Der Mucha – An Initial Suspicion
03 Sep 2022 - 22 Jan 2023
Ahlen Program / Kleeth, [2019] 2007 / 2019, (Courtesy Mucha and Sprüth Magers)
['45] – Nothing signed in Forty-five, 2005 (private collection, Frankfurt),
Karstadt Sport / Bullay, 2016 (Courtesy Mucha and Lia Rumma Gallery, Milan/Naples)
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
['45] – Nothing signed in Forty-five, 2005 (private collection, Frankfurt),
Karstadt Sport / Bullay, 2016 (Courtesy Mucha and Lia Rumma Gallery, Milan/Naples)
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
The Figure-Ground Problem in Baroque Architecture (for you alone only the grave remains), [2022] 1985
© muchaArchiv
Installation view, North Rhine-Westphalia Art Collection, Düsseldorf, 2022
Photo: Achim Kukulies
© muchaArchiv
Installation view, North Rhine-Westphalia Art Collection, Düsseldorf, 2022
Photo: Achim Kukulies
Waiting Room, [1997], [1986] 1979-1982
Multi-part sculptural room installation
Courtesy Mucha and Sprüth Magers
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Multi-part sculptural room installation
Courtesy Mucha and Sprüth Magers
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Untitled (Bonn), 1983
Herbert Foundation, Ghent
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Herbert Foundation, Ghent
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Head Dictations, [1990] 1980
Sculptural room installation
North Rhine-Westphalia Art Collection, Düsseldorf
Acquired 2004, formerly in the Ackermans collection
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Sculptural room installation
North Rhine-Westphalia Art Collection, Düsseldorf
Acquired 2004, formerly in the Ackermans collection
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
The Germany Device, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Düsseldorf [2021], [2002], XLIV Biennale di Venezia, German Pavilion, Venice
Multi-part sculptural room installation
North Rhine-Westphalia Art Collection, Düsseldorf
Erworben 2004, formerly in the Ackermans collection
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Multi-part sculptural room installation
North Rhine-Westphalia Art Collection, Düsseldorf
Erworben 2004, formerly in the Ackermans collection
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Frankfurter Block, [2016], [2014] 2012
13-part work ensemble
Courtesy Mucha and Sprüth Magers and Galerie Bärbel Grässlin, Frankfurt am Main
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
13-part work ensemble
Courtesy Mucha and Sprüth Magers and Galerie Bärbel Grässlin, Frankfurt am Main
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Stockholm Room (For Rafael Moneo), [1998] 1998
5-part work ensemble
Museo Nacional Centro de Arte Reina Sofia, Madrid
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
5-part work ensemble
Museo Nacional Centro de Arte Reina Sofia, Madrid
© muchaArchiv/ VG Bild-Kunst Bonn, 2022
Installation view: North Rhine-Westphalia Art Collection, Düsseldorf
Photo: Achim Kukulies
Reinhard Mucha’s oeuvre, with its redefinition of sculpture, photography, and installation, is considered one of the most important artistic positions from the 1980s to the present. With the exhibition dedicated to the artist, who was born in Düsseldorf in 1950, the Kunstsammlung Nordrhein-Westfalen will unite long unseen installations with works from all creative phases at its two venues, K20 and K21, starting on September 3, 2022, thus creating a panorama that spans more than four decades of artistic work.
Der Mucha – An Initial Suspicion is the first major survey exhibition of the Düsseldorf-based artist since the double exhibition at the Kunsthalle Bern and the Kunsthalle Basel in 1987. During his studies at the Düsseldorf Academy of Art from 1975 to 1982, Mucha had already exhibited works that were groundbreaking for the artistic developments of the 1980s and beyond. This applies in particular to the significance of his multifaceted oeuvre in relation to the genre of installation, the institution-critical reflection of the art exhibition industry and the museum, and the handling of material in art, as well as to the awareness of history and the reflection of society. Especially when his works are experienced in context, contemporary and industrial history, as well as echoes of pop culture, are intertwined with the artist’s biography. In this way, Mucha succeeds in weaving together seemingly disparate thematic approaches into complex, meaning-laden structures of high sensual quality.
Der Mucha – An Initial Suspicion
With the title of the exhibition, Mucha refers back to the restaurant guide DER MUCHA, which was widespread in Austria in the 1980s and on which the design of the exhibition catalog is also based. Taking up Mucha’s almost sculptural handling of language and words, the Kunstsammlung Nordrhein-Westfalen pursues the initial suspicion that his oeuvre needs to be explored anew in its entire breadth.
Curator: Falk Wolf
Der Mucha – An Initial Suspicion is the first major survey exhibition of the Düsseldorf-based artist since the double exhibition at the Kunsthalle Bern and the Kunsthalle Basel in 1987. During his studies at the Düsseldorf Academy of Art from 1975 to 1982, Mucha had already exhibited works that were groundbreaking for the artistic developments of the 1980s and beyond. This applies in particular to the significance of his multifaceted oeuvre in relation to the genre of installation, the institution-critical reflection of the art exhibition industry and the museum, and the handling of material in art, as well as to the awareness of history and the reflection of society. Especially when his works are experienced in context, contemporary and industrial history, as well as echoes of pop culture, are intertwined with the artist’s biography. In this way, Mucha succeeds in weaving together seemingly disparate thematic approaches into complex, meaning-laden structures of high sensual quality.
Der Mucha – An Initial Suspicion
With the title of the exhibition, Mucha refers back to the restaurant guide DER MUCHA, which was widespread in Austria in the 1980s and on which the design of the exhibition catalog is also based. Taking up Mucha’s almost sculptural handling of language and words, the Kunstsammlung Nordrhein-Westfalen pursues the initial suspicion that his oeuvre needs to be explored anew in its entire breadth.
Curator: Falk Wolf