalez, Valencia
Daniel Blau, München (D)
Synaxis (with Per Kirkeby), Domaine de Kerguehennec
1994
Kunstverein in Hamburg, Hamburg (D)
Wiener Secession, Vienna (A)
1993
Kunstmuseum Lucerne (CH)
Massimo de Carlo, Milan (I)
Carl Solway Gallery, Cincinnati, Ohio (Multiples)
1992
Architektur Forum, Zurich (CH)
Richard Kuhlenschmidt Gallery, Los Angeles (USA)
Texas Gallery, Houston, Texas (USA)
Fondation pour l'architecture, Brussels (B)
Galerie Ghislaine Hussenot, Paris (F)
Santa Barbara Museum of Art, Santa Barbara (USA)
Contemporary Art Museum, University of South Florida, Tampa (USA)
Barbara Gladstone Gallery, New York (USA)
Galerie Metropol, Vienna (A)
1991
Galerie Fahnemann, Berlin (D)
Mullican/ Weiner: In the Crack of the Dawn, Mai 36 Galerie, Lucerne (CH)
Kunststichting De Appel, Amsterdam (NL)
Rijksmuseum Kroeller-Mueller, Otterlo
Brooke Alexander Gallery, New York (USA)
Weatherspoon Art Gallery, Greensboro NC
1990
Ecole Régionales Supérieur d'Expression Plastique, Tourcoing
Matt Mullican: The M.I.T. Project, List Art Center, M.I.T., Boston (USA)
Galeria Atlantica, Porto
Le Magasin, Centre d'art contemporain, Grenoble (F)
Portikus, Frankfurt a/M (D)
1989
Mario Diacono Gallery, Boston (USA)
Galerie Albert Baronian, Brussels (B)
Galerie Bruges La Morte, Bruges (B)
Oregon Art Institute, Portland, Oregon (USA)
Western Gallery, Western Washington State University, Bellingham (USA)
Projects: Matt Mullican, Museum of Modern Art, New York (USA)
Galerie Ghislaine Hussenot, Paris (F)
Richard Kuhlenschmidt Gallery, Los Angeles (USA)
Fuller/Gross Gallery, San Francisco (USA)
Works: Matt Mullican, Hirshhorn Museum and Sculpture Garden, Washington DC (USA)
1988
Lawrence Oliver Gallery, Philadelphia
Matt Mullican Untitled, 1986-87, Winnipeg Art Gallery, Winnipeg, travelled to: Manufrance, St. University Gallery, San Diego
Bath International Festival, Artside Gallery, Bath
Matt Mullican Photographs and Posters, Riverside Studios, London (GB)
Mai 36 Galerie, Lucerne (CH)
Michael Klein Inc. New York (USA)
1987
Kuhlenschmidt/ Simon Gallery, Los Angeles
Concentrations 15: Matt Mullican, Dallas Museum of Art, Dallas
Fuller Goldeen Gallery, San Francisco
Matt Mullican: Banners, Monuments and the City, Goldie Paley Gallery, Moore College of Art, Philadelphia
Michael Klein Inc, New York
1986
The Clocktower, New York
Michael Klein Inc, Amsterdam (NL)
The Everson Museum of Art, Syracuse NY
1985
Galerie Tanja Grunert, Cologne (D)
Richard Kuhlenschmidt Gallery, Los Angeles (USA)
McIntosh/ Drysdale Gallery, Washington (USA)
1984
Galerie Schellman & Klüser, Munich (D)
The Queens Museum, Queens, NY
Centre d'art contemporain, Geneva (CH)
Mary Boone/ Michael Werner Gallery, New York
1983
Texas Gallery, Houston
Institute of Contemporary Art, Boston
1982
Mary Boone Gallery, New York (USA)
Galerie Chantal Crousel, Paris (F)
Luigi di Ambrogi, Milano (I)
Institut Franco-Americain, Rennes (F)
1981
Galerie Tanja Grunert, Stuttgart (D)
Galleria Saman, Genua (I)
1980
Mary Boone Gallery, New York
1979
Foundation for Art Resources, Los Angeles CA (USA)
The Kitchen, New York (USA)
1979
Nova Scotia College of Art and Design, Halifax, Nova Scotia
The Kitchen, New York
1976
Artists Space, New York
1973
Project Inc. Boston
2008
Whitney Biennial 2008, The Whitney Museum of American Art, New York
Hanne Darboven, Matt Mullican, Dan Peterman, Klosterfelde, Berlin, D
The Puppet Show, Institute of Contemporary Art, University of Pennsylvania, PA
2007
Gagosian Gallery, New York
Centre Georges Pompidou, Paris, France
Diagrammatic Logic: Selections from the Collection, MCASD, La Jolla
Auto Emotion, Autobiography, emotion and self-fashioning, The Power Plant, Toronto
REALLIFE Magazine: 1979-1990, Artists Space, New York
The Secret Theory of Drawing, The Model Arts Centre & Niland Gallery, Sligo, Ireland (cat.)
Cosmologies, James Cohan Gallery, New York
Auszeit. Kunst und Nachhaltigkeit / Timeout. Art and Sustainability, Kunstmuseum Liechtenstein, FL
2006
Anos 80: Uma Topologia / The 80s: a Topology, Museu Serralves, Porto
Piktogramme – die Einsamkeit der Zeichen, Kunstmuseum Stuttgart, Stuttgart
The secret theory of drawing, The Drawing Room, London
Untitled (Pavillon), Art | 37 | Basel | Art Unlimited, Mai 36 Galerie
Magasin Réouverture, Centre National d’Art Contemporain, Grenoble
ProjecteSD, Breaking up is hard to do, DFOTO, Barcelona
Galerie Mezzanin, kuratiert von / curated by Peter Kogler, Vienna (A)
2005
Ecstasy: In and About Altered States, The Museum of Contemporary Art, Los Angeles (USA)
Traces Everywhere, Tracy Williams, Ltd., New York (USA)
Gyroscope, Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington D.C. (USA)
Funny Cuts - Cartoons und Comics in der zeitgenössischen Kunst, Staatsgalerie Stuttgart (D)
Wolkenbilder, Aargauer Kunsthaus (CH)
Interchange 3, Gallery 825, Hollywood (USA)
2004
Global World/ Private Universe, Kunstmuseum St. Gallen (CH)
Herzog & De Meuron + Matt Mullican u.a., Stampa, Basel (CH)
Traces Everywhere, Tracy Williams, Ltd., New York (USA)
2003
Paradise/ Paradox, Castle Gallery, College of New Rochelle, New Rochelle
Christine Burgin Gallery, New York (USA)
Re-Produktion 2, Georg Kargl, Wien (A)
Mapping a City: Hamburg-Kartierung, Kunstverein in Hamburg, Hamburg (D)
2002
Manifeste, oder: Ergriffenheit - was ist das? Frühe Standards seit 1960, Galerie Daniel Blau, München (D)
Iets Wat Zoveel Kost, Is Alles Waard. 10 Nederlandse privé-collecties, De Beyerd, Breda (NL)
Larsen Effekt. Prozesshafte Resonanzen in der Zeitgenössischen Kunst, Casino Luxembourg Forum (L)
Transformer, Porin Taidemuseo, Pori
2001
Der Larsen Effekt. Prozesshafte Resonanzen in der zeitgenössischen Kunst, Centrum für Gegenwarts-
kunst Oberösterreich, Linz (A)
Project Ansitz Löwengang, Magrè
Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY (USA)
Matt Mullican Uri Tzaig, Galerie Heimer und Partner, Berlin (D)
2000
Projects, Galerie Massimo de Carlo, Milan (I)
ORBIS TERRARUM, Ways of Worldmaking, Museum Plantin-Moretus and Surroundings, Antwerp (B)
Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg (D)
1999
LABORATORIUM, Antwerp (B)
GET TOGETHER - Kunst als Teamwork, Kunsthalle Wien,Vienna (A)
Stimuli, Witte de With, Center for contemporary art, Rotterdam (NL)
Video Virtuale Foto Fictionale, Museum Ludwig, Köln (D)
Wallworks Edition Schellmann, New York
1998
Fast Forward, Kunstverein in Hamburg, Hamburg (D)
Parallel Worlds, Southeastern Center for Contemporary Art, Winston-Salem, NC
The Edge of Awareness, Geneva, New York, Sao Paolo, New Dehli (IND)
Art Transpennine, Tate Liverpool
Art of the World, zum 50. Jubiläum der World Health Organization, Geneva (CH)
Skulpturen und neue Medien, Galerie Werkstatt, Reinach/ Basel (CH)
Altered states, Festival Werft, Utrecht (NL)
The Edge of Awareness, United Nations Visitor's Lobby New York; -and P.S.1 Contemporary Art Center,
New York (USA)
1997
Lost in Space, Kunstmuseum Luzern (CH)
Urban Space Part 3, deSingel, Antwerpen (B)
Miniaturen, Deichtorhallen, Hamburg, Hamburg (D)
Heaven, P.S.1 Contemporary Art Center, New York (USA)
documenta X, Kassel (D)
ICONS: Magnets of Meaning, SF MOMA, San Francisco (USA)
50 Positionen, Kunsthaus Bregrenz, Bregenz (CH)
1996
Framing The World, Kunsthalle St. Gallen (CH)
1986-Heute, Werkstatt Kollerschlag, Kollerschlag
How the Chicken Crossed the Road, Mai 36 Galerie, Zürich (CH)
New York City, Dessins du Fonds régional d'art contemporain de Picardie, Musée national de la Coopération franco-amèricaine Château de Blérancourt, Blérancourt
Collections du Castello di Rivoli, Nouveau Musée, Villeurbanne
M. Mullican under Hypnosis, Alexander Brook Gallery, New York (USA)
1995
Junge Kunst in Bremer Privatbesitz, Gesellschaft für Akteulle Kunst e.V., Bremen (D)
1994
Landscape in American Art Today, Denver Art Museum, Denver and Colombus Art Museum, Colombus
Rosebud; Jenny Holzer, Matt Mullican, Lawrence Weiner, Kunstbau im Lehnbachhaus, Munich (D)
1993
Like Nothing Else in Tennessee, Serpentine Gallery, London (GB)
Overlay, Louver Gallery, New York (USA)
Works on Paper, Brooke Alexander Gallery, New York (USA)
American Art Today: Surface Tension, The Art Museum, Florida International University, Miami (USA)
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago
The Power of the City, The City of Power, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York
Summer Stock, Gerald Peters Gallery, Dallas (USA)
Excess in the Techno Mediacratic-Society, Musée Sarret de Gronzon, Arbois (F)
transForm-BildObjektSkulptur im 20. Jahrhundert, Kunstmuseum Basel und Kunsthalle Basel (CH)
documenta 9, Kassel (D)
1992
Circa 1980, Barbara Gladstone Gallery, New York (USA)
Instructions & Diagrams, Victoria Miro Gallery, London (GB)
1991
Richard Kuhlenschmidt Gallery, Los Angeles
Dark Decor, ICI travelling exhibition
Concept On Paper, Galerie XPO, Hamburg (D)
Geometric Considerations, Capital Cities/ ABC, New York
Anninovanta, Galleria Comunale d'Arte Moderne, Bologna (I)
The Library, Josh Baer Gallery, New York (USA)
Selected Works, Galerie Bernd Klüser, Munich (D)
Werkstatt Kollerschlag, Kollerschlag
Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington (USA)
Gran Pavese, Sytserma Galleries, Baarn, Netherlands
Selections from the Norton Family Collection at RAND, RAND, Santa Monica (USA)
Aussenraum Innenstadt, Sprengel Museum, Hannover (D)
Les Arts Etonnants, Le Fresnoy, Tourcoign
Zero Gravity, Henry Ford III Gallery, Citibank, Long Island City, NY
Un Art des Machines?, Espace Diderot, Rese (F)
From the Train, Michael Klein Inc., New York (USA)
1990
A New Necessity, The First Tyneside International Festival Newcastle, Newcastle upon Tyne (GB)
About Round, Round About, Anders Tornberg Gallery, Lund (S)
Works on Paper, The Harcus Gallery, Boston
Exchange of Information, New York Telephone Building, New York (USA)
Words As Image. American Art 1960-1990, Milwaukee Art Museum, Milwaukee
Selected Prints and Multiples, Mai 36 Galerie, Lucerne (CH)
Werkstatt Kollerschlag, Kollerschlag
Kunstborden, The Hague (NL)
Le Cabinet d'Amateur d'Art, Galerie Eric Franck, Geneva (CH)
Ponton Temse '90, Temse, (B)
All Quiet On The Western Front, Galerie Antoine Candeau, Paris (F)
Le Diaphane, Ecole Régionale Supérieur d'Expression Plastique; Musée des Beaux Arts, Tourcoign
Le Cargo, Grenoble
Preview, Michael Klein Inc, New York (USA)
1989
Biennial Exhibition, Whitney Museum of American Art, New York (USA)
Art of the Eighties - from the Collection of Chemical Bank, Montclair Art Museum, Montclair
Hommage A La Declaration Universelle Des Droits De L'Homme, Centre D'Art Contemporain, Geneva (CH)
Mullican + Mullican, Johnson Gallery, University of New Mexico, Albuquerque
Public Domain, Kent Fine Art, New York
Selected Works from the Frederick R. Weisman Foundation, Frederick S. Wight Art Gallery, UCLA;
Joslyn Museum of Art, Omaha, Neuberger Museum, SUNY,
Purchase, Akron Art Museum, Akron
32 Portraits Photography in Art, Kunst Rai'89, Amsterdam
Remembering The Future, The New York World's Fairs from 1939 to 1964, The Queens Museum, Queens NY
The Silent Baroque, Galerie Thaddeus Ropac, Salzburg (A)
Image World: Art and Media Culture, The Whitney Museum of American Art, New York (USA)
Projects & Portfolio, The 25th National Print Exhibition, The Brooklyn Museum, Brooklyn NY
Scultura da Camera, Castello Svevo, Bari
Drawings, Daniel Newburg Gallery, New York
Troy Brauntuch, Matt Mullican, James Welling, Kent Fine Art, New York (USA)
Drawing, Joe Fawbush Gallery, New York
Benefit For The Wooster Group, Brooke Alexander Editions, New York (USA)
2007
exh. cat. "Auszeit. Kunst und Nachhaltigkeit / Timeout. Art and Sustainability", Kunstmuseum Liechtenstein, FL, pp. 160-167, text by Christiane Meyer-Scholl
Andress, Sarah, “In a Trance,” Art on Paper, March/April 2007, Vol. 11, No. 4, p. 18
Vogel, Carol, “Whitney Biennial Stretches to Armory,” The New York Times, November 16, 2007, p. E32
2006
Cotter, Holland, “Art in Review,” The New York Times, December 1, 2006
Kealoah, Amy, “Matt Mullican: i Life and i Death,” Cool Hunting, 4 May 2006
Baker, R.C., “Art-Best in Show: Matt Mullican,” The Village Voice, May 17-23, 2006
White, Roger, “Matt Mullican: Works from the ‘70s and ‘80s,” The Brooklyn Rail, June 2006, p. 32
Parker, Graham, “Art Reviews: Matt Mullican,” Time Out New York, June 8-14, 2006, issue 558
MATT MULLICAN: Model Architecture, Lentos Kunstmuseum, Linz, Germany (catalogue)
Piktogramme-die einsamkeit der zeichen, Kunstmuseum Stuttgart (catalogue)
Matt Mullican: That Person’s Workbook, Ridinghouse and MER, UK.
Kelley, Mike, “Best of 2006: Matt Mullican,” Artforum, December 2006, p. 282
2005
Art in America, Feb. 2005, Matt Mullican, Edward Leffingwell
Middlebury College, 21.03.2005, Artist Matt Mullican wins commission for mural in new Middlebury College
library, (www.middlebury.edu) Sarah Ray
2004
Ein imaginäres Universum, in: Global World Private Universe, Catalogue 14. Februar - 31. Mai 2004,
Kunstmuseum St. Gallen, Nürnberg: Verlag für moderne Kunst, 2004, S. 60/61 und 90/91, Abb. p.59 and Frotispiz
Pop-Shops - Galerien an der Rämistrasse, in: Neue Zürcher Zeitung, 11. Februar 2004, S. 48
Artforum, dec. 2004, Matt Mullican, Martha Schwendener
2003
The Object Sculpture, Henry Moore Institute, Leeds (curator : Penelope Curtis), 2003, pp.136-141
Matt Mullican 2003, Catalogue, Cristina Guerra Contemporary Art, Lissabon
Matt Mullican, in: Katalog UBS Art Committee Swiss Institute for Art Research (SIAR), 2003, pp.98-105
Jalon, Allan M., Under a Spell, in: Los Angeles Times - Sunday Edition, 9. Februar 2003, pp.33/34
2002
Wallnöfer, Julia: Hieroglyphen der Gegenwart. in: Frame, Heft Nr. 10, Jan-Mar 02, p.132
Turngeräte für den Geist. Matt Mullican in der Galerie Mai 36, in: Neue Zürcher Zeitung, 14. Mai 2002, p.44
Boyer, Charles-Arthur: Promenade, in: Art Press,n° 277, March 2002, p.79-81
Blain, Françoise-Aline: L'effet Larsen, vies parallèles et aiguës, in: Beaux Arts Magazine, n°216, Mai 2002,
p.36
2001
Giacomozzi, Michael u.a.: Museion talk no. 2/10/2001, Museion Museum für moderne und zeitgenös-
sische Kunst, Bozen
Roggeman, Anouchka: in: Connaissance des arts, November 2001, n° 588, p.16
2000
Todolì, Vicente / Brougher, Kerry / Mayo, Nuria Enguita, u.a.: “Matt Mullican. More Details from an Imaginary Universe, hopefulmonster editore, Torino, 2000
Mullican, Matt: Matt Mullican. Drawings 1973-2000. Catalogue Mai 36 Galerie, Zürich, 2000
Cotter, Holland: in: The New York Times, 23. Juni, 2000
Meier, Philipp: Die Welt im Rahmen, in: Neue Zürcher Zeitung, 24./25. Juni, 2000
1999
Mullican, Matt/ Ackermann, Marion/ Wilmes, Ulrich. Matt Mullican. Details from an Imaginary Universe,
Catalogue Städtische Galerie im Lenbachhaus, München, 1999
Grosenick, Uta/ Riemschneider, Burckhard. Art at the Turn of the Millenium, Taschen, 1999, pp.354-357
Jana, Reena. “he Virtual Gaze, Camerawork, Spring-Summer 1999, pp.10-13
1998
Bennet, Simpson. Matt Mullican at Brooke Alexander, On Paper, May-June 1998, p.48-50
Berg, Stephan. Belegetage im Hochsauerland, Neue Bildende Kunst, April-May 1998, p.89
Heartney, Eleanor. The Return of the Red Brick Alternative, Art in America, January 1998, p.56-68
Kargl, Georg. 1998, Georg Kargl, 1998
Nemeczek, Alfred. Paparazzi an Bade-Buden, Art, June 1998, p.108
1997
Meschede, Friedrich: Matt Mullican in der neuen Nationalgalerie Berlin, DAAD, Berlin, 1997
Anon. Untitled, Art and Design, January-February 1997, p.64
Gibbs, Michael. On and Offline at Documenta X, Art Monthly, September 1997, p.51
Schmidt-Wulffen, Stephan. Kunst Arbeit Südwest LB Sammlung, Cantz, 1997
1996
Anon. Studio Glass at the Metropolitan Museum of Art, American Craft, June-July 1996, p.44-45
Neri, Louise. Everything that’s Interesting is New, Cantz, 1996
Popper, Frank. Visualization, Cultural Mediation and Dual Creativity, Leonardo, no.4, 1996, p.311
Sowa, Hubert. Stadtforschung/ Bildforschung, Kunst und Unterricht, September 1996, p.22-28
Warwick, Nigel. The Castle Lures Art Pilgrims at -20 Degrees, Flash Art, Summer 1996 p.68-69
1995
Yvars, J.F./ Marì, Bartomeu/ Tarantino, Michael: Matt Mullican. IVAM CENTRE DEL CARME 11 Mayo/
9 Julio 1995, Catalogue Instituto Valenciano de Arte Moderno, Valencia, 1995
Räber, Susanne: Herausgelöst aus der virtuellen Welt, in: Sonntagszeitung, 9. April, 1995
Anon. Place des Terreaux, Bauwelt, July 1995
Anon. Games, Grand Street, no.52, p.13-16
Blauvelt, Andrew. In and Around, Emigre, Winter 1995, p.2-23
Czoppan, Gabi. Kunstler des Jahres, Focus, no.43. October 1995
Dannat, Adrian. La Galerie est devenue Rose, Flash Art, May-June, p.69
Hauffen, Michael. Rosebud, Kunstforum, May-June 1995, p.344-345
Matthieu, Marie-Christiane. Cinémagie, Petite Ecole, 1995
Muhr, Christian. Matt Mullican, Österreicher Chronik, December 5 1995
Peters, Philip. Matt Mullican, Art and Design, May-June 1995 p.68-70
Tietenberg, Annette. Schwarz-Weiss-Rot, Frankfurter Allgemeine Zeitung, May 16 1995, p.42
1994
Albertini, Rosanna. Un’ arte fatta di memoria, Flash Art (Italy), November 1994, p.30-35
Antal, Istvan. Matt Mullican a Becsi Szeceszio-ban. Portre, Balkon, November 1994, p.20-24
Harold, Jim. The Morgue, Creative Camera, February-March 1994, p.10-13
Princenthal, Nancy. Artists Book Beat, Print Collector’s Newsletter, September-October 1994, p.150-152
1993
Mullican, Matt. Matt Mullican. World frame, Ausstellungskatalog des Contemporary Art Museum, University
of South Florida, Florida, 1993
Zacharopoulos, Denys/ Brouwer, Marianne/ Mullican, Matt. Matt Mullican. Works 1972-1992. Verlag der
Buchhandlung Walther König, Köln, 1993
Anon. Matt Mullican, Domus, September 1993, p.25-31
Anon. Prints and Photographs Published, Print Collector’s Newsletter, September-October 1993, pp.145-
149
Bitterli, Konrad. Flash Art, November-December 1993, p.120
D’Amato, B. Matt Mullican: Color Coding the Absurd, Flash Art, March-April 1993, p.76
Decter, Joshua. Matt Mullican, Artforum, February 1993, p.97
Dery, Mark. Art Goes High-tech, Art News, February 1993, pp.74-83
Gagneur, Didier. Quest for Excess, New Observations, March-April 1993, p.14-15
Heartney, Eleanor. Art News, March 1993, p.109
Meinhardt, Johannes. Matt Mullican’s Reise durch die Welten, Artis, July-August 1993
Princenthal, Nancy. Matt Mullican at Barbara Gladstone, Art in America, May 1993, p.119
1992
Anon. Matt Mullican et l’architecture, La Libre Culture, April 8 1992
Chadwick, Susan. Artist’s Work Creates New Worlds, Lets us Explore them, Houston Post, March 26 1992,
p.C2
Crowder, Joan. Putting Order in Our World, Santa Barbara News-Press, May 29 1992, p.21-22
Etchells, Tim. Landscape of Signs, Frieze, no.3, p.15-17
Johnson, Patricia C. Matt Mullican Approaches Art as ‘Intellectual Exercise’, Houston Chronicle, March 27
1992, p.1E, 4E
Kalil, Susie. Signs of the Times: Matt Mullican Boils Modern Experience down to Symbols, Houston Press,
March 19-25 1992
Knight, Christopher. In between Common, Grand: Matt Mullican, Los Angeles Times, May 26 1992, p.F1,
F4-5
Kohen, Helen L. “In FIU Show, Painting is Alive and Well; Artists Experiment with Materials, Canvas”, Miami Herald, January 12, 1992, p.11, 51
McFadden, Sarah. Signs of the times, The Bulletin, April 1992, p.12
Mullican, Matt. Matt Mullican, Imschoot (artist’s book)
Safran, Yehuda. “Documenta IX: Children of the Gorgon’s Blood”, Arti, November-December 1992, p.48-56
Tarantino, Michael. “Building Models of Perception”, Parachute, October-December 1992, p.5-8
1991
Mullican, Matt / Weiner, Lawrence:.“In the crack of the dawn”, Comic-Book, Mai 36 Galerie, Luzern, 1991
Anon. Matt Mullican, Mitsukoshi, no.191, issue no.8, 1991, p.176-177
Anon. Eye Poppers, Bijutso Techo, February 1991, vol.43, no.634, p.194
Anon. Fine Art Collection Swiss Bank Tower, Swiss Bank Corporation, New York, 1991
Anon. Matt Mullican, New Yorker, May 20 1991
Anon. Matt Mullican, Print Collector’s Newsletter, July-August 1991, pp.98-99
Anon. The Library, New Yorker, June 17 1991, p.14
Ardenne, Paul. Matt Mullican City Project, Art Press, special edition, Summer 1991
Barre, Francois. Une Commande Publique, Les Arts Etonnants, 1991, p.16-17.
Bouisset, Maiten. Le Centre d’Art Contemporain de Grenoble, Arts Info, no.56, February-March 1991, pp.1,
6-10
Corbou, Michel. Matt Mullican: découvre le 8ème art, L’Atelier News, no.10, September 1991, p.19-20
Decter, Joshua. Symbols from a Logocentric Society, Flash Art, May-June 1991, p.102-105
Geerling, Let. “Mullican Life—Mullican Death—Mullican World”, Archis, February 1991
Haus, Mary. “Matt Mullican: Brooke Alexander”, Art News, October 1991, p.129
Heartney, Eleanor. “Matt Mullican at Brooke Alexander”, Art in America, November 1991, p.149-150
Kandel, Susan. “Matt Mullican’s Clever but Static Project”, Los Angeles Times, December 13 1991
Karcayannis, Vassia. “Le Diaphane”, ArtiFischer, January-February 1991
Levin, Kim. “Choices: Matt Mullican”, Village Voice, May 21 1990, p.110
Lubetkin, Wendy. “The Life of the Image”, World Link, January-February 1991, p.112-3
Mullican, Matt. “Aatekeningen en fragmenten uit een voordracht over een afbeeling van een kosmologie”, Kunst und Museumjournaal, no.2, 1991
Mullican, Matt. “Matt Mullican Project for B.T”, Bijutsu Techo, February 1991, vol.43, no.634, p.172-175.
Smith, Roberta. “Art in Review, Matt Mullican”, New York Times, May 31 1991
von Drateln, Doris. “Matt Mullican”, Kunstforum, January-February 1991, p.383-385
Wijiers, Louwrien. “Stadsbeelden zonder stedebouw”, Het Financieele Dagblad, March 30 1991, p.11
1990
Kline, Katy / Meinhardt, Johannes / Tarantino, Michael / Mullican, Matt. “The MIT Project”, Exhibition Catalogue, MIT List Visual Arts Center, Cambridge, 1990
“Matt Mullican, Information, simulation et fiction”, in: Kanal, n°11, Dezember 1990, p.46
Ain, Stewart. “Artist Gives Park Fair Treatment”, NY Daily News, July 24 1990
Anon. Cosmologie, Voir, November 1990
Anon. Matt Mullican, Flash Art, October-November 1990
Anon. Art in the Park, Park Advocate, Spring–Summer 1990, p.4
Anon. Computer Installation von Matt Mullican, Frankfurter Allgemeine Zeitung, November 29 1990, p.48
Anon. “Computer Project”, Rogue, no.7, December 1990
Anon. “Em Calcário azul de Cascais”, O Público, May 29 1990
Anon. “Grenoble prise dans les Toiles et les Spirales”, Libération, October 18 1990
Anon. “Grenoble”, The European, October 12-14 1990
Anon. “La Semiotica di Matt Mullican”, II Giornale dell’Arte, September 1990
Anon. “La Ville de Matt Mullican”, Le Dauphine Libère, October 25 1990
Anon. “Matt Mullican at the Magasin”, Gallery Guide, September 1990
Anon. “Matt Mullican in Grenoble”, Artis, October 1990, p.57
Anon. Matt Mullican, Artforum, January 1990
Anon. Matt Mullican, Grandes Lignes, October 1990
Anon. Matt Mullican, Público A Semana, June 1 1990
Anon. Swiss Bank Corporation Commissions Site Specific Sculptures by Richard Serra and Matt Mullican, Swiss American Review, March 14 1990
Anon. Matt Mullican, Menninger Perspective, vol.21, no.4, 1990
Bost, Bernadette. Le Génie Encyclopédique, Le Monde, September 15th 1990
Clot, Manel. Repertorio Simbolico, El Pais, October 6 1990
de Beaumont, Thierry. “Mullican City”, Atelier, Number 2, April-June 1990
Emmett, Arielle. “Supercomputer Art”, Computer Graphics World, April 1990, p.91-93
Guilloteau, Claude. “Les Villes-fictions de Matt Mullican”, Les Affiches, September 28 1990
Guimarães, José. “Cartografias”, Fim de Semana, June 8 1990, p.11
Haggerty, Michael. “Exploring the World in the Art of Matt Mullican”, IEEE Computer Graphics and Applications, May 1990, p.3-7
Iverem, Esther. “Framing a Park with Art Drawn from Four Artists”, New York Newsday, July 3 1990, p.12
Kandell, Susan. “Matt Mullican”, Arts Magazine, February 1990
Kluge, Franz. “Bilder von völlig neuer Art”, Horizont, no.8, February 1990
Lambrecht, Luk. “Matt Mullican”, Forum, November-December 1990, p.76
Matthes, Frank. “Max Headroom ist nicht zu Hause”, Journal Frankfurt, no.4, December 6-19 1990
Melo, Alexandre. “Matt Mullican, Mapa Mundo”, Expresso, June 2 1990
Mullican, Matt. Matt Mullican, ICI Newsletter, Spring-Summer 1990
Mullican, Matt. [Cover design], Oblek Magazine, no.8, Fall 1990
Nemser, Rebecca. China Fair, Boston Phoenix, May 25 1990
Oerlemans, Hans. Kunst tegen de muur doet discussie opnieuw oplaaien, Het Binnenhof, September 5 1990
Peeters, Mark. “Vandaalbestendige kunst verlevendigt Haagse wijk”, NRC Handelsblad, September 5 1990
Perrard, Sylvie. “Matt Mullican au Magasin”, Le Dauphine Libère, September 15 1990
Pietrantonio, Gianni di. “Spotlight, Matt Mullican”, Flash Art, November-December 1990
Pinharanda, João. “Sinais Mínimos”, O Público, May 25 1990, p.14
Pye, Michael. “Polygons and Pixels, the City as Techno-art”, Independent on Sunday, February 11 1990
Quaroni, Grazia. “Matt Mullican”, Juliet, December 1990-January 1991, no.50
Rose, Frank. “Is Computer-generated Art Really Art?”, Lotus, May 1990, p.96
Sapolin, Donna. “Art Spills into the City’s Streets”, Metropolitan Home, August 1990
Temin, Christine. “Putting the World in Order”, Boston Globe, June 6 1990
Thomas, Mona. “Matt Mullican”, Beaux Arts Magazine, November 1990, p.135
Tschechne, Martin. “Schnelle Reise durch die Welt im Computer”, Art, no.12, 1990, p.127
von Drateln, Doris. “Matt Mullican”, Contemporanea, January 1991, p.93
Wolff, Thomas A. “Architekt der Gemeinplatze”, Frankfurter Rundschau, November 22 1990, p.26
Zahm, Olivier. “Matt Mullican”, Art Press, December 1990
1989
Alexander, Max. Art in the Underground, Art in America, December 1989
Anon. Art, Vogue, September 1989
Anon. Environments: A Bicoastal View, Art News, December 1989
Anon. “Former Art Museum Exhibitor Shows Work in New York City”, Oregonian, September 5 1989
Anon. “Gallery Round Up”, The Bulletin, April 27 1989
Anon. “Hot Line”, New York Magazine, September 11 1989
Anon. “La Planète Mullican”, Sans Titre, May-June 1989
Anon. “Matt Mullican”, New Yorker, September 18 1989
Anon. “Nynex Funds Computer-Art Project”, Corporate Art News, July 1989
Anon. “One Single Work of Art Fills Western Gallery”, Bellingham Herald, October 17 1989
Anon. “Production News”, Film and Video Production, July 1989.
Anon. “Projects: Matt Mullican at Museum of Modern Art”, Antiques and the Arts, September 15 1989
Anon. Elle Magazine, September 1989
Anon. “Hierogliefen”, Knack Weekend, April 26 1989
Baker, Kenneth. “Matt Mullican Show at Fuller Gross”, San Francisco Chronicle, November 25 1989
Ballatore, Sandy. “Mullican and Mullican: Living the Modern-Postmodern Continuum”, Artspace, July-August 1989, p.51–55
Barasch, Amy. 7 Days, August 30 1989
Beck, Kurt. “Weltenlehre in Erz gegossen und auf Leinwand frottiert”, Luzerner Neueste Nachrichten, January 23 1989
Bonetti, David. Matt Mullican, San Francisco Examiner, December 1 1989
Calnek, Anthony. “New York”, Contemporanea, 1989
Clements, Paul. “Magic Carpet Ride”, Museum and Arts Washington, November 1989
Clothier Peter. “Matt Mullican”, Bijutsu Techo, November 1989
Clothier, Peter. “Sign Language”, Art News, Summer 1989
Curtis, Cathy. “Matt Mullican”, Los Angeles Times, November 17 1989
Decter, Joshua. “Matt Mullican”, Flash Art, November-December 1989
Decter, Joshua. “New York in Review”, Arts Magazine, January 1989, p.105
Doswald, Christoph. “Matt Mullican”, Kunstforum, January-February, 1989
Farr, Sheila. “Language of Symbols Explored”, Bellingham Herald, October 20 1989
Forgey, Benjamin. “The Urban Picture”, Washington Post, December 16 1989
Gibson, Eric. “Rug/Sculpture Fuses Hirshhorn with City”, Washington Weekend, December 14 1989
Hackett, Regina. “Poker-faced NY Pop Artists Exhibit Some Staying Power”, Seattle Post-lntelligencer, February 21 1989
Helfer, Judith. “Kunst und Technik”, Aufbau, September 15 1989
Kimmelman, Michael. “Art, a Show Featuring Prints, the Subject is Ambition”, New York Times, October 6 1989
“Words and Symbols from Matt Mullican”, New York Times, September 1 1989
“At the Whitney, 100 Works from the Last 30 Years”, New York Times, November 13 1989
Kraus, Karl. “Kunst ist, was Welt wird”, Männer Vogue, June 1989
Levin, Kim. “Matt Mullican”, Village Voice, October 17 1989
Mullican, Matt. “Matt Mullican”, File Magazine, Spring 1989
Princenthal, Nancy. “Matt Mullican’s Etchings: Rereading the Looking Glass”, Print Collector’s Newsletter, November-December 1989
Schwartzman, Allan. “Corporate Trophies”, Art in America, February 1989
Smith, Richard. “MoCA navigates ‘A Forest of Signs’”, New Art Examiner, Summer 1989
Steinberg, Jane. “Just Say Faux”, Seattle Weekly, February 8 1989
Weber, John. “PCVA Program Begins with Matt Mullican’s Dallas Project”, Oregon Art Institute Magazine, June-July 1989, p.18-19
Woodward, Richard. “For Art, Coastal Convergences”, New York Times, July 6 1989
1988
Tazzi, Pier Luigi. “Matt Mullican. 8. November - 24. Dezember 1988”, Catalogue Mai 36 Galerie, Luzern, 1988
Anon. Challenging our Vision of Cultural Symbols, San Francisco Chronicle, October 20, 1988
Anon. “Komische Zeichen”, Luzerner Tagblatt, November 11 1988
Anon. “Matt Mullican”, New York Magazine, September 12 1988
Anon. “Review Matt Mullican, Winnipeg Art Gallery”, Winnipeg Free Press, February 13 1988
Archer, Michael. “Wall Works: Cornerhouse”, Artscribe International, March-April 1988, p.82
Bordaz, Jean-Pierre. “Mages et Images”, Galeries Magazine, August-September 1988, p.91-97
Bromberg, Craig. “Battery Charger”, Vanity Fair, November 1988
Cameron, Dan. “Now New York New”, Wolkenkratzer, January-February 1988, p.20-36, 103-105
Dimitrijevic, Nena. “Wall Works, Cornerhouse, Manchester”, Flash Art March-April 1988, p.121
Groot, Paul. “Matt Mullican”, Parkett, no.17, 1988, p.88-97
Hess, Elizabeth. “Captives of Industry?”, Village Voice, November 15 1988
Horsley, Carter B. “Provocative Peek into Future”, New York Post, October 13 1988
Jalon, Allan. “’Skeptical Belief(s)’ Exhibit Displays Varied Styles of CalArts Graduates”, Orange County Register, January 1988, p.49
Kemp, John. “Matt Mullican: Artsite, Bath”, Arts Review, June 17 1988
Kimmelman, Michael. “Synopsizing the Graphic Fabric of Modern Life”, New York Times, August 12 1988
McCracken, David. “Ito Exhibit Shows Late Artist’s Sensitivity and Sure Touch”, Chicago Tribune, December 23 1988
O’Dell, Kathy. “Through the Image Maze”, Art in America, January 1988
Oberholzer, N. “Eine Kunst, die aufs Totale hinzielt”, Vaterland, November 10 1988
Pincus, Robert L. “Art Review (Newport Beach)”, San Diego Union, February 28 1988
Raynor, Vivien. “Outdoor Sculpture with a Critical Note”, New York Times, October 30 1988, p.28
Schmidt-Wulffen, Stephan. “Wo stehen die Künstler 1988?”, Art, February 1988, p.30-47
Tarantino, Michael. “Mullican: l’organisation de l’histoire”, L’Inventaire, June 1988, p.55-61
Taylor, Paul. “Cultural Geometry”, Flash Art, May-June 1988, no.140, p.124-5
Wilson, William. “Radical Things are Happening in Orange County”, Los Angeles Times, February 28 1988, p.93, 96
1987
Anon. “Art”, Village Voice, May 6 1987
Anon. “Concentrations 15: Matt Mullican”, Dallas Museum of Art Bulletin, 1986-87, p.11
Anon. “L’Epoque, La Mode, La Morale, La Passion 1977-1987”, Petit Journal Centre Beaubourg, p.17
Burnett, John. State of the Arts, White Rocker, February 6 1987
Cameron, Dan. “Documenta 8 Kassel”, Flash Art, October 1987, p.61-68
Gardner, Colin. “Reviews”, Artforum, April 1987, p.137-138
George, Rosaline. “Postmodernists in ‘Topology’ Exhibit”, Outlook, July 17 1987
Gipe, Lawrence. “Matt Mullican’s Operatic Installation”, Artweek, February 14 1987
Gipe, Lawrence. Artscribe, May 1987
Knight, Christopher. “Kuhlenschmidt/Simon”, Los Angeles Herald Examiner, February 15 1987
Kuspit, Donald; Wechsler, Max; Cameron, Dan; Tazzi, Pier Luigi; Rein, Ingrid. “The Critics Way”, Artforum, September 1987, p.109-120
Kutner, Janet. “Dallas: Matt Mullican”, Art News, April 1987
Kutner, Janet. “Talking Pictures”, Dallas Morning News, February 5 1987
Morgan, Susan. “Views From L.A.”, Artscribe International, March-April 1987
Nickas, Robert. “Reviews”, Flash Art, February-March 1987, p.113-114
Nixon, Bruce. “Critics Choice”, Dallas Times Herald, February 1 1987
Perez, Luis Francisco. “El Arte y su Doble”, Tema Celeste, April-June 1987, p.66-67
Pontbriand, Chantal. “Skulptur in Munster”, Parachute, September-October-November 1987, p.37-41
Russell, John. “Monsters: The Phenomena of Dispassion”, New York Times, January 30 1987
Schmidt-Wulffen, Stephan. “Enzyklopädie der Skulptur”, Kunstforum, October–November 1987, p.288-301
Sozanski, Edward. An Artist’s Blend of Philosophy and Symbolism, Philadelphia Inquirer, September 24 1987
Concerning ‘The Spiritual in Art’, Gail Stavitsky in Arts Magazine, Summer 1987 p.34
Wallis, Brian. Kapitalische Stigmata, Kunstforum, October-November 1987, p.253-257
Wallis, Brian. Blasted Allegories, M.I.T. Press, 1987
Wilson, William. “The Art Galleries: La Cienaga Area”, Los Angeles Times, July 24 1987
1986
Anon. “Special Projects”, Everson Museum of Art Bulletin, September 1986
Chayat, Sherry. “Signs of the Times”, Syracuse Herald-Journal, October 14 1986
Failing, Patricia. “Los Angeles Gets a New Temple of Art”, Art News, November 1986, p.94
Frank, Peter. “Immaterial Witnesses”, L.A. Weekly, December 26 1986-January 1 1987
Levin, Kim. “Matt Mullican: The Dallas Project”, Village Voice, May 1986
Patton, Phil. “Isozaki”, Connoisseur, November 1986, p.116-125
Van Der Kaap, Gerald. “Mobbyism”, Zien Magazine, no.8, 1986
1985
Brenson, Michael. “Art: Exhibit of ‘Signs’ at The New Museum”, New York Times, May 17 1985
Celant, Germano. “Between Atlas and Sisyphus”, Artforum, November 1985, p.76-79
Gardner, Colin. “Establishing Order(s)”, Artweek, October 19 1985, p.3
Groot, Paul. “Matt Mullican”, Wolkenkratzer, June-August 1985, p.33
Lewis, JoAnn. “Mullican’s Signs of the Times”, Washington Post, October 26 1985, p.B2
Madoff, Steven Henry. “What is Postmodern About Painting: The Scandinavia Lectures, II”, Arts Magazine, October 1985, p.59-64
Wechsler, Max. “Paradise Gained”, Artforum, September 1985, p.94-97
1984
Anon. “Centre d’Art Contemporain, Genève: Exhibition”, Domus, November 1984, p.81
Anon. “Mullican’s Enigmatic Images”, Newsday, August 22 1984
Borrini, Catherine-France. “Le 10ème Anniversaire du Centre d'Art Contemporain de Genève”, Art Press, October 1984, p.50
Brenson, Michael. “Matt Mullican”, New York Times, December 14 1984, p.C33
Descombes, Murielle. “Les Symbols de Matt Mullican”, Tribune di Genève, October 5, 1984
Evans-Clark, P. “Matt Mullican: Questions sur l’Art”, Art Press, December 1984, p.24-25
Glueck, Grace. “Matt Mullican”, New York Times, July 27 1984, p.C21
Mathonette, Philippe. “Mullican, la Fascination du Pictogramme”, Argus Media, October 2 1984
von Fürstenberg, Adelina. Centre d’Art Contemporain, Genève; 1974-1984, Centre d’Art Contemporain, 1984 (catalogue)
Zacharopoulos, Denys. “Postures de Distance”, Artistes, Summer 1984, p.50
1983
Anon. Mary Boone Gallery, New York; Exposicion, Goya, January-February 1983, p.251
Blau, Douglas. “Matt Mullican at Mary Boone”, Art in America, March 1983
Brooks, Valerie. “Matt Mullican”, Flash Art, March 1983, p.62
Camitelli, Maria. II Fiume Scorre Lentamente, Juliet, January 1983, p.15-20
Freidman, Jon R. “Modern Objects”, Arts Magazine, September 1983, p.9
Lovelace, Carey. “Painting for Dollars”, Harpers Magazine, July 1983, p.66-70
Moufarrege, Nicolas. “Intoxication: April 9, 1983”, Arts Magazine, April 1983, p.70-76
Mullican, Matt. “Checkered Flag”, Juliet, March 1983, p.23
Stewart, Laura. “Soho Gallery Has Been a Boon to Mary”, Sunday Democrat and Chronicle, January 2 1983, p.D3
1982
Anon. “Les Expositions dans la Ville”, Quest France, March 19 1982
Haden-Guest, Anthony. “The New Queen of the Art Scene”, New York Magazine, April 19 1982, p.24-30
Owens, Craig. “Back to the Studio”, Art in America, January 1982, p.99-107
Ponti, Lisa. “Documenta 7”, Domus, October 1982, p.67-73
Ponti, Lisa. “Mary Boone and the Past and the Present and the Future”, Domus, November 1982, p.72-73
Silverthorne, Jeanne. “Matt Mullican at Mary Boone”, Artforum, September 1982, p.77-78
Smith, Roberta. “Didacticism, Material and Immaterial”, Village Voice, December 21 1982, p.113
Wolf, Deborah. “Mary Boone”, Avenue, October 1982, p.40-47
1981
Deitch, Jeffrey. “Who Has The Power?”, Flash Art, October-November 1981, p.46-47
Lawson, Thomas. “Switching Channels”, Flash Art, April–May 1981, p.20-22
Marzorati, Gerald. “Art Picks”, SoHo News, September 22 1981, p.36
Mullican, Matt. “Matt Mullican”, File Magazine, October-November 1981
Smith, Roberta. “Biennial Blues”, Art in America, April 1981, p.92-101
1980
Lawson, Thomas. Artforum, November 1980, p.91
McCollum, Allan. “Matt Mullican’s World”, Real Life Magazine, Winter 1980, p.4-13
Salle, David; Welling, James. “Images that understand us”, Journal, no.27, June–July 1980
Tatransky, Valentine. Flash Art, November 1980, p.46
1979
Bleckner, Ross. “Transcendent AntiFetishism”, Artforum, March 1979
Lawson, Thomas. “Review of the Kitchen”, Real Life Magazine, March 1979, p.3
The Uses of Representation: Making Some Distinctions, Thomas Lawson in Flash Art, March-April 1979,
p.37-39
Yoskowitz, Robert. Arts Magazine, November 1980, p.30