An everywhere of silver
2009, 16 mm film transferred to HD video
An everywhere of silver
2009, 16 mm film transferred to HD video
installationview
They fall like flakes, they fall like stars
2009, Various materials
Petals, Sepals, Metals
2009, Collage on paper
Petals, Sepals, Metals
2009, Collage on paper
Red
2009, Collage on inkjet print
Collision of Species (Oneiric Darwinism), Octopus- Bee
2009, still from 4 screen animation, variable dimensions, no audio
Collision of Species (Oneiric Darwinism), Octopus- Bee
2009, still from 4 screen animation, variable dimensions, no audio
Collision of Species (Oneiric Darwinism), Duck- Rabbit
2009, still from 4 screen animation, variable dimensions, no audio
Collision of Species (Oneiric Darwinism), Duck- Rabbit
2009, still from 4 screen animation, variable dimensions, no audio
Oh how time flies
2009, still from 2-channel HD video, variable dimensions, 2min 33s, no audio
In Oh how time flies, 2009, two music videos are taken apart and juxtaposed on two screens. Both Madonna’s Lucky Star, 1984, and Cat Power’s Cross Bones Style, 1998, are composed in a simple style. The artists are seen performing in front of a white background. The videos consist of photographs shot off of youtube. The stills are then re-edited, muted and put in a sequence. Without the music and the flow in continuity, the dancing becomes a language on its own and the spectator is left looking for signs and meaning in the choreography and in the gaze of the performers. It is almost as if secret messages are being transmitted between Madonna and Chan Marshall (both 26 years old at the time of their respective videos), as they are seen becoming each other with the screen acting as a mirror between them.
Oh how time flies
2009, still from 2-channel HD video, variable dimensions, 2min 33s, no audio
Untitled (BB)
2008, collage, 32x24,5 cm
Spheres of Observation
2008, inkjet print with archival ink on Hahnemuhle paper, 110x75cm
Tracking a Dogleg
2007, video, 30s loop, mute
In the animation Tracking A Dogleg, 2007, and in the printed series, Untitled, 2007 plates from textbooks on entomology and space travel are compared, inspired by Professor Challenger who once gave a lecture after mixing material from geology and biology.
Tracking a Dogleg
2007, video, 30s loop, mute
Untitled
2007, inkjet print with archival ink on Hahnemuhle paper, two prints mounted together and framed, series of two, print size 14x22cm
Untitled
2007, inkjet print with archival ink on Hahnemuhle paper, two prints mounted together and framed, series of two, print size 14x22cm
Pocket Book (Colour) I + II
2007, collage on paper, 48x41 cm
The entire content of images from a mineralogy book is displayed. Part of an ongoing series of collages.
Untitled
2007, still from 16mm film
The 16 mm film, Untitled, 2007, consists of drawings from several books on mineralogy which act as molecules in a choreography of explosions.
Untitled, 2007, installation shot, 16mm film, animation, no audio
Moscow
2006, 16mm film, 3min 50s, mute
In Moscow, 2006, seven neo-gothical skyscrapers built during Stalin’s regime are seen as they transform into rockets that launch into the sky, resembling an early trickfilm.
Moscow, 2006, 16mm film, 3min 50s, mute
Alphabet Street
2006, installation shot, 16mm film, animation, no audio
Alphabet Street, 2006, depicts an alternative origin of letters through over 800 drawings, sorted according to the shape of the letters.
Alphabet Street
2006, installation shot, 16mm film, animation, no audio
Imagining how plants grow
2002, filmstill
The 16 mm film Imagining How Plants Grow, I+II is about representation in the setting of a botanical garden. The sign, that follows the whole lifecyclus of a plant, becomes the constant element but still its function changes from representing the whole species into representing a tombstone for a specific plant.
Imagining How Plants Grow
2002,installation constisting of two 16mm film transferred to dvd (each film is 3 min), double projection and set of two drawings 110x75cm
