David Rosenboom
22 - 24 May 2015
David Rosenboom
Then We Wound Through an Aura of Golden Yellow Gauze, 1967. An example from a system of musical symbols Rosenboom first developed in 1967, which strips musical events down to raw sonic gestures and arrays them in an open configuration space of possibilities for performance. Courtesy of the artist
Then We Wound Through an Aura of Golden Yellow Gauze, 1967. An example from a system of musical symbols Rosenboom first developed in 1967, which strips musical events down to raw sonic gestures and arrays them in an open configuration space of possibilities for performance. Courtesy of the artist
DAVID ROSENBOOM
Propositional Music
22 – 24 May 2015
Propositional Music is a three-day concert series presented by ISSUE Project Room in collaboration with the Whitney Museum of American Art, celebrating fifty years of pioneering work by composer, performer, conductor, author and educator David Rosenboom. In this series, Rosenboom and many longtime collaborators present a selection of his major works of experimental music spanning a half-century, from Continental Divide (1964) through Ringing Minds (2014).
As the series title suggests, his disparate artistic practice is connected by a relentless inquisitive nature, which has often placed Rosenboom outside the narratives of avantgarde composition, Minimalism, and free improvisation, though he has fundamentally contributed to and collaborated with these artistic communities. His work distinguishes itself by drawing from scientific, artistic, social, and cosmological thought, gleaning the potentials for music to apply and advance interdisciplinary organizing principles and research in revealing the collective knowledge that connects us to our universe. Biological structure and models of evolution inform the percussion and computer work Zones of Influence (1984–85), as a virtuoso performer’s melodies take the role of DNA, providing genetic information which then is transformed, mutated, and redistributed through the course of the work into a new multipart counterpoint. Recent technological advances in neuroscience have caught up with Rosenboom’s "brainwave music" theories of the 1960s and 70s, facilitating a new piece, Ringing Minds (2014), wherein a group of people’s neuralnetwork signals can act as one to become the artistic material initiating musical experience. And the massive conceptual work How Much Better If Plymouth Rock Had Landed on the Pilgrims (1969–1971) places strict musical order into decidedly conflicting relationships with both subharmonic frequencies and crosscultural music genres and forms. This rare opportunity to hear a careerspanning survey of Rosenboom's important work makes clear that his uniquely produced systems communicate something highly substantive—both in their musical results and their theoretical abstractions.
Rosenboom will be joined by a range of distinguished performers including William Winant, I Nyoman Wenten, Swapan Chaudhuri, Aashish Khan, Vinny Golia, Daniel Rosenboom, and visual artist Tony Martin, among others.
Propositional Music is presented by ISSUE Project Room in collaboration with the Whitney Museum of American Art; organized by Tommy McCutchon and Lawrence Kumpf with Jay Sanders, Curator of Performance at the Whitney.
Propositional Music
22 – 24 May 2015
Propositional Music is a three-day concert series presented by ISSUE Project Room in collaboration with the Whitney Museum of American Art, celebrating fifty years of pioneering work by composer, performer, conductor, author and educator David Rosenboom. In this series, Rosenboom and many longtime collaborators present a selection of his major works of experimental music spanning a half-century, from Continental Divide (1964) through Ringing Minds (2014).
As the series title suggests, his disparate artistic practice is connected by a relentless inquisitive nature, which has often placed Rosenboom outside the narratives of avantgarde composition, Minimalism, and free improvisation, though he has fundamentally contributed to and collaborated with these artistic communities. His work distinguishes itself by drawing from scientific, artistic, social, and cosmological thought, gleaning the potentials for music to apply and advance interdisciplinary organizing principles and research in revealing the collective knowledge that connects us to our universe. Biological structure and models of evolution inform the percussion and computer work Zones of Influence (1984–85), as a virtuoso performer’s melodies take the role of DNA, providing genetic information which then is transformed, mutated, and redistributed through the course of the work into a new multipart counterpoint. Recent technological advances in neuroscience have caught up with Rosenboom’s "brainwave music" theories of the 1960s and 70s, facilitating a new piece, Ringing Minds (2014), wherein a group of people’s neuralnetwork signals can act as one to become the artistic material initiating musical experience. And the massive conceptual work How Much Better If Plymouth Rock Had Landed on the Pilgrims (1969–1971) places strict musical order into decidedly conflicting relationships with both subharmonic frequencies and crosscultural music genres and forms. This rare opportunity to hear a careerspanning survey of Rosenboom's important work makes clear that his uniquely produced systems communicate something highly substantive—both in their musical results and their theoretical abstractions.
Rosenboom will be joined by a range of distinguished performers including William Winant, I Nyoman Wenten, Swapan Chaudhuri, Aashish Khan, Vinny Golia, Daniel Rosenboom, and visual artist Tony Martin, among others.
Propositional Music is presented by ISSUE Project Room in collaboration with the Whitney Museum of American Art; organized by Tommy McCutchon and Lawrence Kumpf with Jay Sanders, Curator of Performance at the Whitney.