Klemm's

Gwenneth Boelens

(Residual Time)

15 Sep - 28 Oct 2017

Gwenneth Boelens (Residual Time) key visual

Gwenneth Boelens
5:11 (Residual time), 2015
chromogenic color print (photogram, opaque projection), aluminium 127 x 160 cm
Gwenneth Boelens
5:11 (Residual time) and 4:39 (Posteriority), 2015 at Frieze New York chromogenic color print (photogram, opaque projection), aluminium 127 x 160 cm each
Gwenneth Boelens: At Odds at MIT List Visual Arts Center, Cambridge, US Liar’s Cloth, 2017
Reflective and conductive thread, aramide, folding chair
Undo, 2017
Cotton, latent fingerprints developed with fading forensic developer (ninhydrin), steel, aluminium, magnets
Gwenneth Boelens
The very thing we don’t know is always trying to expand, 2016 (film stills) Digitized 16mm films
11 minutes and 14 minutes
Gwenneth Boelens
The very thing we don’t know is always trying to expand, 2016 (film stills) Digitized 16mm films
11 minutes and 14 minutes
A divided space. A performative gesture of unthreading, or destabilizing, by hand. A fading fingerprint. A tapestry from a material used in radio antennas, heating elements, electromagnetic shielding and safety wear. A short film on the sheer invisibility of its subject matter in a recent study on dark matter phenomena.

Gwenneth Boelens (b. 1980 in Soest, NL) lives and works in Amsterdam. Boelens’s work has been exhibited at MIT List Visual Arts Center, Cambridge (US), Ludwig Forum, Aachen (DE); Museum Boijmans Van Beuningen, Rotter- dam (NL); ACCA, Melbourne (AU), KW Institute for Contemporary Art, Berlin (DE) and elsewhere. She
attended the Koninklijke Academie voor Beeldende Kunsten, Den Haag (NL), and the Rijksakademie in Amsterdam (NL).
 

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