Nosbaum Reding
99-01 Jan van Eyck Academie, Maastricht, NL
95-99 Ecole de Recherche Graphique, Brussels, B
Collaborative duo with John Gillis.
Aline Bouvy / John Gillis have been working together since 2000.
2007 International Project Space, Birmingham
Zoo Galerie, Nantes, F
Nosbaum & Reding – Art Contemporain, Luxembourg
2006 My Other Cunt, 404 arte contemporanea, Napoli
Another drenched night at the Pagano club, aliceday, Brussels
You never cry with just one eye, Wendy Cooper Gallery, Chicago, IL
Acid on my Sphinx, A4, curated by Sonia Dermience, Palais des Beaux-Arts, Brussels
2005 Sonia Versace, Galerie Kuttner Siebert, Berlin
Perry-ism, Nosbaum & Reding - Art Contemporain, Luxembourg
2003 Galerie Damasquine, Brussels
2001 To a severe mathematics, curated by Eva Schmidt, Gesellschaft für Aktuelle Kunst, Bremen, D
2000 Episode 01: Descriptions, Jan van Eyck Academie, Maastricht, NL
Collaborative duo with John Gillis.
Aline Bouvy / John Gillis have been working together since 2000.
2007 Contour Biennale, curated by Nav Haq, Mechelen, B
What glue do you use?, curated by Yves Brochard, Atelier Cardenas-Bellanger, Paris
2006 Not Yet Night, curated by Babak Ghazi, The Embassy, Edinburgh
L ́Été Photographique de Lectoure, Lectoure, F
Writing in Strobe, Dicksmith Gallery, curated by Andrew Hunt, London
2005 Slim Volume Poster Publication, curated by Andrew Hunt, Fortescue Avenue/Jonathan Viner, London
SV05, Studio Voltaire, selected by Enrico David and Catherine Wood, London
Le canard était toujours vivant, Abbaye Saint-André, Centre d' Art Contemporain, Meymac, F
2004 No Friture, Die junge Belgische Szene, Kunstverein Mannheim and Kunstverein Ludwigshafen, D
Not Yet Night, The Ship, curated by Babak Ghazi, London
AXXXPRESSUNIZM, Vilma Gold, curated by John Russell and Mark Beasley, London and aliceday, Brussels
Bande Annonce, aliceday, Brussels
Vollevox, Festival Maïs, Bâtiment van der Borght, curated by Komplot, Brussels
2003 First Glance, Galerie Kuttner Siebert, Berlin ()
Hurts so good, Contemporary Art Center, Vilnius, LT
2002 Freespace 3, Z33, Hasselt, B
Belgian Focus, Argos Film Festival, Argos, Brussels
The music in me: Concerting an exhibition, KSA:K, Chisinev, MD and
Gesellschaft für Aktuelle Kunst, Bremen, D
The idea is good but the world isn't ready for it yet, Allias, curated by Jean-Paul Jacquet, Taverne des Beaux-Arts, Palais des Beaux-Arts, Brussels
2001 The air palpably thickens as soon as the Californian hairdresser walks in, Marres, Centrum voor Beeldende Kunst, Maastricht, NL
2000 Unfortunately last sunday afternoon..., Museum Het Domein,Sittard, NL
Open Nights, Jan van Eyck Akademie, Maastricht, NL
1999 DIN D-I-N, 4x4 Gallery, curated by Robert Garnett, Amsterdam, NL
Performances
2006 Ego devant la mort, in collaboration with Simona Denicolai and Ivo Provoost, Galeries Anspach, Brussels
2005 K*Market, Galerie Ravenstein organised by Komplot, Brussels
WAKE UP II, Festival Maïs organised by Komplot, Brussels
2004 Das Spiel ist aus, Ecole de Recherche Graphique, Brussels
I'm alone, I love my tits, Vollevox #3, Théâtre Mercelis curated by Komplot, Brussels
WAKE UP, Festival Maïs, organised by Komplot, Brussels
2003 Can't be Zarathoustra all the time, Cercle Nautique, Liège, B
2002 On and on and on, na, na, naa, De Appel, Amsterdam
2001 Allen Jones: Book Reading, Marres, Centrum voor Beeldende Kunst, Maastricht, NL and Le Pavé dans la marre, Besançon, F
2006 Introducing, Modern Painters, Dec 06 / Jan 07, USA
A seance for a people yet to come: Aline Bouvy and John Gillis, Bonnie Camplin, Steven Claydon, Iain Hetherington, Mark McGowan, Andrew Hunt, in The New Art, published by Rachmaninoff's, London
Writing in Strobe, Jonathan Griffin, Frieze #100
Younès pour le musée national, magazine by Aline Bouvy and Claudia Radulescu, edited by Festival Maïs #4, Brussels
No straight behavior doesn't mean destructive options, Isabelle de Visscher-Lemaître, Zéro 2 magazine, F
Beyond borders, Emmanuel Lambion, Tema Celeste #115
Not Yet #5, contribution, fanzine edited by Babak Ghazi, London
Salon de Musique, Pierre-Yves Desaive, L'art même #30, B
Heroïek van Plastiek, Pieter van den Bogaart, <H>ART, 30.03.2006, B
2005 Politics of the Self, flip-book, edited by aliceday, Brussels and published by Koenig Books, London
Perry-ism, catalogue edited by aliceday, Brussels and published by Revolver Verlag, Frankfurt
Une dernière chanson avant d'aller dormir, une qui te fait pleurer, danser, envie de baiser, Marie-Anne Lorgé, Le Jeudi, 05.05.2005, L
Slim Volume Poster Publication #5, contribution, edited by Andrew Hunt, London
WAKE UP II, performance pamphlet, edited by Komplot and Festival Maïs, Brussels
Mainstream muss nicht sein, Andres Hilgenstock, Die Welt, 16.12.2005, D
2004 Not Yet #3, contribution, fanzine edited by Babak Ghazi, London
No Friture, exhibition catalogue, Kunstverein Mannheim and Ludwigshafen, D
Not Yet #2, conribution, fanzine edited by Babak Ghazi, London
Hey Ladies #13, contribution, magazine edited by Jenine McKay, London
Frozen Tears II, contribution, book edited by John Russell, London
WAKE UP, performance pamphlet, edited by Komplot and Festival Maïs, Brussels
2003 Hurts so good, exhibition catalogue, Center for Contemporary Art, Vilnius, LT
2002 Freespace 3, exhibition catalogue, Z33, Hasselt, B
Argos 2002, exhibition catalogue, Argos Film Festival, Brussels
The music in me, exhibition catalogue, GAK, Bremen, D
2001 To a severe mathematics, exhibition catalogue, GAK, Bremen, D
2000 Unfortunately last sunday afternoon..., exhibition catalogue, Museum Het Domein,
Sittard, NL
Hype_text, contribution, magazine edited by Jean-Paul Jacquet, Maastricht / Brussels